1. Malcolm Rains's Samothrace (1991)
  2. Linda Hutcheon
  3. pp. 400-402
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  1. ‘Consumed with that which it was nourished by’: Will Gorlitz's Literary Landscapes
  2. Peter O'Brien
  3. pp. 403-410
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  1. Reflections on Being Born in a Group of Seven Canvas That Is Magically Transformed into a Sensuous Eleanor Bond Painting
  2. Mel Watkins
  3. pp. 411-416
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  1. First Steps: Auntie Emily Lends a Hand
  2. Vera Frenkel
  3. pp. 417-419
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  1. Autour de Sereine carrière de Paul-Emile Borduas: une obscure clarté venue du fond d'un espace intérieur en transformation continuelle
  2. Michel Lord
  3. pp. 421-425
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  1. J.M.W. Turner’s Pembroke Castle: Clearing Up of a Thunderstorm (1806)
  2. Alan Bewell
  3. pp. 426-429
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  1. Storytelling, History, and Identity in William Pars's Portrait of Three Friends
  2. Karen Stanworth
  3. pp. 430-443
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  1. Edward Burne-Jones and Pre-Raphaelite Melancholy
  2. W. David Shaw
  3. pp. 444-452
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  1. What Was the Matter with the ‘Fair Correspondent’?
  2. Edward Shorter
  3. pp. 453-458
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  1. Henri Fantin-Latour's Ariane abandonnée
  2. Mitchell Frank
  3. pp. 459-466
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  1. The Maw Tiles from Sherborne Villa
  2. Douglas Richardson
  3. pp. 467-475
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  1. Reintroducing Satire
  2. John Clement Ball
  3. pp. 476-479
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  1. David Jones
  2. William Blissett
  3. pp. 479-485
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  1. Canadian Critical Editions
  2. David M. Hayne
  3. pp. 485-487
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  1. Walking, Literature, and English Culture
  2. Kenneth M. McKay
  3. pp. 487-488
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  1. Contributors
  2. p. i
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  1. Introduction: Art in the University of Toronto Collections
  2. Elizabeth Legge
  3. pp. 395-399
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