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Table of Contents

  1. The Irony of Swinburne's Atalanta in Calydon
  2. Alan P. Barr
  3. pp. 1-13
  4. DOI: https://doi.org/10.1353/vp.2013.0000
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  1. "The life of such dead things": Psychological Obsession in Swinburne's "Félise"
  2. Megan Torti
  3. pp. 15-35
  4. DOI: https://doi.org/10.1353/vp.2013.0001
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  1. Tennyson's Maud (1855) and the "unmeaning of names": Geology, Language Theory, and Dialogics
  2. Michelle Geric
  3. pp. 37-62
  4. DOI: https://doi.org/10.1353/vp.2013.0002
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  1. Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness
  2. Mary Mullen
  3. pp. 63-80
  4. DOI: https://doi.org/10.1353/vp.2013.0003
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  1. Meter and Context: Hardy's "Neutral Tones"
  2. John Hughes
  3. pp. 81-97
  4. DOI: https://doi.org/10.1353/vp.2013.0004
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  1. Dante Gabriel Rossetti's "Absurd," Antiquarian, and "Modern-Antique" Medievalism(s): Girlhood of Mary Virgin, The Bride's Prelude, and "Stratton Water"
  2. D.M.R. Bentley
  3. pp. 99-125
  4. DOI: https://doi.org/10.1353/vp.2013.0005
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  1. Contributors
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/vp.2013.0006
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