1. Canadian in the End?
  2. Casie Hermansson
  3. pp. 807-822
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  1. Souveraineté et détournement du regard dans les nouvelles de Marguerite Andersen
  2. François Paré
  3. pp. 823-834
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  1. Remarques sur la nouvelle
  2. Marguerite Andersen
  3. pp. 835-837
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  1. Le genre dominant du XXIe siècle
  2. Gaëtan Brulotte
  3. pp. 838-840
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  1. ‘It was about vanishing’: A Glimpse of Alice Munro's Stories
  2. Mark Levene
  3. pp. 841-860
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  1. Les masques de l'écriture: Cet imperceptible mouvement de Aude
  2. Claudine Potvin
  3. pp. 861-871
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  1. La fulgurante
  2. Aude
  3. p. 872
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  1. Sur l'écriture de la nouvelle
  2. Hélène Rioux
  3. pp. 873-874
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  1. What's the Point?
  2. Sharon Butala
  3. pp. 875-877
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  1. Short Story vs Novel
  2. Greg Hollingshead
  3. pp. 878-879
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  1. La mécanique des corps terrestres dans La vie passe comme une étoile filante de Diane-Monique Daviau
  2. Nicole Côté
  3. pp. 880-891
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  1. La nouvelle ou la vie
  2. Esther Croft
  3. pp. 892-893
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  1. Devant un miroir
  2. Gilles Pellerin
  3. pp. 894-897
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  1. Reading Mavis Gallant's 1940s in the 1990s: ‘The Fenton Child’
  2. Neil Besner
  3. pp. 898-908
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  1. Retour dans le moment de l'ange
  2. André Carpentier
  3. pp. 909-920
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  1. A Quick Eloquence
  2. Val Ross
  3. pp. 921-922
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  1. Deux volets sur le même genre
  2. André Berthiaume
  3. pp. 923-924
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  1. Scant Articulations of Time
  2. Aritha van Herk
  3. pp. 925-938
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  1. Du formalisme ou des jeux formels
  2. Hugues Corriveau
  3. pp. 939-940
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  1. Le collectionneur de fragments. Notes sur un nouvellier baroque: Hugues Corriveau
  2. Michel Lord
  3. pp. 941-953
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  1. Introduction
  2. Mark Levene, Michel Lord
  3. pp. 805-806
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  1. Contributors/Collaborateurs
  2. pp. 954-955
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  1. Contents of Volume 68, Numbers 2–4, 1998/9
  2. pp. 956-957
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