In this Issue

Table of Contents

The Irony of Swinburne's Atalanta in Calydon

Alan P. Barr
pp. 1-13
DOI: https://doi.org/10.1353/vp.2013.0000
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"The life of such dead things": Psychological Obsession in Swinburne's "Félise"

Megan Torti
pp. 15-35
DOI: https://doi.org/10.1353/vp.2013.0001
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Tennyson's Maud (1855) and the "unmeaning of names": Geology, Language Theory, and Dialogics

Michelle Geric
pp. 37-62
DOI: https://doi.org/10.1353/vp.2013.0002
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Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness

Mary Mullen
pp. 63-80
DOI: https://doi.org/10.1353/vp.2013.0003
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Meter and Context: Hardy's "Neutral Tones"

John Hughes
pp. 81-97
DOI: https://doi.org/10.1353/vp.2013.0004
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Dante Gabriel Rossetti's "Absurd," Antiquarian, and "Modern-Antique" Medievalism(s): Girlhood of Mary Virgin, The Bride's Prelude, and "Stratton Water"

D.M.R. Bentley
pp. 99-125
DOI: https://doi.org/10.1353/vp.2013.0005
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Contributors

pp. 127-128
DOI: https://doi.org/10.1353/vp.2013.0006
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