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Table of Contents

  1. From the Mast-Head
  2. John Bryant
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/lvn.2013.a508045
  5. restricted access
  1. P(l)aying off Old Ironsides and the Old Wagon: Melville's Depiction of Shipboard Theatricals in White-Jacket
  2. Mary Isbell
  3. pp. 6-30
  4. DOI: https://doi.org/10.1353/lvn.2013.a508046
  5. restricted access
  1. "Loomings" in Redburn: Melville's "Prince of W[h]ales" and the Point Lynas Lighthouse
  2. David Ketterer
  3. pp. 31-45
  4. DOI: https://doi.org/10.1353/lvn.2013.a508047
  5. restricted access
  1. Traces and Origins, Signs and Meanings: Analogy and the Pre-cinematic Imagination in Melville's Pierre, or, the Ambiguities
  2. Alberto Gabriele
  3. pp. 46-62
  4. DOI: https://doi.org/10.1353/lvn.2013.a508048
  5. restricted access
  1. Raymond Weaver, Melville Revival Pioneer: An Annotated Checklist
  2. Aimery de France Dunlap-Smith
  3. pp. 63-80
  4. DOI: https://doi.org/10.1353/lvn.2013.a508049
  5. restricted access
  1. Tablets
  2. Douglas Storm
  3. pp. 82-84
  4. DOI: https://doi.org/10.1353/lvn.2013.a508050
  5. restricted access
  1. The Law is A White Dog: How Legal Rituals Make and Unmake Persons by Colin Dayan (review)
  2. Branka Arsić
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/lvn.2013.a508051
  5. restricted access
  1. Douglas Robillard (1928-2012)
  2. Robert K. Wallace, Douglas Robillard, Jr.
  3. pp. 90-94
  4. DOI: https://doi.org/10.1353/lvn.2013.a508052
  5. restricted access
  1. All Astir
  2. Samuel Otter
  3. pp. 96-103
  4. DOI: https://doi.org/10.1353/lvn.2013.a508053
  5. restricted access
  1. New York City Moby-Dick Marathon
  2. Aaron Calvin
  3. pp. 104-107
  4. DOI: https://doi.org/10.1353/lvn.2013.a508054
  5. restricted access
  1. Melville and Protest; Melville Occupies Wall Street
  2. Hester Blum
  3. pp. 109-115
  4. DOI: https://doi.org/10.1353/lvn.2013.a509320
  5. restricted access