In this Issue

Table of Contents

Charlotte Perriand, Ball-Bearings, and Modernist Jewelry

Simon Bliss
pp. 169-188
DOI: https://doi.org/10.1353/mod.2013.0040
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La Roue: Movies, Modernity, Machine, Mind

Lucy Fischer
pp. 189-211
DOI: https://doi.org/10.1353/mod.2013.0042
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Monocles on Modernity

Marius Hentea
pp. 213-237
DOI: https://doi.org/10.1353/mod.2013.0050
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One Man's Meat is Another Man's Poetry: Masculinity And Metaphor in the Work of Vladimir Maiakovskii

Connor Doak
pp. 239-264
DOI: https://doi.org/10.1353/mod.2013.0044
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The Transnational Frequency of Radio Connectivity in Langston Hughes's 1940s Poetics

Janet Neigh
pp. 265-285
DOI: https://doi.org/10.1353/mod.2013.0046
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Edward Upward, W.H. Auden, and the Rhetorical Victories of Communism

Benjamin Kohlmann
pp. 287-306
DOI: https://doi.org/10.1353/mod.2013.0029
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Furnishing Modernist Fiction: The Aesthetics of Refuse

Kevin Trumpeter
pp. 307-326
DOI: https://doi.org/10.1353/mod.2013.0048
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Violence in Mind and Body: Jünger's Heart, Brecht's Brain, and Döblin's Hand

Derek Hillard
pp. 327-348
DOI: https://doi.org/10.1353/mod.2013.0052
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Witness Outside History: Play for Alteration in Modern Chinese Culture

Yingjin Zhang
pp. 349-369
DOI: https://doi.org/10.1353/mod.2013.0031
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A Messier Coherence: Inventing Abstraction at the Museum of Modern Art

Alexander Alberro
pp. 371-381
DOI: https://doi.org/10.1353/mod.2013.0038
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The Legacies of J. W. Power, Artistic and Financial

Eileen Chanin
pp. 383-388
DOI: https://doi.org/10.1353/mod.2013.0054
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American Night: The Literary Left in the Era of the Cold War by Alan M. Wald (review)

Milton A. Cohen
pp. 389-391
DOI: https://doi.org/10.1353/mod.2013.0033
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The Worlds of Langston Hughes: Modernism and Translation in the Americas by Vera M. Kutzinski (review)

Rachel Farebrother
pp. 391-393
DOI: https://doi.org/10.1353/mod.2013.0028
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The American H. D. by Annette Debo (review)

Alice Kelly
pp. 393-395
DOI: https://doi.org/10.1353/mod.2013.0051
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Hemingway, Race, and Art: Bloodlines and the Color Line by Marc Kevin Dudley (review)

Doreen Fowler
pp. 395-397
DOI: https://doi.org/10.1353/mod.2013.0047
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Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley, and the Ends of Patriarchal Poetry by Rachel Blau DuPlessis (review)

Joseph Harrington
pp. 397-399
DOI: https://doi.org/10.1353/mod.2013.0043
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Painted Men in Britain, 1868-1918: Royal Academicians and Masculinities by Jongwoo Jeremy Kim (review)

Temma Balducci
pp. 399-401
DOI: https://doi.org/10.1353/mod.2013.0039
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The Promise of Memory: Childhood Recollection and Its Objects in Literary Modernism by Lorna Martens (review)

Leigh Wilson
pp. 401-403
DOI: https://doi.org/10.1353/mod.2013.0035
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Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno by Miriam Bratu Hansen (review)

James McFarland
pp. 403-405
DOI: https://doi.org/10.1353/mod.2013.0030
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The Pursuit of the Nazi Mind: Hitler, Hess, and the Analysts by Daniel Pick (review)

Benjamin Poore
pp. 405-407
DOI: https://doi.org/10.1353/mod.2013.0053
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Modernitalia by Jeffrey T. Schnapp (review)

John Champagne
pp. 407-409
DOI: https://doi.org/10.1353/mod.2013.0049
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Cultivating the Masses: Modern State Practices and Soviet Socialism, 1914-1939 by David L. Hoffmann (review)

Mark Soderstrom
pp. 409-411
DOI: https://doi.org/10.1353/mod.2013.0045
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Lao She in London by Anne Witchard (review)

Shiao-ling Yu
pp. 411-413
DOI: https://doi.org/10.1353/mod.2013.0041
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Synge and Edwardian Ireland ed. by Brian Cliff and Nicholas Grene (review)

Michael McAteer
pp. 413-415
DOI: https://doi.org/10.1353/mod.2013.0037
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Collaborative Dubliners: Joyce in Dialogue ed. by Vicki Mahaffey (review)

Brian Dillon
pp. 415-418
DOI: https://doi.org/10.1353/mod.2013.0032
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Bellissima dir. by Luchino Visconti (review)

Peter Kravanja
pp. 419-422
DOI: https://doi.org/10.1353/mod.2013.0034
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Recent Books of Interest

pp. 423-425
DOI: https://doi.org/10.1353/mod.2013.0036
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