From: Music and Letters

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  Volume 94, Number 1, February 2013

Table of Contents

‘Se vedesti qui dentro’: Monteverdi’s ‘O Mirtillo, Mirtillo Anima mia’ and Artusi’s Offence

pp. 1-37
Seth J. Coluzzi
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Moliére, Descartes, and the Practice of Comedy in the Intermezzo

pp. 38-77
Keith Johnston
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Temporality in Nineteenth-Century Russian Music and the Notion of Development

pp. 78-118
Benedict Taylor
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‘What Never Was Has Ended’: Bach, Bergman, and the Beatles in Christopher Münch’s ‘The Hours and Times’

pp. 119-137
Carlo Cenciarelli
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Review Article

Music Immutable: Heinrich Schenker’s ‘Der Tonwille’ in Translation

pp. 138-145
Christopher Wintle
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Reviews

Night Music: Essays on Music 1928–1962 by Theodor W. Adorno (review)

pp. 177-179
Nikolaus Bacht
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Sounds of Secrets: Field Notes on Ritual Music and Musical Instruments on the Islands of Vanuatu By Raymond Ammann (review)

pp. 198-200
Anna Stirr
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Blackness in Opera ed. by Naomi André, Karen M. Bryan and Eric Saylor (review)

pp. 170-172
Mark A. Pottinger
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Brazilian Popular Music and Citizenship ed. by Idelber Avelar, Christopher Dunn (review)

pp. 190-193
Rogério Budasz
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Hans von Bülow: A Life for Music by Kenneth Birkin (review)

pp. 166-168
Roger Allen
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Representations of Jews in the Musical Theater of the Habsburg Empire (1788–1807) by David J. Buch (review)

pp. 154-156
Joshua S. Walden
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Performing Pain: Music and Trauma in Eastern Europe by Maria Cizmic (review)

pp. 193-196
Ivana Medić
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Listening through the Noise: The Aesthetics of Experimental Music by Joanna Demers (review)

pp. 187-190
Peter Manning
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Music and Decadence in European Modernism: The Case of Central and Eastern Europe by Stephen Downes (review)

pp. 175-177
Sherry D. Lee
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From Harmony, from heav’nly Harmony by Giovanni Battista Draghi (review)

pp. 146-149
Alan Howard
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Annotated Catalogue of Chopin’s First Editions by Christophe Grabowski and John Rink (review)

pp. 163-166
Bertrand Jaeger, Delphine Mordey
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Wagner’s Ring in 1848: New Translations of the Nibelung Myth and Siegfried’s Death by Edward R. Haymes (review)

pp. 168-170
Roger Allen
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Die Aufführungen der Opern von Richard Strauss im 20. Jahrhundert: Daten, Inszenierungen, Besetzungen, Band 2 by Günther Lesnig, and: Richard Strauss: A Musical Life by Raymond Holden (review)

pp. 172-175
David Larkin
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Le Prophète: Edition, Konzeption, Rezeption by Giacomo Meyerbeer (review)

pp. 159-163
Mark Everist
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The Baroque Libretto: Italian Operas and Oratorios in the Thomas Fisher Library at the University of Toronto by Domenico Pietropaolo and Mary Ann Parker (review)

pp. 149-152
Michael Talbot
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American Muse: The Life and Times of William Schuman by Joseph W. Polisi, and: Orpheus in Manhattan: William Schuman and the Shaping of America’s Musical Life by Stephen Swayne, and: The Music of William Schuman, Vincent Persichetti, and Peter Mennin: Voices of Stone and Steel by Walter Simmons (review)

pp. 179-182
Peter Dickinson
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Changing the Score: Arias, Prima Donnas, and the Authority of Performance by Hilary Poriss (review)

pp. 156-159
Sean M. Parr
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Mozart and Enlightenment Semiotics by Stephen Rumph (review)

pp. 152-154
Simon P. Keefe
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A Life in Pursuit of Music and Beauty by Gunther Schuller (review)

pp. 182-184
Peter Dickinson
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The Cambridge Companion to Arvo Pärt ed. by Andrew Shenton (review)

pp. 184-187
Christopher J. May
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Touraj Kiaras and Persian Classical Music: An Analytical Perspective by Owen Wright (review)

pp. 196-198
Martin Stokes
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Correspondence: To the Editors of ‘Music & Letters’

p. 201
Robert Mullally
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Recipients of ‘Music & Letters’ Awards

p. 202
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‘Music & Letters’ Awards

p. 204
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Authors of Articles in this Issue

p. 204
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Books Received

p. 205
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