1. Editors’ Page
  2. Stephanie G'Schwind, Donald Revell
  3. pp. 1-2
  4. DOI: 10.1353/col.2013.0033
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  1. Stop
  2. Thomas Cain
  3. pp. 3-19
  4. DOI: 10.1353/col.2013.0000
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  1. Reward for Bravery
  2. Laura Schadler
  3. pp. 20-34
  4. DOI: 10.1353/col.2013.0006
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  1. Trespasses
  2. Marta Rose
  3. pp. 35-52
  4. DOI: 10.1353/col.2013.0012
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  1. Resort Home
  2. Amy Bernhard
  3. pp. 53-66
  4. DOI: 10.1353/col.2013.0018
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  1. Navel Country
  2. Yelizaveta P. Renfro
  3. pp. 67-99
  4. DOI: 10.1353/col.2013.0024
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  1. Blank Slate
  2. Silas Hansen
  3. pp. 100-112
  4. DOI: 10.1353/col.2013.0030
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  1. Songs on the Loose Theme of Leda
  2. David Bartone
  3. p. 113
  4. DOI: 10.1353/col.2013.0037
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  1. Still Life with Nervous Animals
  2. Laurie Blauner
  3. p. 114
  4. DOI: 10.1353/col.2013.0004
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  1. Proxy Baptism
  2. Justin Boening
  3. pp. 115-116
  4. DOI: 10.1353/col.2013.0010
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  1. Words against the Walls of the City
  2. Bruce Bond
  3. pp. 117-121
  4. DOI: 10.1353/col.2013.0016
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  1. An Admission, and: Dear Pillow, It’s Been a Bad Day, and: Somewhere in Maine an Old Dream Staggers On
  2. Gary Clark
  3. pp. 122-125
  4. DOI: 10.1353/col.2013.0022
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  1. Children Dug Out of a Parsley Bed
  2. Analucia DaSilva
  3. pp. 126-127
  4. DOI: 10.1353/col.2013.0028
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  1. Three Times Three Ellipses, and: Trois Points de Suspension
  2. Suzanne Dracius, Nancy Naomi Carlson
  3. pp. 128-129
  4. DOI: 10.1353/col.2013.0035
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  1. Screw Your Courage to the Sticking Place
  2. C. Violet Eaton
  3. p. 130
  4. DOI: 10.1353/col.2013.0002
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  1. After the Labyrinth
  2. Derek Gromadzki
  3. p. 131
  4. DOI: 10.1353/col.2013.0008
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  1. Dedicated Space
  2. Christopher Hund
  3. p. 132
  4. DOI: 10.1353/col.2013.0014
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  1. Talking with Michelle
  2. Annie Jacobs
  3. p. 133
  4. DOI: 10.1353/col.2013.0020
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  1. Mystery Train
  2. Joseph Lease
  3. pp. 134-138
  4. DOI: 10.1353/col.2013.0026
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  1. House of Bone Chandeliers: (Bequia, The Grenadines)
  2. Laurence Lieberman
  3. pp. 139-143
  4. DOI: 10.1353/col.2013.0032
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  1. Beltane Lyric
  2. Jacqueline Lyons
  3. p. 144
  4. DOI: 10.1353/col.2013.0039
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  1. The Pipe, and: Poor Pale Child
  2. Stéphane Mallarmé, Stephen Berg
  3. pp. 145-148
  4. DOI: 10.1353/col.2013.0005
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  1. Capsaicin Eclogue
  2. Sally Wen Mao
  3. p. 149
  4. DOI: 10.1353/col.2013.0011
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  1. A Sky That Carries
  2. Jacob Newberry
  3. pp. 150-151
  4. DOI: 10.1353/col.2013.0017
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  1. Pastoral
  2. Christopher Patton
  3. p. 152
  4. DOI: 10.1353/col.2013.0023
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  1. Portrait in the 4th or 5th Person Singular
  2. Thomas Pfau
  3. p. 153
  4. DOI: 10.1353/col.2013.0029
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  1. The Short Waltz to Paradise
  2. Sundin Richards
  3. p. 154
  4. DOI: 10.1353/col.2013.0036
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  1. The Drunken Boat
  2. Arthur Rimbaud, Stephen Berg
  3. pp. 155-157
  4. DOI: 10.1353/col.2013.0003
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  1. Once a Horse Danced the Can-Can, and: The First Refuses to Sing So Sings
  2. Eliza Rotterman
  3. pp. 158-159
  4. DOI: 10.1353/col.2013.0009
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  1. Mule
  2. Gerald Stern
  3. p. 160
  4. DOI: 10.1353/col.2013.0015
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  1. [A Hank Williams hangover is early, I guess, the]
  2. Jacob Sunderlin
  3. p. 161
  4. DOI: 10.1353/col.2013.0021
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  1. XXXXX, and: XXXXX
  2. Brian Young
  3. pp. 162-163
  4. DOI: 10.1353/col.2013.0027
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  1. I Dream the Sick Roses Sitting Up in Their Blood at Your Feet
  2. Corey Zeller
  3. p. 164
  4. DOI: 10.1353/col.2013.0034
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  1. Torture Garden: Naked City Pastorelles, by Mark Scroggins, and: Red Arcadia, by Mark Scroggins (review)
  2. Kristina Marie Darling
  3. pp. 165-168
  4. DOI: 10.1353/col.2013.0001
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  1. The Visible by Bruce Bond (review)
  2. Jake Oliver
  3. pp. 168-170
  4. DOI: 10.1353/col.2013.0007
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  1. Fault Tree by Kathryn L. Pringle (review)
  2. Lori A. May
  3. pp. 170-172
  4. DOI: 10.1353/col.2013.0013
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  1. Falcons on the Floor by Justin Sirois (review)
  2. Joe Hall
  3. pp. 173-176
  4. DOI: 10.1353/col.2013.0019
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  1. Useless Landscape, or A Guide for Boys by D. A. Powell Graywolf (review)
  2. Matthew Aucoin
  3. pp. 176-179
  4. DOI: 10.1353/col.2013.0025
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  1. Hush Hush by Steven Barthelme (review)
  2. Jennifer Wisner Kelly
  3. pp. 179-182
  4. DOI: 10.1353/col.2013.0031
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  1. Contributor Notes
  2. pp. 183-188
  3. DOI: 10.1353/col.2013.0038
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