1. Fiction
  2. Aritha Van Herk
  3. pp. 1-25
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  1. Fiction 2
  2. T. L. Craig
  3. pp. 26-45
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  1. Romans et nouvelles
  2. Lori Saint-Martin
  3. pp. 46-66
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  1. Poetry
  2. Rhea Tregebov
  3. pp. 66-83
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  1. Drama
  2. Richard Paul Knowles
  3. pp. 84-106
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  1. Théâtre
  2. Mariel O’Neill-Karch
  3. pp. 106-119
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  1. Translations
  2. Jane Koustas
  3. pp. 120-136
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  1. Relmagining Women: Representations of Women in Culture by Shirley Neuman, Glennis Stephenson (review)
  2. Sarah Westphal
  3. pp. 136-139
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  1. Apocalypse Jazz by Maggie Helwig (review)
  2. Mark Fortier
  3. pp. 139-140
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  1. Animal Victims in Modern Fiction: From Sanctity to Sacrifice by Marian Scholtmeijer (review)
  2. Brian Patton
  3. pp. 141-142
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  1. Henry V by Anthony Brennan (review)
  2. Anne Lancashire
  3. pp. 144-146
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  1. Shakespeare’s Comic Commonwealths by Camille Wells Slights (review)
  2. Alexander Leggatt
  3. pp. 146-148
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  1. Much Ado about Nothing by William Shakespeare (review)
  2. Anthony B. Dawson
  3. pp. 148-150
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  1. Pseudo-Martyr by John Donne (review)
  2. Graham Roebuck
  3. pp. 150-153
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  1. Unsex’d Revolutionaries: Five Women Novelists of the 1790s by Eleanor Ty (review)
  2. Mervyn Nicholson
  3. pp. 153-156
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  1. Blake, Kierkegaard, and the Spectre of Dialectic by Lorraine Clark (review)
  2. Angela Esterhammer
  3. pp. 156-158
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  1. The Hand of the Arch-Sinner: Two Angrian Chronicles of Branwell Brontë, A Reader’s Edition ed. by Robert G. Collins (review)
  2. Kate Lawson
  3. pp. 158-160
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  1. Literary Capital and the Late Victorian Novel by N.N. Feltes (review)
  2. Peter Allen
  3. pp. 160-162
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  1. Criticism in Focus: Thomas Hardy by Charles Lock (review)
  2. Peter J. Casagrande
  3. pp. 162-164
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  1. The Disruption of the Feminine in Henry James by Priscilla L. Walton (review)
  2. William R. Macnaughton
  3. pp. 164-165
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  1. George Bernard Shaw and Christopher Newton: Explorations of Shavian Theatre by Keith Garebian (review)
  2. Sheila Rabillard
  3. pp. 165-166
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  1. The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult by Leon Surette (review)
  2. Paul Endo
  3. pp. 167-168
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  1. F. R. Leavis by Anne Samson (review)
  2. R. P. Billan
  3. pp. 168-171
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  1. Come Back to Me My Language: Poetry and the West Indies by J. Edward Chamberlin (review)
  2. Victor J. Ramraj
  3. pp. 175-177
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  1. Canadian Exploration Literature: An Anthology ed. by Germaine Warkentin (review)
  2. Edward Parkinson
  3. pp. 177-179
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  1. The Gay]Grey Moose: Essays on the Ecologies and Mythologies of Canadian Poetry 1690–1990 by D.M.R. Bentley (review)
  2. Brian Trehearne
  3. pp. 179-184
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  1. ECW’s Biographical Guide to Canadian Novelists, and: ECW’s Biographical Guide to Canadian Poets (review)
  2. John Orange
  3. pp. 184-186
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  1. Mapping Our Selves: Canadian Women’s Autobiography in English by Helen Buss (review)
  2. Marlene Goldman
  3. pp. 188-190
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  1. Wild Mother Dancing: Maternal Narrative in Canadian Literature by Di Brandt (review)
  2. Christy Carlson
  3. pp. 190-194
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  1. Women on the Canadian Stage: The Legacy of Hrotsvit ed. by Rita Much (review)
  2. Rosalind Kerr
  3. pp. 194-196
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  1. Post-National Arguments: The Politics of the Anglophone-Canadian Novel since 1967 by Frank Davey (review)
  2. Glenn Willmott
  3. pp. 196-198
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  1. George Grant: A Biography by William Christian (review)
  2. Heather Murray
  3. pp. 198-200
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  1. Silence Made Visible. Howard O’Hagan and Tay John ed. by Margery Fee (review)
  2. Leslie Monkan
  3. pp. 200-202
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  1. The Fragrance of Sweet-Grass: L.M. Montgomery’s Heroines and the Pursuit of Romance by Elizabeth Rollins Epperly (review)
  2. Lalage Grauer
  3. pp. 202-203
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  1. The Collected Poetry of Malcolm Lowry ed. by Kathleen Scherf (review)
  2. Patrick A. McCarthy
  3. pp. 203-206
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  1. A Barfield Sampler: Poetry and Fiction by Owen Barfield (review)
  2. Charles Lock
  3. pp. 209-211
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  1. Myth, Origins, Magic: A Study of Form in Eli Mandel’s Writing by Andrew Stubbs (review)
  2. Norman Ravvin
  3. pp. 211-213
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  1. Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood by J. Brooks Bouson (review)
  2. Marilyn J. Rose
  3. pp. 216-218
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  1. A Sourcery for Books 1 and 2 of bpNichol’s ‘The Marlyrology’ by Irene Niechoda (review)
  2. Adam Carter
  3. pp. 218-220
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  1. Reaching for the Beaufort Sea: An Autobiography ed. by Al Purdy (review)
  2. Russell Brown
  3. pp. 221-224
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  1. Formation de l’imaginaire littéraire au Québec (1764–1867) by Maurice Lemire (review)
  2. Bernard Andrès
  3. pp. 226-230
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  1. Charles ab der Halden. Portrait d’un inconnu by Marie-Andrée Beaudet (review)
  2. Anneite Hayward
  3. pp. 230-233
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  1. La Vie littéraire au Québec. Vol 2: le projet national des Canadiens, 1806–1839 by Maurice Lemire (review)
  2. Jack Warwick
  3. pp. 233-234
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  1. A Karenina Companion by C.J.G. Turner (review)
  2. Donna Orwin
  3. pp. 234-236
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  1. ‘The Talented Intruder’: Wyndham Lewis in Canada, 1939–1945 by Catharine M. Mastin (review)
  2. Christine Boyanoski
  3. pp. 236-238
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  1. Speaking Parts by Atom Egoyan (review)
  2. Bart Testa
  3. pp. 238-241
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  1. Meeting Freud’s Family by Paul Roazen (review)
  2. Cyril Greenland
  3. pp. 241-243
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  1. Index to Books Reviewed
  2. pp. 248-253
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  1. Contributors
  2. pp. 246-247
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