In this Issue

Table of Contents

Image

p. 1
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Reflections of Experiences of the Icons

Nge Lay
pp. 2-3
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Routes of Blackface

Catherine M. Cole, Tracy C. Davis
pp. 7-12
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Notes from the Blackout

Omar Ricks, Kimberly McNair
pp. 13-20
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Black Politics but Not Black People: Rethinking the Social and "Racial" History of Early Minstrelsy

Douglas A. Jones Jr.
pp. 21-37
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"I Long for My Home in Kentuck": Christy's Minstrels in Mid-19th-Century Britain

Tracy C. Davis
pp. 38-65
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"The young men must blacken their faces": The Blackface Minstrel Show in Preindustrial South Africa

Chinua Thelwell
pp. 66-85
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"It is us": An Exploration of "Race" and Place in the Cape Town Minstrel Carnival

Nadia Davids
pp. 86-101
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Lessons in Blackbody Minstrelsy: Old Plantation and the Manufacture of Black Authenticity

Amma Y. Ghartey-Tagoe Kootin
pp. 102-122
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Blackface Behind Barbed Wire: Gender and Racial Triangulation in the Japanese American Internment Camps

Emily Roxworthy
pp. 123-142
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Blackface and the Black Arts Movement

Mike Sell
pp. 143-162
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"How you durrin?": Chuck Knipp, Shirley Q. Liquor, and Contemporary Blackface

Jennifer Schlueter
pp. 163-181
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Social Works: Performing Art, Supporting Publics by Shannon Jackson (review)

Dorothy Chansky
pp. 182-183
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Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)

Jennifer DeVere Brody
pp. 183-185
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Emergency INDEX 2011 ed. by Yelena Gluzman and Matvei Yankelevich (review)

Ben Spatz
pp. 185-186
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Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation ed. by Anthony Jackson and Jenny Kidd (review)

Jessica Nakamura
pp. 187-188
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More Books

Lindsey Mantoan
pp. 188-190
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