1. Women’s Fiction, New Modernist Studies, and Feminism
  2. Anne E. Fernald
  3. pp. 229-240
  4. DOI: 10.1353/mfs.2013.0024
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  1. Making it New: Persephone Books and the Modernist Project
  2. Urmila Seshagiri
  3. pp. 241-287
  4. DOI: 10.1353/mfs.2013.0026
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  1. Olive Moore’s Headless Woman
  2. Jane Garrity
  3. pp. 288-316
  4. DOI: 10.1353/mfs.2013.0028
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  1. Adultery Behind Purdah and the Politics of Indian Muslim Nationalism in Zeenuth Futehally’s Zohra
  2. Ambreen Hai
  3. pp. 317-345
  4. DOI: 10.1353/mfs.2013.0030
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  1. Dorothy Arzner’s Talkies: Gender, Technologies of Voice, and the Modernist Sensorium
  2. Sara Bryant
  3. pp. 346-372
  4. DOI: 10.1353/mfs.2013.0032
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  1. “Get on or Get Out”: Failure and Negative Femininity in Jean Rhys’s Voyage in the Dark
  2. Anne Cunningham
  3. pp. 373-394
  4. DOI: 10.1353/mfs.2013.0022
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  1. “At Least I get my dinners free”: Transgressive Dining in Marghanita Laski’s To Bed with Grand Music
  2. Andrea Adolph
  3. pp. 395-415
  4. DOI: 10.1353/mfs.2013.0023
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  1. “Her symbol was civil war”: Recovering Muriel Rukeyser’s Lost Spanish Civil War Novel
  2. Rowena Kennedy-Epstein
  3. pp. 416-439
  4. DOI: 10.1353/mfs.2013.0025
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  1. Modernism, Monsters, and Margaret Sanger
  2. Aimee Armande Wilson
  3. pp. 440-460
  4. DOI: 10.1353/mfs.2013.0027
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  1. 2012 Margaret Church MFS Memorial Prize
  3. p. 463
  4. DOI: 10.1353/mfs.2013.0031
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  1. Contributors
  3. pp. 461-462
  4. DOI: 10.1353/mfs.2013.0029
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