1. The Formation of Social Class and the Reformation of Ireland: Maria Edgeworth’s Ennui
  2. Deborah Weiss
  3. pp. 1-19
  4. DOI: 10.1353/sdn.2013.0001
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  1. Visibility, Interiority, and Temporality in The Invisible Man
  2. Rachel A. Bowser
  3. pp. 20-36
  4. DOI: 10.1353/sdn.2013.0003
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  1. Reading Kitty’s Trauma in Rebecca West’s The Return of the Soldier
  2. Rebecah Pulsifer
  3. pp. 37-55
  4. DOI: 10.1353/sdn.2013.0005
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  1. Othello’s Sister: Racial Hermaphroditism and Appropriation in Virginia Woolf’s Orlando
  2. Celia R. Caputi Daileader
  3. pp. 56-79
  4. DOI: 10.1353/sdn.2013.0007
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  1. The Limitations of Vision and the Power of Folklore in John Dos Passos’s U.S.A.
  2. Angela Frattarola
  3. pp. 80-101
  4. DOI: 10.1353/sdn.2013.0009
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  1. Family Incorporated: William Gaddis’s J R and the Embodiment of Capitalism
  2. Ralph Clare
  3. pp. 102-122
  4. DOI: 10.1353/sdn.2013.0010
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  1. The Hard Work of Victorian Fiction: Creating Compassion, Exploring Belief, and Reconciling Disharmony
  2. Susan Zlotnick
  3. pp. 123-130
  4. DOI: 10.1353/sdn.2013.0000
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  1. Before Fiction: The Ancien Régime of the Novel by Nicholas D Paige (review)
  2. Katarzyna Bartoszyńska
  3. pp. 134-136
  4. DOI: 10.1353/sdn.2013.0004
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  1. Michael Ondaatje by Lee Spinks (review)
  2. Rashmi Ramachandran
  3. pp. 140-142
  4. DOI: 10.1353/sdn.2013.0008
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