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In this Issue

Table of Contents

  1. From the Editor
  2. Kathy Foley
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2013.0002
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  1. Color Insert
  2. pp. Color Insert 01-Color Insert 08
  3. DOI: https://doi.org/10.1353/atj.2013.0013
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Articles

  1. The Case of Princess Baihua: State Diplomatic Functions and Theatrical Creative Process in China in the 1950s and 1960s
  2. Liu Siyuan
  3. pp. 1-29
  4. DOI: https://doi.org/10.1353/atj.2013.0006
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  1. Zeami's Confucian Theatre
  2. Gary Mathews
  3. pp. 30-66
  4. DOI: https://doi.org/10.1353/atj.2013.0010
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  1. Yeonwoo Mudae and the Korean Theatre Movement in the 1980s
  2. Jungman Park
  3. pp. 67-89
  4. DOI: https://doi.org/10.1353/atj.2013.0014
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  1. Politics and Theatre in the PRC: Fifty Years of Teahouse on the Chinese Stage
  2. Shiao-ling Yu
  3. pp. 90-121
  4. DOI: https://doi.org/10.1353/atj.2013.0017
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  1. Bangsawan: Creative Patterns in Production
  2. Mohd. Effindi Samsuddin, Rahmah Bujang
  3. pp. 122-144
  4. DOI: https://doi.org/10.1353/atj.2013.0020
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  1. The Politics of Difference in Krishen Jit's Theatre in the 1970s: "A Time of Intense Questioning" in Malaysian Culture
  2. Charlene Rajendran
  3. pp. 145-171
  4. DOI: https://doi.org/10.1353/atj.2013.0000
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Emerging Scholars' Papers

  1. Dreamers' Nightmare: The Melancholia of the Taiwanese Centennial Celebration
  2. Cheng Fan-Ting
  3. pp. 172-188
  4. DOI: https://doi.org/10.1353/atj.2013.0004
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  1. Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic
  2. Guanda Wu
  3. pp. 189-206
  4. DOI: https://doi.org/10.1353/atj.2013.0008
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  1. Suzuki Tadashi's Intercultural Progress in South Korea
  2. Jae Kyoung Kim
  3. pp. 207-222
  4. DOI: https://doi.org/10.1353/atj.2013.0012
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Report

Reviews

  1. Communities of Imagination: Contemporary Southeast Asian Theatres by Catherine Diamond (review)
  2. Jennifer Goodlander
  3. pp. 233-236
  4. DOI: https://doi.org/10.1353/atj.2013.0019
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  1. Invoking Happiness: Guide to the Sacred Festivals of Bhutan and Gross National Happiness by Khenpo Phuntsok Tashi (review)
  2. Kathy Foley
  3. pp. 236-238
  4. DOI: https://doi.org/10.1353/atj.2013.0022
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  1. Unfinished Gestures: Devadasis, Memory, and Modernity in South India by Davesh Soneji (review)
  2. Kristen Rudisill
  3. pp. 239-241
  4. DOI: https://doi.org/10.1353/atj.2013.0003
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  1. Between Fame and Shame: Performing Women—Women Performers in India (review)
  2. Farley Richmond
  3. pp. 241-245
  4. DOI: https://doi.org/10.1353/atj.2013.0007
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  1. A History of the Jana Natya Manch: Plays for the People by Arjun Ghosh (review)
  2. Arnab Banerji
  3. pp. 245-248
  4. DOI: https://doi.org/10.1353/atj.2013.0011
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  1. British South Asian Theatres: A Documented History by Graham Ley and Sarah Dadswell (review)
  2. Kathy Foley
  3. pp. 248-250
  4. DOI: https://doi.org/10.1353/atj.2013.0015
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  1. Critical Essay on British South Asian Theatre ed. by Graham Ley and Sarah Dadswell (review)
  2. Kathy Foley
  3. pp. 250-254
  4. DOI: https://doi.org/10.1353/atj.2013.0018
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  1. Histoire du Théâtre Classique Japonais by Jean-Jacques Tschudin (review)
  2. Leonard C. Pronko
  3. pp. 254-257
  4. DOI: https://doi.org/10.1353/atj.2013.0021
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  1. Enter a Samurai: Kawakami Otojirō and Japanese Theatre in the West by Joseph L. Anderson (review)
  2. Jonah Salz
  3. pp. 257-260
  4. DOI: https://doi.org/10.1353/atj.2013.0001
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  1. Sounding Like Shakespeare: A Study of Prosody in Four Japanese Translations of A Midsummer Night's Dream by Daniel Gallimore (review)
  2. Tim Medlock
  3. pp. 260-263
  4. DOI: https://doi.org/10.1353/atj.2013.0005
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  1. Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits by Bruce Baird (review)
  2. Rosemary Candelario
  3. pp. 263-266
  4. DOI: https://doi.org/10.1353/atj.2013.0009
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