1. The Oedipus Complex Made Simple
  2. Naomi Morgenstern
  3. pp. 777-788
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  1. Spatio-Temporal Dynamics in Sophocles' Oedipus the King
  2. Martin Revermann
  3. pp. 789-800
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  1. ‘Un cadeau très macabre’
  2. Richard Taruskin
  3. pp. 801-816
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  1. Oedipus and the Riddle of the New Media: François Girard at the Canadian Opera Company
  2. Pia Kleber, Jörg Bochow
  3. pp. 817-826
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  1. Handel: ‘A necromancer in the midst of his own enchantments’
  2. Ellen T. Harris
  3. pp. 832-849
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  1. Reception of Handel Operas, Then and Now
  2. Mary Ann Parker
  3. pp. 850-857
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  1. Alcina in Arcadia
  2. Domenico Pietropaolo
  3. pp. 858-869
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  1. Contributors
  2. pp. i-ii
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  1. Editors' Preface: Opera and Interdisciplinarity
  2. Caryl Clark, Linda Hutcheon
  3. p. 769
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  1. Introduction: A Plague on Your (Opera) Houses
  2. Linda Hutcheon, Michael Hutcheon
  3. pp. 770-776
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  1. Introduction: Sorcerers and Sorceresses
  2. Caryl Clark
  3. pp. 827-831
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  1. Contents of Volume 72, Numbers 2–4, 2002/3
  2. p. 871
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