1. The Formation of Genres in the Renaissance and After
  2. Alastair Fowler
  3. pp. 185-200
  4. DOI: 10.1353/nlh.2003.0017
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  1. Literary Genres as Norms and Good Habits
  2. Thomas G. Pavel
  3. pp. 201-210
  4. DOI: 10.1353/nlh.2003.0021
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  1. Histories, Micro- and Literary: Problems of Genre and Distance
  2. Mark Phillips
  3. pp. 211-229
  4. DOI: 10.1353/nlh.2003.0022
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  1. The Paradox of the Anthology: Collecting and Difference in Eighteenth-Century Britain
  2. Barbara M. Benedict
  3. pp. 231-256
  4. DOI: 10.1353/nlh.2003.0013
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  1. Profession/Confession
  2. Dorothea E. von Mucke
  3. pp. 257-274
  4. DOI: 10.1353/nlh.2003.0020
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  1. Theorizing Genres--Interpreting Works
  2. Peter Seitel
  3. pp. 275-297
  4. DOI: 10.1353/nlh.2003.0023
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  1. The Genre of Postcoloniality
  2. Peter Hitchcock
  3. pp. 299-330
  4. DOI: 10.1353/nlh.2003.0019
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  1. Mixing Impossible Genres: David Achkar and African AutoBiographical Documentary
  2. Rachel Gabara
  3. pp. 331-352
  4. DOI: 10.1353/nlh.2003.0018
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  1. Freud's Rat Man and the Case Study: Genre in Three Keys
  2. Susan Wells
  3. pp. 353-366
  4. DOI: 10.1353/nlh.2003.0024
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  1. Commentary: Good of Their Kind
  2. Hayden V. White
  3. pp. 367-376
  4. DOI: 10.1353/nlh.2003.0025
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  1. Introduction
  2. Ralph Cohen
  3. pp. iv-xiv
  4. DOI: 10.1353/nlh.2003.0015
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  1. Contributors
  2. pp. 377-378
  3. DOI: 10.1353/nlh.2003.0016
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  1. Books Received
  2. pp. 379-381
  3. DOI: 10.1353/nlh.2003.0014
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