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In this Issue

Table of Contents

  1. ‘Se vedesti qui dentro’: Monteverdi’s ‘O Mirtillo, Mirtillo Anima mia’ and Artusi’s Offence
  2. Seth J. Coluzzi
  3. pp. 1-37
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  1. Moliére, Descartes, and the Practice of Comedy in the Intermezzo
  2. Keith Johnston
  3. pp. 38-77
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  1. Temporality in Nineteenth-Century Russian Music and the Notion of Development
  2. Benedict Taylor
  3. pp. 78-118
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  1. ‘What Never Was Has Ended’: Bach, Bergman, and the Beatles in Christopher Münch’s ‘The Hours and Times’
  2. Carlo Cenciarelli
  3. pp. 119-137
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Review Article

  1. Music Immutable: Heinrich Schenker’s ‘Der Tonwille’ in Translation
  2. Christopher Wintle
  3. pp. 138-145
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Reviews

  1. Night Music: Essays on Music 1928–1962 by Theodor W. Adorno (review)
  2. Nikolaus Bacht
  3. pp. 177-179
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  1. Sounds of Secrets: Field Notes on Ritual Music and Musical Instruments on the Islands of Vanuatu By Raymond Ammann (review)
  2. Anna Stirr
  3. pp. 198-200
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  1. Blackness in Opera ed. by Naomi André, Karen M. Bryan and Eric Saylor (review)
  2. Mark A. Pottinger
  3. pp. 170-172
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  1. Brazilian Popular Music and Citizenship ed. by Idelber Avelar, Christopher Dunn (review)
  2. Rogério Budasz
  3. pp. 190-193
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  1. Hans von Bülow: A Life for Music by Kenneth Birkin (review)
  2. Roger Allen
  3. pp. 166-168
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  1. Representations of Jews in the Musical Theater of the Habsburg Empire (1788–1807) by David J. Buch (review)
  2. Joshua S. Walden
  3. pp. 154-156
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  1. Performing Pain: Music and Trauma in Eastern Europe by Maria Cizmic (review)
  2. Ivana Medić
  3. pp. 193-196
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  1. Listening through the Noise: The Aesthetics of Experimental Music by Joanna Demers (review)
  2. Peter Manning
  3. pp. 187-190
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  1. Music and Decadence in European Modernism: The Case of Central and Eastern Europe by Stephen Downes (review)
  2. Sherry D. Lee
  3. pp. 175-177
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  1. From Harmony, from heav’nly Harmony by Giovanni Battista Draghi (review)
  2. Alan Howard
  3. pp. 146-149
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  1. Annotated Catalogue of Chopin’s First Editions by Christophe Grabowski and John Rink (review)
  2. Bertrand Jaeger, Delphine Mordey
  3. pp. 163-166
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  1. Wagner’s Ring in 1848: New Translations of the Nibelung Myth and Siegfried’s Death by Edward R. Haymes (review)
  2. Roger Allen
  3. pp. 168-170
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  1. Die Aufführungen der Opern von Richard Strauss im 20. Jahrhundert: Daten, Inszenierungen, Besetzungen, Band 2 by Günther Lesnig, and: Richard Strauss: A Musical Life by Raymond Holden (review)
  2. David Larkin
  3. pp. 172-175
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  1. Le Prophète: Edition, Konzeption, Rezeption by Giacomo Meyerbeer (review)
  2. Mark Everist
  3. pp. 159-163
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  1. The Baroque Libretto: Italian Operas and Oratorios in the Thomas Fisher Library at the University of Toronto by Domenico Pietropaolo and Mary Ann Parker (review)
  2. Michael Talbot
  3. pp. 149-152
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  1. American Muse: The Life and Times of William Schuman by Joseph W. Polisi, and: Orpheus in Manhattan: William Schuman and the Shaping of America’s Musical Life by Stephen Swayne, and: The Music of William Schuman, Vincent Persichetti, and Peter Mennin: Voices of Stone and Steel by Walter Simmons (review)
  2. Peter Dickinson
  3. pp. 179-182
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  1. Changing the Score: Arias, Prima Donnas, and the Authority of Performance by Hilary Poriss (review)
  2. Sean M. Parr
  3. pp. 156-159
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  1. Mozart and Enlightenment Semiotics by Stephen Rumph (review)
  2. Simon P. Keefe
  3. pp. 152-154
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  1. A Life in Pursuit of Music and Beauty by Gunther Schuller (review)
  2. Peter Dickinson
  3. pp. 182-184
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  1. The Cambridge Companion to Arvo Pärt ed. by Andrew Shenton (review)
  2. Christopher J. May
  3. pp. 184-187
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  1. Touraj Kiaras and Persian Classical Music: An Analytical Perspective by Owen Wright (review)
  2. Martin Stokes
  3. pp. 196-198
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  1. Correspondence: To the Editors of ‘Music & Letters’
  2. Robert Mullally
  3. p. 201
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  1. Recipients of ‘Music & Letters’ Awards
  3. p. 202
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  1. ‘Music & Letters’ Awards
  3. p. 204
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  1. Authors of Articles in this Issue
  3. p. 204
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  1. Books Received
  3. p. 205
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