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Table of Contents

  1. Préface
  2. Michèle Bissière, Catherine R. Montfort
  3. pp. 5-11
  4. DOI: https://doi.org/10.1353/wfs.2006.0041
  5. restricted access
  1. Double Take: Louis Malle's Competing Versions of France Under Nazi Occupation
  2. Judith Holland Sarnecki
  3. pp. 13-38
  4. DOI: https://doi.org/10.1353/wfs.2006.0045
  5. restricted access
  1. Looking at Families and Beyond: Three Films by Coline Serreau
  2. Joan M. West
  3. pp. 39-60
  4. DOI: https://doi.org/10.1353/wfs.2006.0048
  5. restricted access
  1. 'Paris est une blonde': la vie au quotidien dans Chacun cherche son chat de Cédric Klapisch
  2. Marianne Golding
  3. pp. 61-87
  4. DOI: https://doi.org/10.1353/wfs.2006.0031
  5. restricted access
  1. L'Exclusion au cinéma: le cas d'Agnès Varda
  2. Nathalie Rachlin
  3. pp. 88-111
  4. DOI: https://doi.org/10.1353/wfs.2006.0034
  5. restricted access
  1. Analyzing Sexuality in French and Francophone Film
  2. Michelle Chilcoat
  3. pp. 112-137
  4. DOI: https://doi.org/10.1353/wfs.2006.0037
  5. restricted access
  1. Transforming Visions: Pedagogical Approaches to Lea Pool's Emporte-moi (Set Me Free)
  2. Paula Ruth Gilbert, Miléna Santoro
  3. pp. 139-155
  4. DOI: https://doi.org/10.1353/wfs.2006.0040
  5. restricted access
  1. Revisiting Orientalism: A Resource Guide
  2. Susan Ireland
  3. pp. 157-181
  4. DOI: https://doi.org/10.1353/wfs.2006.0044
  5. restricted access
  1. Princesse Tam-Tam: A Cultural Makeover Story
  2. Cheryl Leah Krueger
  3. pp. 182-202
  4. DOI: https://doi.org/10.1353/wfs.2006.0047
  5. restricted access
  1. The Future Emerges from the Past: Tradition and Modernity in Dani Kouyaté's Keita!: The Heritage of the Griot
  2. Jeanne Garane
  3. pp. 204-219
  4. DOI: https://doi.org/10.1353/wfs.2006.0050
  5. restricted access
  1. The Cinema of Claire Denis: Post-Colonial Configurations
  2. Ruth A. Hottell
  3. pp. 220-236
  4. DOI: https://doi.org/10.1353/wfs.2006.0033
  5. restricted access
  1. "Ne surtout pas lire le roman": La Reine Margot on the Silver Screen
  2. Mary Jane Cowles
  3. pp. 238-254
  4. DOI: https://doi.org/10.1353/wfs.2006.0036
  5. restricted access
  1. La reine secrète: Madame de Maintenon à l'écran
  2. Catherine Daniélou
  3. pp. 255-273
  4. DOI: https://doi.org/10.1353/wfs.2006.0039
  5. restricted access
  1. Le Sixième Jour d'Andrée Chedid et celui de Youssef Chahine: un dialogue d'artistes
  2. Christiane Makward
  3. pp. 274-290
  4. DOI: https://doi.org/10.1353/wfs.2006.0042
  5. restricted access
  1. Postmodernisme et quête identitaire dans le roman et le film Les Portes tournantes
  2. Mariana Ionescu
  3. pp. 291-310
  4. DOI: https://doi.org/10.1353/wfs.2006.0046
  5. restricted access
  1. Masterpieces of the Novel in Cinema
  2. Laura Dennis-Bay
  3. pp. 311-329
  4. DOI: https://doi.org/10.1353/wfs.2006.0049
  5. restricted access
  1. Eléments de pratique technique du cinéma narratif
  2. Charlotte Sanpere
  3. pp. 331-358
  4. DOI: https://doi.org/10.1353/wfs.2006.0032
  5. restricted access
  1. Exploring the Genre and Language of Film Through Comedy, Documentary, and Social Realism
  2. Sarah E. Barbour
  3. pp. 359-383
  4. DOI: https://doi.org/10.1353/wfs.2006.0035
  5. restricted access
  1. Notes on Contributors
  3. pp. 384-388
  4. DOI: https://doi.org/10.1353/wfs.2006.0038
  5. restricted access

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Volume 14, 2006

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