1. True Confessions: Opera, Literature, History
  2. Caryl Clark, Allan Hepburn
  3. pp. 739-743
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  1. Voices of Opera: Performance, Production, Interpretation
  2. Mike Doherty, Erika Reiman
  3. pp. 744-749
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  1. The Sea and the Stars and the Wastes of the Desert
  2. Roger Parker
  3. pp. 750-760
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  1. The Love-Death Opera: Interdisciplinary Approaches to Richard Wagner's Tristan und Isolde
  2. p. 761
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  1. Richard Wagner's Adaptation of Gottfried von Straßburg's Tristan
  2. Helmut Reichenbächer
  3. pp. 762-767
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  1. The ‘Tristan Chord’ as Music-Historical Metaphor
  2. Erika Reiman
  3. pp. 768-773
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  1. Night and Light in Wagner's Tristan und Isolde and Novalis's Hymnen an die Nacht: Inversion and Transfiguration
  2. Jill Scott
  3. pp. 774-780
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  1. Redemption Revalued in Tristan und Isolde: Schopenhauer, Wagner, Nietzsche
  2. R.J.A. Kilbourn
  3. pp. 781-788
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  1. ‘Alles was ist, endet’: Living with the Knowledge of Death in Richard Wagner's Der Ring des Nibelungen
  2. Linda Hutcheon, Michael Hutcheon
  3. pp. 789-811
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  1. Hans Pfitzner's Palestrina and the Impotence of Early Lateness
  2. Stephen McClatchie
  3. pp. 812-827
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  1. A Fan's Apostasy
  2. Wayne Koestenbaum
  3. pp. 828-840
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  1. Contributors
  2. p. i
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  1. Contents of Volume 67, Numbers 2–4, 1997/8
  2. p. 841
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