In this Issue

Table of Contents

Lifting the Cloak of (In)Visibility: A Writer's Perspective

Véronique Tadjo
pp. 1-7
DOI: https://doi.org/10.2979/reseafrilite.44.2.1
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Literary Publishing After Nigerian Independence: Mbari as Celebration

James Currey
pp. 8-16
DOI: https://doi.org/10.2979/reseafrilite.44.2.8
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Publishing in Africa from Independence to the Present Day

Walter Bgoya, Mary Jay
pp. 17-34
DOI: https://doi.org/10.2979/reseafrilite.44.2.17
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The Caine Prize and Contemporary African Writing

Lizzy Attree
pp. 35-47
DOI: https://doi.org/10.2979/reseafrilite.44.2.35
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Black on Black: (In)Visibility in African Literary Heterotopias

Tiziana Morosetti
pp. 48-61
DOI: https://doi.org/10.2979/reseafrilite.44.2.48
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Sihle Khumalo, Cape to Cairo, and Questions of Intertextuality: How to Write About Africa, How to Read About Africa

Carli Coetzee
pp. 62-75
DOI: https://doi.org/10.2979/reseafrilite.44.2.62
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Between Remembering and Forgetting: (In)Visible Rwanda in Gilbert Gatore's Le Passé devant soi

Nicki Hitchcott
pp. 76-90
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The Critical Powers of Salimata's Disenchantment: A Gendered Rereading of Ahmadou Kourouma's Les Soleils des indépendances

Elisabeth Bekers
pp. 91-104
DOI: https://doi.org/10.2979/reseafrilite.44.2.91
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Making the Invisible Visible: Photographic Trials in Neil Abramson's Soldier Child

Anthony Levin
pp. 105-124
DOI: https://doi.org/10.2979/reseafrilite.44.2.105
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The Politics of Representation and Audience Reception: Alternative Visions of Africa

Florence Ayisi, Catalin Brylla
pp. 125-141
DOI: https://doi.org/10.2979/reseafrilite.44.2.125
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Representing Africa in the UK: Programming the Africa in Motion Film Festival

Lizelle Bisschoff
pp. 142-162
DOI: https://doi.org/10.2979/reseafrilite.44.2.142
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Visualizing the Mental City: The Exploration of Cultural and Subjective Topographies by Contemporary Performance Artists in Johannesburg

Fiona Siegenthaler
pp. 163-176
DOI: https://doi.org/10.2979/reseafrilite.44.2.163
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Announcement

p. 177
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Introduction: Tracing the Visible and the Invisible through African Literature, Publishing, Film, and Performance Art

Zoe Norridge, Charlotte Baker, Elleke Boehmer
pp. V-XI
DOI: https://doi.org/10.2979/reseafrilite.44.2.v
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