In this Issue

Table of Contents

Fiction

Aritha Van Herk
pp. 1-25
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Fiction 2

T. L. Craig
pp. 26-45
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Romans et nouvelles

Lori Saint-Martin
pp. 46-66
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Poetry

Rhea Tregebov
pp. 66-83
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Drama

Richard Paul Knowles
pp. 84-106
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Théâtre

Mariel O’Neill-Karch
pp. 106-119
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Translations

Jane Koustas
pp. 120-136
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Relmagining Women: Representations of Women in Culture by Shirley Neuman, Glennis Stephenson (review)

Sarah Westphal
pp. 136-139
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Apocalypse Jazz by Maggie Helwig (review)

Mark Fortier
pp. 139-140
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Animal Victims in Modern Fiction: From Sanctity to Sacrifice by Marian Scholtmeijer (review)

Brian Patton
pp. 141-142
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The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle ed. by Robert A. Taylor et al. (review)

Paul E. Szarmach
pp. 142-144
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Henry V by Anthony Brennan (review)

Anne Lancashire
pp. 144-146
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Shakespeare’s Comic Commonwealths by Camille Wells Slights (review)

Alexander Leggatt
pp. 146-148
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Much Ado about Nothing by William Shakespeare (review)

Anthony B. Dawson
pp. 148-150
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Pseudo-Martyr by John Donne (review)

Graham Roebuck
pp. 150-153
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Unsex’d Revolutionaries: Five Women Novelists of the 1790s by Eleanor Ty (review)

Mervyn Nicholson
pp. 153-156
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Blake, Kierkegaard, and the Spectre of Dialectic by Lorraine Clark (review)

Angela Esterhammer
pp. 156-158
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The Hand of the Arch-Sinner: Two Angrian Chronicles of Branwell Brontë, A Reader’s Edition ed. by Robert G. Collins (review)

Kate Lawson
pp. 158-160
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Literary Capital and the Late Victorian Novel by N.N. Feltes (review)

Peter Allen
pp. 160-162
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Criticism in Focus: Thomas Hardy by Charles Lock (review)

Peter J. Casagrande
pp. 162-164
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The Disruption of the Feminine in Henry James by Priscilla L. Walton (review)

William R. Macnaughton
pp. 164-165
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George Bernard Shaw and Christopher Newton: Explorations of Shavian Theatre by Keith Garebian (review)

Sheila Rabillard
pp. 165-166
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The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult by Leon Surette (review)

Paul Endo
pp. 167-168
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F. R. Leavis by Anne Samson (review)

R. P. Billan
pp. 168-171
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Fictions of the Irish Literary Revival: A Changeling Art by John Wilson Foster, and: Colonial Consequences: Essays in Irish Literature and Culture by John Wilson Foster (review)

John Lavery
pp. 172-175
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Come Back to Me My Language: Poetry and the West Indies by J. Edward Chamberlin (review)

Victor J. Ramraj
pp. 175-177
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Canadian Exploration Literature: An Anthology ed. by Germaine Warkentin (review)

Edward Parkinson
pp. 177-179
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The Gay]Grey Moose: Essays on the Ecologies and Mythologies of Canadian Poetry 1690–1990 by D.M.R. Bentley (review)

Brian Trehearne
pp. 179-184
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ECW’s Biographical Guide to Canadian Novelists, and: ECW’s Biographical Guide to Canadian Poets (review)

John Orange
pp. 184-186
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Mapping Our Selves: Canadian Women’s Autobiography in English by Helen Buss (review)

Marlene Goldman
pp. 188-190
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Wild Mother Dancing: Maternal Narrative in Canadian Literature by Di Brandt (review)

Christy Carlson
pp. 190-194
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Women on the Canadian Stage: The Legacy of Hrotsvit ed. by Rita Much (review)

Rosalind Kerr
pp. 194-196
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Post-National Arguments: The Politics of the Anglophone-Canadian Novel since 1967 by Frank Davey (review)

Glenn Willmott
pp. 196-198
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George Grant: A Biography by William Christian (review)

Heather Murray
pp. 198-200
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Silence Made Visible. Howard O’Hagan and Tay John ed. by Margery Fee (review)

Leslie Monkan
pp. 200-202
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The Fragrance of Sweet-Grass: L.M. Montgomery’s Heroines and the Pursuit of Romance by Elizabeth Rollins Epperly (review)

Lalage Grauer
pp. 202-203
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The Collected Poetry of Malcolm Lowry ed. by Kathleen Scherf (review)

Patrick A. McCarthy
pp. 203-206
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Fortune, My Foe and Eros at Breakfast by Robertson Davies, and: Reading and Writing by Robertson Davies, and: Jezebel by Robertson Davies (review)

W. J. Keith
pp. 206-209
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A Barfield Sampler: Poetry and Fiction by Owen Barfield (review)

Charles Lock
pp. 209-211
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Myth, Origins, Magic: A Study of Form in Eli Mandel’s Writing by Andrew Stubbs (review)

Norman Ravvin
pp. 211-213
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‘That House in Manawaka’: Margaret Laurence’s ‘A Bird in the House’ by Jon Kertzer, and: Rachel’s Children: Margaret Laurence’s ‘A Jest of God’ by Nora Stovel, and: River of Now and Then: Margaret Laurence’s ‘The Diviners’ by Susan J. Warwick (review)

Elizabeth Thompson
pp. 213-216
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Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood by J. Brooks Bouson (review)

Marilyn J. Rose
pp. 216-218
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A Sourcery for Books 1 and 2 of bpNichol’s ‘The Marlyrology’ by Irene Niechoda (review)

Adam Carter
pp. 218-220
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Reaching for the Beaufort Sea: An Autobiography ed. by Al Purdy (review)

Russell Brown
pp. 221-224
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Challenges, Projects, Texts: Canadian Editing/Défis, Projets et Textes dans L’édition Critique au Canada ed. by John Lennox and Janet M. Paterson (review)

Katherine Acheson
pp. 224-226
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Formation de l’imaginaire littéraire au Québec (1764–1867) by Maurice Lemire (review)

Bernard Andrès
pp. 226-230
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Charles ab der Halden. Portrait d’un inconnu by Marie-Andrée Beaudet (review)

Anneite Hayward
pp. 230-233
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La Vie littéraire au Québec. Vol 2: le projet national des Canadiens, 1806–1839 by Maurice Lemire (review)

Jack Warwick
pp. 233-234
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A Karenina Companion by C.J.G. Turner (review)

Donna Orwin
pp. 234-236
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‘The Talented Intruder’: Wyndham Lewis in Canada, 1939–1945 by Catharine M. Mastin (review)

Christine Boyanoski
pp. 236-238
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Speaking Parts by Atom Egoyan (review)

Bart Testa
pp. 238-241
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Meeting Freud’s Family by Paul Roazen (review)

Cyril Greenland
pp. 241-243
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Index to Books Reviewed

pp. 248-253
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George Woodcock’s Introduction to Canadian Fiction by George Woodcock, and: George Woodcock’s Introduction to Canadian Poetry by George Woodcock (review)

Barbara Pell
pp. 186-188
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Four Centuries of Special Geography: An Annotated Guide to Books that Purport to Describe All the Countries in the World Published in English before 1888, with a Critical Introduction by O.F.G. Sitwell (review)

Alan Bewell
pp. 243-245
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Contributors

pp. 246-247
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