In this Issue

Table of Contents

A Note from the Co-Executive Editor

Ryan Minor
pp. 129-130
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Armide, the Huguenots, and The Hague

Rebekah Ahrendt
pp. 131-158
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The Gestures of the Dutchman: Wagner's Staging Instructions, 1852 and Today

Clemens Risi, Jake Fraser
pp. 159-171
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Billy Budd's Song: Authority and Music in the Public Sphere

Jonathan A. Neufeld
pp. 172-191
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Creating the Inner Life of a Character: Donizetti's Maria Stuarda

Federico Fornoni, Elizabeth Parker
pp. 192-212
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Despots, Triangles, and Bass Drums: Orientalism on the Operatic Stage in Gustav III's Stockholm

Erling Sandmo
pp. 213-229
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Singer-Machines: Describing Italian Singers, 1800-1850

Céline Frigau Manning, Nicholas Manning
pp. 230-258
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French Grand Opera and the Historical Imagination by Sarah Hibberd (review)

Gabriela Cruz
pp. 259-267
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