1. Suicide Bombing: The Cultural Foundations of Morocco’s New Version of Martyrdom
  2. Mohammed Maarouf
  3. pp. 1-33
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  1. Is The Da Vinci Code True?
  2. William H. C. Propp
  3. pp. 34-48
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  1. Religious Thought as Manifested in the Musical Content of George Harrison’s Brainwashed
  2. John Hausmann
  3. pp. 49-66
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  1. Harry Potter and the Legends of Saints
  2. M. Wendy Hennequin
  3. pp. 67-81
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  1. Marking Mormon Difference: How Western Perceptions of Islam Defined the “Mormon Menace”
  2. Tammy Heise
  3. pp. 82-97
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  1. “No Magic against Love,” or Dark Seduction Redirected: Perspectives on the Fantasy Film Krabat
  2. Almut-Barbara Renger
  3. pp. 98-109
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  1. Some More Light on the Text: Watching HBO’s Deadwood with and without the Apostle Paul
  2. Matthew W. Mitchell
  3. pp. 110-119
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  1. “Let them have Dominion”: “Dominion Theology” and the Construction of Religious Extremism in the US Media
  2. Michael J. McVicar
  3. pp. 120-145
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  1. “An Extreme Sense of Destiny”: Bob Dylan, Affect, and Final Causation
  2. Grant Maxwell
  3. pp. 146-162
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  1. Monsters in America: Our Historical Obsession with the Hideous and the Haunting by W. Scott Poole (review)
  2. Christopher James Blythe
  3. pp. 163-164
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  1. The Embodied Eye: Religious Visual Culture and the Social Life of Feeling by Morgan, David (review)
  2. Dana Wiggins Logan
  3. pp. 165-166
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  1. Godwired: Religion, Ritual and Virtual Reality by Wagner, Rachel (review)
  2. Stephen Okey
  3. pp. 167-168
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  1. The Celluloid Madonna: From Scripture to Screen by O’Brien, Catherine (review)
  2. Kevin Teo Kia-Choong
  3. pp. 169-170
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  1. The Theology of Dracula: Reading the Book of Stoker as Sacred Text by Rarignac, Noel Montague-Etienne (review)
  2. Elisabeth Nicholes
  3. pp. 171-172
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  1. Religion and Science Fiction ed. by McGrath, James F (review)
  2. Anthony R. Mills
  3. pp. 173-174
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