Front Cover: This issue of New Hibernia Review presents the second of four lesser-known works by the artist Seán Keating (1889–1977) that will appear on our 2013 volume, in this case a work titled Reflection in a Mirror.
Like the self-portrait that was featured on our previous cover, this painting was only recently found, and was very dirty at the time of its discovery. It was painted some time around 1912 or 1913, and very much reflects the teaching concerns
of William Orpen, with whom Keating studied at the Metropolitan School of Art in Dublin: attention to detail, atmosphere, material, and the use of reflection.
The recent conservation revealed that, although the statue staring into the mirror is carved from marble, her reflection is actually human. The painting is surely a comment on the ancient Greek sculptor, Pygmalion, who fell in love with his statue of a beautiful woman. The statue, in turn, became human as a result of a blessing from Venus. Reflection in a Mirror is the earliest example of Keating’s
intellectual preoccupation with allegorical meaning in his work. Keating went on to become one of the best-known Irish allegorical painters of his age.
The painting is now held in a private collection. We thank the Keating Estate
for kind permission to present this image. We are grateful to Dr. Éimear O’Connor of the TRIARC-Irish Art Research Centre at Trinity College Dublin, and a member of our editorial board, whose study Seán Keating: Art, Politics and Building the Nation (ISBN-10: 0716531615) was published this spring by Irish Academic
Press. Dr. O’Connor has generously assisted us in presenting this memorable
work to our readers, and also helped in composing this note.