1. Toward the “Higher Type of Womanhood”: The Gendered Contours of Garveyism and the Making of Redemptive Geographies in Costa Rica, 1922–1941
  2. Asia Leeds
  3. pp. 1-27
  4. DOI: 10.1353/pal.2013.0000
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  1. A Loving Reclamation of the Unutterable: Patricia Hill Collins, Hortense J. Spillers, and Nina Simone as Excellent Performers of Nomenclature
  2. I. Augustus Durham
  3. pp. 28-46
  4. DOI: 10.1353/pal.2013.0002
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  1. It’s All in the Name: Hip Hop, Sexuality, and Black Women’s Identity in Breakin’ In: The Making of a Hip Hop Dancer
  2. Carol E. Henderson
  3. pp. 47-58
  4. DOI: 10.1353/pal.2013.0004
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  1. Boys to Men: Getting Personal about Black Manhood, Sexuality, and Empowerment
  2. David Ikard
  3. pp. 59-73
  4. DOI: 10.1353/pal.2013.0006
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  1. Reading Will Make You Queer: Gender Inversion and Racial Leadership in Claude McKay’s Home to Harlem
  2. Charles I. Nero
  3. pp. 74-86
  4. DOI: 10.1353/pal.2013.0007
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  1. “Do I Need a Contract to Kiss You?”: Consent, Incapacitation, and The Ethics of Sex
  2. David A. Rubin
  3. pp. 99-105
  4. DOI: 10.1353/pal.2013.0010
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  1. Women, Religion, and Sexuality in Contemporary Moroccan Film: Unveiling the Veiled in ﺤﺟاﺏ ﺍﺁﺤﺏ Hijab al-Hob (Veils of Love, 2009)
  2. Valérie K. Orlando
  3. pp. 106-123
  4. DOI: 10.1353/pal.2013.0001
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  1. Poetic License
  2. Caroline Randall Williams
  3. pp. 126-128
  4. DOI: 10.1353/pal.2013.0003
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  1. Editor’s Introduction
  3. p. v
  4. DOI: 10.1353/pal.2013.0009
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  1. Cartography of Curves: Black Women and Eros in Prose and Pictures: A Dialogue between Rachel Eliza Griffiths (photographer) and Alice Randall (novelist), with an Introduction, “Black Magic Women,” by Houston A. Baker
  2. Rachel Eliza Griffiths, Alice Randall, Houston A. Baker
  3. pp. 87-98
  4. DOI: 10.1353/pal.2013.0008
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  1. Contributors
  3. pp. 129-132
  4. DOI: 10.1353/pal.2013.0005
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