In this Issue

Table of Contents

Editorial Comment: Women/Performance/History

Penny Farfan
pp. 1-3
DOI: https://doi.org/10.1353/tj.2013.a510183
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Ophelia's Intertheatricality, or, How Performance Is History

Gina Bloom, Anston Bosman, William N. West
pp. 165-182
DOI: https://doi.org/10.1353/tj.2013.0041
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Siddons's Ghost: Celebrity and Gender in Sheridan's Pizarro

Selena Couture
pp. 183-196
DOI: https://doi.org/10.1353/tj.2013.0046
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Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage

Rebecca A. Bailey
pp. 197-214
DOI: https://doi.org/10.1353/tj.2013.0051
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Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction

Kate Elswit
pp. 215-233
DOI: https://doi.org/10.1353/tj.2013.0056
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History Trouble: Reenactment and Pseudoperformativity at the Witch Festival of Nieuwpoort

Jody Enders
pp. 235-251
DOI: https://doi.org/10.1353/tj.2013.0061
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Oregon Shakespeare Festival (review)

Sonja Arsham Kuftinec
pp. 253-258
DOI: https://doi.org/10.1353/tj.2013.0040
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Eighteenth International Istanbul Theatre Festival (review)

Amy E. Hughes
pp. 258-261
DOI: https://doi.org/10.1353/tj.2013.0034
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South Africa's National Arts Festival (review)

April Sizemore-Barber
pp. 261-264
DOI: https://doi.org/10.1353/tj.2013.0039
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Theatertreffen (review)

William F. Condee, Thomas Irmer
pp. 264-268
DOI: https://doi.org/10.1353/tj.2013.0044
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Der Ring des Nibelungen by Richard Wagner (review)

Joseph M. Ortiz
pp. 268-270
DOI: https://doi.org/10.1353/tj.2013.0049
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Tragédie by Olivier Dubois, and: Die Kontrakte des Kaufmanns: Eine Wirstschaftskomödie by Elfriede Jelinek (review)

Todd James Coulter
pp. 271-273
DOI: https://doi.org/10.1353/tj.2013.0054
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Le Bourgeois Gentilhomme by Moliere (review)

Catherine Young
pp. 273-275
DOI: https://doi.org/10.1353/tj.2013.0059
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Une puce, épargnez-la (One Flea Spare) by Naomi Wallace (review)

Erica Stevens Abbitt
pp. 275-277
DOI: https://doi.org/10.1353/tj.2013.0064
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Troilus and Cressida by William Shakespeare (review)

Kara Reilly
pp. 277-279
DOI: https://doi.org/10.1353/tj.2013.0037
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What Country Friends Is This? The Comedy of Errors, Twelfth Night, the Tempest by William Shakespeare (review)

Coen Heijes
pp. 279-281
DOI: https://doi.org/10.1353/tj.2013.0042
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The Merry Wives of Windsor by William Shakespeare (review)

M. Tyler Sasser
pp. 281-283
DOI: https://doi.org/10.1353/tj.2013.0047
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Hamlet: The Bad Ass Quarto, Uncut by William Shakespeare (review)

Horacio Sierra
pp. 283-284
DOI: https://doi.org/10.1353/tj.2013.0052
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Cascabel by Rick Bayless, Tony Hernandez, and Heidi Stillman (review)

Joshua Abrams
pp. 284-287
DOI: https://doi.org/10.1353/tj.2013.0057
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Black Performance Studies in the New Millennium

Harvey Young
pp. 289-294
DOI: https://doi.org/10.1353/tj.2013.0062
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Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

Christian DuComb
pp. 295-296
DOI: https://doi.org/10.1353/tj.2013.0045
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Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 by Koritha Mitchell (review)

Christen Smith
pp. 296-298
DOI: https://doi.org/10.1353/tj.2013.0050
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The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

Paige A. McGinley
pp. 298-299
DOI: https://doi.org/10.1353/tj.2013.0055
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August Wilson: Completing the Twentieth-Century Cycle ed. by Alan Nadel (review)

Yvonne Singh
pp. 301-302
DOI: https://doi.org/10.1353/tj.2013.0033
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The Problem of the Color[Blind]: Racial Transgression and the Politics of Black Performance by Brandi Wilkins Catanese (review)

La Donna L. Forsgren
pp. 302-303
DOI: https://doi.org/10.1353/tj.2013.0038
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Passing Strange: Shakespeare, Race, and Contemporary America by Ayanna Thompson (review)

Elizabeth Klett
pp. 303-304
DOI: https://doi.org/10.1353/tj.2013.0043
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Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)

Martine Kei Green-Rogers
pp. 304-306
DOI: https://doi.org/10.1353/tj.2013.0048
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Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, And Anna Deavere Smith by Cherise Smith (review)

Ju Yon Kim
pp. 306-307
DOI: https://doi.org/10.1353/tj.2013.0053
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Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance by Marvin McAllister (review)

Heather May
pp. 307-309
DOI: https://doi.org/10.1353/tj.2013.0058
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Troubling Vision: Performance, Visuality, and Blackness by Nicole R. Fleetwood (review)

Jennifer-Scott Mobley
pp. 309-310
DOI: https://doi.org/10.1353/tj.2013.0063
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Selected Plays by Alice Childress, and: Black Internationalist Feminism: Women Writers of the Black Left, 1945-1995 by Cheryl Higashida (review)

Julie M. Burrell
pp. 310-312
DOI: https://doi.org/10.1353/tj.2013.0036
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Doctoral Projects in Progress in Theatre Arts, 2013

James Beekman Bush, Troy Matthew Lescher, Troy Battle
pp. 315-319
DOI: https://doi.org/10.1353/tj.2013.0035
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Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)

Stefanie A. Jones
pp. 299-300
DOI: https://doi.org/10.1353/tj.2013.0060
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