In this Issue
Cross-Currents: East Asian History and Culture Review offers its readers up-to-date research findings, emerging trends, and cutting-edge perspectives on material from the sixteenth century to the present day that have significant implications for current models of understanding East Asian history and culture. Its semiannual print issues feature peer-reviewed content from the online version of the journal.
The title will cease publication after vol. 9#1, 2020.
Co-editors: Sungtaek Cho, Korea University; Wen-hsin Yeh, University of California, Berkeley
Sponsors: Research Institute of Korean Studies, Korea University; Institute of East Asian Studies, University of California, Berkeley
published by
University of Hawai'i Pressviewing issue
Volume 2, Number 1, May 2013Table of Contents

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View Collaboration, Coproduction, and Code-Switching: Colonial Cinema and Postcolonial Archaeology
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View A Propaganda Film Subverting Ethnic Hierarchy?: Suicide Squad at the Watchtower and Colonial Korea
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View The Colonial and Transnational Production of Suicide Squad at the Watchtower and Love and the Vow
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View Between Ideology and Spectatorship: The "Ethnic Harmony" of the Manchuria Motion Picture Corporation, 1937-1945
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View Negotiating Colonial Korean Cinema in the Japanese Empire: From the Silent Era to the Talkies, 1923-1939
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ISSN | 2158-9674 |
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Print ISSN | 2158-9666 |
Launched on MUSE | 2013-05-22 |
Open Access | Yes |
Archive Status | Archived 2020 |
Copyright
Copyright © Research Institute of Korean Studies, Korea University