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Table of Contents

  1. Radios
  2. Major Jackson
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/plo.2013.0037
  5. restricted access
  1. Pueblo I, New Mexico
  2. Peter Balakian
  3. pp. 9-11
  4. DOI: https://doi.org/10.1353/plo.2013.0047
  5. restricted access
  1. Ukulele
  2. Sandra Beasley
  3. p. 12
  4. DOI: https://doi.org/10.1353/plo.2013.0057
  5. restricted access
  1. The Body Is a Big Sagacity
  2. Erin Belieu
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/plo.2013.0006
  5. restricted access
  1. What Happens Next
  2. Emily Bernard
  3. pp. 15-31
  4. DOI: https://doi.org/10.1353/plo.2013.0015
  5. restricted access
  1. What We Lost in the Flood—
  2. Traci Brimhall
  3. p. 32
  4. DOI: https://doi.org/10.1353/plo.2013.0024
  5. restricted access
  1. Another Elegy
  2. Jericho Brown
  3. p. 33
  4. DOI: https://doi.org/10.1353/plo.2013.0033
  5. restricted access
  1. Knowledge
  2. Stephen Browning
  3. p. 34
  4. DOI: https://doi.org/10.1353/plo.2013.0043
  5. restricted access
  1. Demolition Derby
  2. Maggie Dietz
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/plo.2013.0053
  5. restricted access
  1. Deep Lane
  2. Mark Doty
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/plo.2013.0002
  5. restricted access
  1. Praise Poem for American Girls
  2. Jaclyn Dwyer
  3. pp. 39-40
  4. DOI: https://doi.org/10.1353/plo.2013.0011
  5. restricted access
  1. Of the Threads That Connect the Stars
  2. Martín Espada
  3. p. 41
  4. DOI: https://doi.org/10.1353/plo.2013.0020
  5. restricted access
  1. The Florida Sandhill Crane
  2. Didi Gibbs
  3. pp. 42-43
  4. DOI: https://doi.org/10.1353/plo.2013.0029
  5. restricted access
  1. Salt on the Tongue
  2. Nathalie Handal
  3. pp. 44-45
  4. DOI: https://doi.org/10.1353/plo.2013.0039
  5. restricted access
  1. Brief Encounter with the Household Gods
  2. David Huddle
  3. pp. 46-49
  4. DOI: https://doi.org/10.1353/plo.2013.0049
  5. restricted access
  1. Crossing Water
  2. Tony Hoagland
  3. pp. 50-51
  4. DOI: https://doi.org/10.1353/plo.2013.0059
  5. restricted access
  1. The Complex Sentence
  2. Tony Hoagland
  3. p. 52
  4. DOI: https://doi.org/10.1353/plo.2013.0008
  5. restricted access
  1. Transfer Station
  2. Elise Juska
  3. pp. 53-67
  4. DOI: https://doi.org/10.1353/plo.2013.0017
  5. restricted access
  1. The Martyr's Motel
  2. Laura Kasischke
  3. pp. 68-69
  4. DOI: https://doi.org/10.1353/plo.2013.0026
  5. restricted access
  1. You tell me
  2. Laura Kasischke
  3. p. 70
  4. DOI: https://doi.org/10.1353/plo.2013.0035
  5. restricted access
  1. The Graves
  2. Joanna Klink
  3. p. 71
  4. DOI: https://doi.org/10.1353/plo.2013.0045
  5. restricted access
  1. Swan Road
  2. Rebecca Lehmann
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/plo.2013.0055
  5. restricted access
  1. Dance Dance Dance
  2. Alex Lemon
  3. pp. 74-75
  4. DOI: https://doi.org/10.1353/plo.2013.0004
  5. restricted access
  1. Masticated Light
  2. Jamaal May
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/plo.2013.0013
  5. restricted access
  1. The Birds and the Bees
  2. Jeffrey McDaniel
  3. p. 78
  4. DOI: https://doi.org/10.1353/plo.2013.0022
  5. restricted access
  1. Beware of the Dark Sedan Idling Inside You
  2. Jeffrey McDaniel
  3. p. 79
  4. DOI: https://doi.org/10.1353/plo.2013.0031
  5. restricted access
  1. Porto, Portare, Portavi, Portatus
  2. Erika Meitner
  3. pp. 80-82
  4. DOI: https://doi.org/10.1353/plo.2013.0041
  5. restricted access
  1. Andorra
  2. Szidónia Molnár
  3. pp. 83-94
  4. DOI: https://doi.org/10.1353/plo.2013.0051
  5. restricted access
  1. test
  2. Fred Moten
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/plo.2013.0000
  5. restricted access
  1. Tanka Diary
  2. Harryette Mullen
  3. p. 100
  4. DOI: https://doi.org/10.1353/plo.2013.0010
  5. restricted access
  1. The Room in Five Moods of Cannots
  2. Vi Khi Nao
  3. p. 101
  4. DOI: https://doi.org/10.1353/plo.2013.0019
  5. restricted access
  1. Men
  2. Jay Nebel
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/plo.2013.0028
  5. restricted access
  1. Douche-Bag Ode
  2. Sharon Olds
  3. p. 104
  4. DOI: https://doi.org/10.1353/plo.2013.0038
  5. restricted access
  1. Meeting a Stranger
  2. Sharon Olds
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/plo.2013.0048
  5. restricted access
  1. Ode to Piranha
  2. Yaddyra Peralta
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/plo.2013.0058
  5. restricted access
  1. The Rubber Game
  2. Sherri Phillips
  3. pp. 109-125
  4. DOI: https://doi.org/10.1353/plo.2013.0007
  5. restricted access
  1. The Length of the Field
  2. Carl Phillips
  3. p. 126
  4. DOI: https://doi.org/10.1353/plo.2013.0016
  5. restricted access
  1. Chromatic Black
  2. Carl Phillips
  3. p. 127
  4. DOI: https://doi.org/10.1353/plo.2013.0025
  5. restricted access
  1. In Which I Am Famous
  2. Catherine Pierce
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/plo.2013.0034
  5. restricted access
  1. Monkey See
  2. David James Poissant
  3. pp. 130-141
  4. DOI: https://doi.org/10.1353/plo.2013.0044
  5. restricted access
  1. The Boss Who Fired Me During the Recession
  2. Bethany Pray
  3. p. 142
  4. DOI: https://doi.org/10.1353/plo.2013.0054
  5. restricted access
  1. Even the Gods
  2. Nicole Sealey
  3. p. 143
  4. DOI: https://doi.org/10.1353/plo.2013.0003
  5. restricted access
  1. The Visions of Sane Persons
  2. Maureen Seaton
  3. pp. 144-145
  4. DOI: https://doi.org/10.1353/plo.2013.0012
  5. restricted access
  1. Grusamericana (Whooper)
  2. Lisa Sewell
  3. pp. 146-147
  4. DOI: https://doi.org/10.1353/plo.2013.0021
  5. restricted access
  1. Zydeco on Dog Hill
  2. John Warner Smith
  3. p. 148
  4. DOI: https://doi.org/10.1353/plo.2013.0030
  5. restricted access
  1. Logos
  2. Tracy K. Smith
  3. p. 149
  4. DOI: https://doi.org/10.1353/plo.2013.0040
  5. restricted access
  1. Alan at the Kirschbergs'
  2. Anna Solomon
  3. pp. 150-165
  4. DOI: https://doi.org/10.1353/plo.2013.0050
  5. restricted access
  1. Because There Is No Ending
  2. Pimone Triplett
  3. p. 166
  4. DOI: https://doi.org/10.1353/plo.2013.0060
  5. restricted access
  1. My Dear Ego, Be
  2. Pimone Triplett
  3. p. 167
  4. DOI: https://doi.org/10.1353/plo.2013.0009
  5. restricted access
  1. Church
  2. Kimberly Swayze
  3. pp. 168-180
  4. DOI: https://doi.org/10.1353/plo.2013.0018
  5. restricted access
  1. Middle Distance
  2. Anne Pierson Wiese
  3. p. 181
  4. DOI: https://doi.org/10.1353/plo.2013.0027
  5. restricted access
  1. The Calling
  2. Bruce Willard
  3. p. 182
  4. DOI: https://doi.org/10.1353/plo.2013.0036
  5. restricted access
  1. Letter Written in Black Water and Pearl
  2. Jake Adam York
  3. pp. 183-185
  4. DOI: https://doi.org/10.1353/plo.2013.0046
  5. restricted access
  1. Dancing in Buses
  2. Javier Zamora
  3. p. 186
  4. DOI: https://doi.org/10.1353/plo.2013.0056
  5. restricted access
  1. About Major Jackson: A Profile by Gregory Pardlo
  2. Gregory Pardlo
  3. pp. 187-139
  4. DOI: https://doi.org/10.1353/plo.2013.0005
  5. restricted access
  1. The Great Dream: A Plan B Essay by Floyd Skloot
  2. Floyd Skloot
  3. pp. 194-197
  4. DOI: https://doi.org/10.1353/plo.2013.0061
  5. restricted access
  1. Patron Saint of Quiet Lives: A Look2 Essay on Barbara Pym by Raina Lipsitz
  2. Raina Lipsitz
  3. pp. 198-211
  4. DOI: https://doi.org/10.1353/plo.2013.0014
  5. restricted access
  1. A Conversation with Gail Mazur
  2. Sarah Ehrich
  3. pp. 212-219
  4. DOI: https://doi.org/10.1353/plo.2013.0023
  5. restricted access
  1. Alice Hoffman Prize for Fiction · Spring 2013
  3. p. 220
  4. DOI: https://doi.org/10.1353/plo.2013.0032
  5. restricted access
  1. Editors' Shelf: Book Recommendations from Our Advisory Editors
  3. p. 221
  4. DOI: https://doi.org/10.1353/plo.2013.0042
  5. restricted access
  1. Editors' Corner: New Works by Our Advisory Editors
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/plo.2013.0052
  5. restricted access
  1. Contributors' Notes
  3. pp. 222-228
  4. DOI: https://doi.org/10.1353/plo.2013.0001
  5. restricted access