In this Issue

Table of Contents

“These Noxious Microbes”: Pathological Dramaturgy in George Bernard Shaw’s Too True to Be Good

Christopher Wixson
pp. 1-18
DOI: https://doi.org/10.1353/mdr.2013.0012
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Bernard Shaw’s Stalinist Allegory: The Simpleton of the Unexpected Isles

Matthew Yde
pp. 19-37
DOI: https://doi.org/10.1353/mdr.2013.0001
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Mobilizing Maurya: J.M. Synge, Bertolt Brecht, and the Revolutionary Mother

Susan Cannon Harris
pp. 38-59
DOI: https://doi.org/10.1353/mdr.2013.0003
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Revisiting Marat/Sade: Philosophy in the Asylum, Asylum in the Theatre

Anne Beggs
pp. 60-79
DOI: https://doi.org/10.1353/mdr.2013.0005
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Harold Pinter’s “More Precisely Political” Dramas, or a Post-1983 Economy of Affect

Basil Chiasson
pp. 80-101
DOI: https://doi.org/10.1353/mdr.2013.0007
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To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire

Caroline Wake
pp. 102-125
DOI: https://doi.org/10.1353/mdr.2013.0009
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10 Ways of Thinking about Samuel Beckett: The Falsetto of Reason by Enoch Brater (review)

S.E. Gontarski
pp. 126-128
DOI: https://doi.org/10.1353/mdr.2013.0011
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The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870 by Jacky Bratton (review)

Rosemary Barrow
pp. 128-130
DOI: https://doi.org/10.1353/mdr.2013.0000
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Synge and Edwardian Ireland ed. by Brian Cliff and Nicholas Grene (review)

Sarah L. Townsend
pp. 130-132
DOI: https://doi.org/10.1353/mdr.2013.0002
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The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present by John M. Clum (review)

Jason Fitzgerald
pp. 132-135
DOI: https://doi.org/10.1353/mdr.2013.0004
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Melodramatic Voices: Understanding Music Drama ed. by Sarah Hibberd (review)

Sherry Lee
pp. 135-137
DOI: https://doi.org/10.1353/mdr.2013.0006
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Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 by Koritha Mitchell (review)

Harvey Young
pp. 137-140
DOI: https://doi.org/10.1353/mdr.2013.0008
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My Friend Tom: The Poet-Playwright Tennessee Williams by William Jay Smith (review)

Philip C. Kolin
pp. 140-142
DOI: https://doi.org/10.1353/mdr.2013.0010
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Native American Drama: A Critical Perspective by Christy Stanlake (review)

S.E. Wilmer
pp. 142-144
DOI: https://doi.org/10.1353/mdr.2013.0013
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