1. Editorial Comment: Women/Performance/History
  2. Penny Farfan
  3. pp. 1-3
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  1. Ophelia's Intertheatricality, or, How Performance Is History
  2. Gina Bloom, Anston Bosman, William N. West
  3. pp. 165-182
  4. DOI: 10.1353/tj.2013.0041
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  1. Siddons's Ghost: Celebrity and Gender in Sheridan's Pizarro
  2. Selena Couture
  3. pp. 183-196
  4. DOI: 10.1353/tj.2013.0046
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  1. Staging "a Queene opprest": William Habington's Exploration of the Politics of Queenship on the Caroline Stage
  2. Rebecca A. Bailey
  3. pp. 197-214
  4. DOI: 10.1353/tj.2013.0051
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  1. Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction
  2. Kate Elswit
  3. pp. 215-233
  4. DOI: 10.1353/tj.2013.0056
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  1. History Trouble: Reenactment and Pseudoperformativity at the Witch Festival of Nieuwpoort
  2. Jody Enders
  3. pp. 235-251
  4. DOI: 10.1353/tj.2013.0061
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  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 253-258
  4. DOI: 10.1353/tj.2013.0040
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  1. Eighteenth International Istanbul Theatre Festival (review)
  2. Amy E. Hughes
  3. pp. 258-261
  4. DOI: 10.1353/tj.2013.0034
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  1. South Africa's National Arts Festival (review)
  2. April Sizemore-Barber
  3. pp. 261-264
  4. DOI: 10.1353/tj.2013.0039
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  1. Theatertreffen (review)
  2. William F. Condee, Thomas Irmer
  3. pp. 264-268
  4. DOI: 10.1353/tj.2013.0044
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  1. Der Ring des Nibelungen by Richard Wagner (review)
  2. Joseph M. Ortiz
  3. pp. 268-270
  4. DOI: 10.1353/tj.2013.0049
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  1. Tragédie by Olivier Dubois, and: Die Kontrakte des Kaufmanns: Eine Wirstschaftskomödie by Elfriede Jelinek (review)
  2. Todd James Coulter
  3. pp. 271-273
  4. DOI: 10.1353/tj.2013.0054
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  1. Le Bourgeois Gentilhomme by Moliere (review)
  2. Catherine Young
  3. pp. 273-275
  4. DOI: 10.1353/tj.2013.0059
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  1. Une puce, épargnez-la (One Flea Spare) by Naomi Wallace (review)
  2. Erica Stevens Abbitt
  3. pp. 275-277
  4. DOI: 10.1353/tj.2013.0064
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  1. Troilus and Cressida by William Shakespeare (review)
  2. Kara Reilly
  3. pp. 277-279
  4. DOI: 10.1353/tj.2013.0037
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  1. What Country Friends Is This? The Comedy of Errors, Twelfth Night, the Tempest by William Shakespeare (review)
  2. Coen Heijes
  3. pp. 279-281
  4. DOI: 10.1353/tj.2013.0042
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  1. The Merry Wives of Windsor by William Shakespeare (review)
  2. M. Tyler Sasser
  3. pp. 281-283
  4. DOI: 10.1353/tj.2013.0047
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  1. Hamlet: The Bad Ass Quarto, Uncut by William Shakespeare (review)
  2. Horacio Sierra
  3. pp. 283-284
  4. DOI: 10.1353/tj.2013.0052
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  1. Cascabel by Rick Bayless, Tony Hernandez, and Heidi Stillman (review)
  2. Joshua Abrams
  3. pp. 284-287
  4. DOI: 10.1353/tj.2013.0057
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  1. Black Performance Studies in the New Millennium
  2. Harvey Young
  3. pp. 289-294
  4. DOI: 10.1353/tj.2013.0062
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  1. Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)
  2. Christian DuComb
  3. pp. 295-296
  4. DOI: 10.1353/tj.2013.0045
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  1. Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 by Koritha Mitchell (review)
  2. Christen Smith
  3. pp. 296-298
  4. DOI: 10.1353/tj.2013.0050
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  1. The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)
  2. Paige A. McGinley
  3. pp. 298-299
  4. DOI: 10.1353/tj.2013.0055
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  1. August Wilson: Completing the Twentieth-Century Cycle ed. by Alan Nadel (review)
  2. Yvonne Singh
  3. pp. 301-302
  4. DOI: 10.1353/tj.2013.0033
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  1. Passing Strange: Shakespeare, Race, and Contemporary America by Ayanna Thompson (review)
  2. Elizabeth Klett
  3. pp. 303-304
  4. DOI: 10.1353/tj.2013.0043
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  1. Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (review)
  2. Martine Kei Green-Rogers
  3. pp. 304-306
  4. DOI: 10.1353/tj.2013.0048
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  1. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, And Anna Deavere Smith by Cherise Smith (review)
  2. Ju Yon Kim
  3. pp. 306-307
  4. DOI: 10.1353/tj.2013.0053
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  1. Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance by Marvin McAllister (review)
  2. Heather May
  3. pp. 307-309
  4. DOI: 10.1353/tj.2013.0058
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  1. Troubling Vision: Performance, Visuality, and Blackness by Nicole R. Fleetwood (review)
  2. Jennifer-Scott Mobley
  3. pp. 309-310
  4. DOI: 10.1353/tj.2013.0063
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  1. Doctoral Projects in Progress in Theatre Arts, 2013
  2. James Beekman Bush, Troy Matthew Lescher, Troy Battle
  3. pp. 315-319
  4. DOI: 10.1353/tj.2013.0035
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  1. Suzan-Lori Parks: Essays on the Plays and Other Works ed. by Philip C. Kolin (review)
  2. Stefanie A. Jones
  3. pp. 299-300
  4. DOI: 10.1353/tj.2013.0060
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