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Table of Contents

  1. The (W)hole in the Text: A Hermeneutic Reading of Marguerite Duras's La Pluie d'ete
  2. Lisa F. Signori
  3. pp. 3-10
  4. DOI: https://doi.org/10.1353/rmc.2013.0007
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  1. Pourquoi privilégier la poésie?: La réponse des "Récits" de Bonnefoy
  2. Darci L. Gardner
  3. pp. 11-20
  4. DOI: https://doi.org/10.1353/rmc.2013.0009
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  1. Chrétien de Troyes's Gettier Problem: Cligès, Lines 2048-89
  2. Brian J. Reilly
  3. pp. 21-25
  4. DOI: https://doi.org/10.1353/rmc.2013.0011
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  1. Disordered Topographies in Zola's La Curée
  2. Masha Belenky
  3. pp. 27-37
  4. DOI: https://doi.org/10.1353/rmc.2013.0001
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  1. "L'Oiseau, le vent, la vague": Baudelairian Resonances in Colette's La Vagabonde
  2. Hope Christiansen
  3. pp. 39-45
  4. DOI: https://doi.org/10.1353/rmc.2013.0003
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  1. La onomástica histórica en La camisa de Margarita
  2. José Manuel Hidalgo
  3. pp. 47-52
  4. DOI: https://doi.org/10.1353/rmc.2013.0005
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  1. The Devil's Perspective in El Greco's Alegoría de la Liga Santa, San Juan de la Cruz's Cántico espiritual, and Cervantes's La Numancia
  2. E. C. Graf
  3. pp. 53-64
  4. DOI: https://doi.org/10.1353/rmc.2013.0006
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  1. La deconstrucción del conocimiento en "El ángel caído" de Cristina Peri Rossi
  2. Sara A. Gottardi
  3. pp. 65-71
  4. DOI: https://doi.org/10.1353/rmc.2013.0008
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  1. The Weeping Brook: The Ophelia Complex in Lorca's Poetry
  2. Daphne A. Browning
  3. pp. 73-82
  4. DOI: https://doi.org/10.1353/rmc.2013.0010
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  1. Needles and Threads in Text(ile)s by Dolors Monserdà, Mercè Rodoreda, and Maria-Antònia Oliver
  2. Kathleen M. Glenn
  3. pp. 83-92
  4. DOI: https://doi.org/10.1353/rmc.2013.0000
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  1. The Age Of Utopia: Alfonso Reyes, Deep Time And The Critique Of Colonial Modernity
  2. Ignacio M. Sánchez Prado
  3. pp. 93-104
  4. DOI: https://doi.org/10.1353/rmc.2013.0002
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  1. Encuentros transnacionales en el cine español: Perpetuación del sujeto femenino silenciado en el Próximo Oriente
  2. Ana Corbalán
  3. pp. 105-115
  4. DOI: https://doi.org/10.1353/rmc.2013.0004
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