In this Issue

Table of Contents

Federman’s Beckett: Two Voices in the Closet

Derek Alsop
pp. 15-32
DOI: https://doi.org/10.1353/mod.2013.0009
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Photography and the Representation of History in Georges Perec’s Ellis Island: Tales of Vagrancy and Hope

Peter Wagstaff
pp. 33-43
DOI: https://doi.org/10.1353/mod.2013.0014
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Fantasy, Empathy, and Desire: Binjamin Wilkomirski’s Fragments and Bernhard Schlink’s The Reader

Sally Miller
pp. 45-58
DOI: https://doi.org/10.1353/mod.2013.0018
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Tales from Over There: The Uses and Meanings of Fairy-Tales in Contemporary Holocaust Narrative

Anna Hunter
pp. 59-75
DOI: https://doi.org/10.1353/mod.2013.0022
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Commemorative Causality

Timothy Snyder
pp. 77-93
DOI: https://doi.org/10.1353/mod.2013.0026
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Holocaust Representation and Judicial Proceedings Against God on the Stage and Screen

David Tollerton
pp. 95-113
DOI: https://doi.org/10.1353/mod.2013.0002
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The Quandaries of Periodization; or, When Does a New Woman Become a Modernist?

Helen Davies
pp. 115-121
DOI: https://doi.org/10.1353/mod.2013.0007
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Moving Targets: Photography and Its Metaphors

Annebella Pollen
pp. 123-127
DOI: https://doi.org/10.1353/mod.2013.0012
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The Beautiful Music All Around Us: Field Recordings and the American Experience by Stephen Wade (review)

Derek Furr
pp. 129-131
DOI: https://doi.org/10.1353/mod.2013.0016
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Modernism at the Barricades: Aesthetics, Politics, Utopia by Stephen Eric Bronner (review)

David Weir
pp. 131-133
DOI: https://doi.org/10.1353/mod.2013.0020
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Robert Musil and the NonModern by Mark M. Freed (review)

Graham Bartram
pp. 133-135
DOI: https://doi.org/10.1353/mod.2013.0024
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Cold Modernism: Literature, Fashion, Art by Jessica Burstein (review)

Scott W Klein
pp. 135-137
DOI: https://doi.org/10.1353/mod.2013.0000
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Excavating Modernity: The Roman Past in Fascist Italy by Joshua Arthurs (review)

Simona Storchi
pp. 137-139
DOI: https://doi.org/10.1353/mod.2013.0005
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The Culture of Disaster by Marie-Hélène Huet (review)

Peter Fritzsche
pp. 139-141
DOI: https://doi.org/10.1353/mod.2013.0010
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Jungle Fever: Exploring Madness and Medicine in Twentieth-Century Tropical Narratives by Charlotte Rogers (review)

Leila Gómez
pp. 141-143
DOI: https://doi.org/10.1353/mod.2013.0015
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Creative Composites: Modernism, Race, and the Stieglitz Circle by Lauren Kroiz (review)

Marcia Brennan
pp. 143-145
DOI: https://doi.org/10.1353/mod.2013.0019
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The Zukofsky Era: Modernity, Margins, and the Avant-Garde by Ruth Jennison (review)

Bob Perelman
pp. 145-147
DOI: https://doi.org/10.1353/mod.2013.0023
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Poetry in Pieces: César Vallejo and Lyric Modernity by Michelle Clayton (review)

Rubén Gallo
pp. 147-149
DOI: https://doi.org/10.1353/mod.2013.0027
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Speaking to You: Contemporary Poetry and Public Address by Natalie Pollard (review)

Bonnie Costello
pp. 149-151
DOI: https://doi.org/10.1353/mod.2013.0003
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The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930 by Meredith Martin (review)

Rhian Williams
pp. 151-153
DOI: https://doi.org/10.1353/mod.2013.0008
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Transatlantic Women: Nineteenth-Century American Women Writers and Great Britain ed. by Beth L. Lueck, Brigitte Bailey, Lucinda L. Damon-Bach (review)

Carrie Tirado Bramen
pp. 153-155
DOI: https://doi.org/10.1353/mod.2013.0013
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The Myth of Manliness in Irish National Culture, 1880–1922 by Joseph Valente (review)

Michael G. Cronin
pp. 155-157
DOI: https://doi.org/10.1353/mod.2013.0017
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The Rise of the Modern Art Market in London: 1850–1939 ed. by Pamela Fletcher and Anne Helmreich (review)

Frances Fowle
pp. 157-159
DOI: https://doi.org/10.1353/mod.2013.0021
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Science in Modern Poetry: New Directions ed. by John Holmes (review)

Katherine Ebury
pp. 159-161
DOI: https://doi.org/10.1353/mod.2013.0025
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Ecopoetics: The Language of Nature, The Nature of Language by Scott Knickerbocker (review)

Philip McGowan
pp. 161-163
DOI: https://doi.org/10.1353/mod.2013.0001
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Blanchot and Literary Criticism by Mark Hewson (review)

Barnaby Norman
pp. 163-164
DOI: https://doi.org/10.1353/mod.2013.0006
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Recent Books of Interest

pp. 165-167
DOI: https://doi.org/10.1353/mod.2013.0011
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Introduction: Holocaust representations since 1975

Francesca Haig
pp. 1-13
DOI: https://doi.org/10.1353/mod.2013.0004
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