In this Issue
Asian Theatre Journal is dedicated to the performing arts of Asia, focusing upon both traditional and modern theatrical forms. It aims to facilitate the exchange of knowledge throughout the international theatrical community for the mutual benefit of all interested scholars and artists. This engaging, intercultural journal offers descriptive and analytical articles, original plays and play translations, book and audiovisual reviews, and reports of current theatrical activities in Asia. Full-color plates and black-and-white photographs illustrate each issue.
Sponsor: Association for Asian Performance of the Association for Theatre in Higher Education
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published by
University of Hawai'i Pressviewing issue
Volume 30, Number 1, Spring 2013Table of Contents
pp. Color Insert 01-Color Insert 08
Articles
pp. 1-29
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View The Case of Princess Baihua: State Diplomatic Functions and Theatrical Creative Process in China in the 1950s and 1960s
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The Case of Princess Baihua: State Diplomatic Functions and Theatrical Creative Process in China in the 1950s and 1960s
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pp. 67-89
pp. 90-121
pp. 145-171
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View The Politics of Difference in Krishen Jit's Theatre in the 1970s: "A Time of Intense Questioning" in Malaysian Culture
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The Politics of Difference in Krishen Jit's Theatre in the 1970s: "A Time of Intense Questioning" in Malaysian Culture
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Emerging Scholars' Papers
pp. 172-188
pp. 189-206
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View Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic
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Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic
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Report
pp. 223-232
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View A Celebration of Gamelan Sekar Petak's Thirtieth Anniversary and of the British Gamelan Scene: Wayang Lokananta: The Gamelan of the Gods. University of York, Department of Music, 26-28 April 2012. York, United Kingdom.
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A Celebration of Gamelan Sekar Petak's Thirtieth Anniversary and of the British Gamelan Scene: Wayang Lokananta: The Gamelan of the Gods. University of York, Department of Music, 26-28 April 2012. York, United Kingdom.
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Reviews
pp. 233-236
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View Communities of Imagination: Contemporary Southeast Asian Theatres by Catherine Diamond (review)
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Communities of Imagination: Contemporary Southeast Asian Theatres by Catherine Diamond (review)
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pp. 236-238
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View Invoking Happiness: Guide to the Sacred Festivals of Bhutan and Gross National Happiness by Khenpo Phuntsok Tashi (review)
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Invoking Happiness: Guide to the Sacred Festivals of Bhutan and Gross National Happiness by Khenpo Phuntsok Tashi (review)
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pp. 239-241
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View Unfinished Gestures: Devadasis, Memory, and Modernity in South India by Davesh Soneji (review)
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Unfinished Gestures: Devadasis, Memory, and Modernity in South India by Davesh Soneji (review)
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pp. 241-245
pp. 245-248
pp. 248-250
pp. 250-254
pp. 254-257
pp. 257-260
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View Enter a Samurai: Kawakami Otojirō and Japanese Theatre in the West by Joseph L. Anderson (review)
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Enter a Samurai: Kawakami Otojirō and Japanese Theatre in the West by Joseph L. Anderson (review)
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pp. 260-263
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View Sounding Like Shakespeare: A Study of Prosody in Four Japanese Translations of A Midsummer Night's Dream by Daniel Gallimore (review)
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Sounding Like Shakespeare: A Study of Prosody in Four Japanese Translations of A Midsummer Night's Dream by Daniel Gallimore (review)
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pp. 263-266
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| ISSN | 1527-2109 |
|---|---|
| Print ISSN | 0742-5457 |
| Launched on MUSE | 2013-06-06 |
| Open Access | No |
