In this Issue

Table of Contents

The Media Myth of America: Joseph Roth’s Hiob and Tarabas

Kata Gellen
pp. 1-28
DOI: https://doi.org/10.1353/oas.2012.0013
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Zwischen “Kriegsgott” und “Operettenfigur”: Inszenierungen militärischer Männlichkeit in der österreichischen Literatur zum Ersten Weltkrieg

Monika Szczepaniak
pp. 29-60
DOI: https://doi.org/10.1353/oas.2012.0025
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Reading Foreign Bodies in Musil’s Die Versuchung der stillen Veronika

Brett Martz
pp. 61-86
DOI: https://doi.org/10.1353/oas.2012.0037
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Historical Rupture and the Devastation of Memory in Adalbert Stifter’s Der Hagestolz

Kevin A. Gordon
pp. 87-112
DOI: https://doi.org/10.1353/oas.2012.0049
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Literary Awards and the Practice of Aesthetic Judgment: Lessons of the Ingeborg Bachmann Preis

Kristin Rebien
pp. 113-134
DOI: https://doi.org/10.1353/oas.2012.0060
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Das Streben nach Erkenntnis als Weg zur Selbsterlösung in Hermann Brochs “Tierkreis-Erzählungen” by Pia Banzhaf (review)

Vincent Kling
pp. 135-137
DOI: https://doi.org/10.1353/oas.2012.0071
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Hermann Broch und die Künste ed. by Alice Stašková and Paul Michael Lützeler (review)

Jens Klenner
pp. 138-140
DOI: https://doi.org/10.1353/oas.2012.0009
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Die verfolgende Unschuld: Zur Geschichte des autoritären Charakters in der Darstellung von Karl Kraus by Irina Djassemy (review)

Ari Linden
pp. 140-142
DOI: https://doi.org/10.1353/oas.2012.0021
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The Nameable and the Unnameable: Hofmannsthal’s “Der Schwierige” Revisited by Martin Liebscher (review)

Steven R. Cerf
pp. 142-145
DOI: https://doi.org/10.1353/oas.2012.0033
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Selbstkonstitution bei Robert Musil und in der Psychoanalyse. Identität und Wirklichkeit im “Mann ohne Eigenschaften” by Lilith Jappe (review)

Maximilian Aue
pp. 145-148
DOI: https://doi.org/10.1353/oas.2012.0045
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Zurechnungsfähigkeiten: Kriminologie in Robert Musils Mann ohne Eigenschaften by Mark Ludwig (review)

Andrew Erwin
pp. 148-150
DOI: https://doi.org/10.1353/oas.2012.0056
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Imperial Messages: Orientalism as Self-Critique in the Habsburg Fin de Sieçle by Robert Lemon (review)

Pamela S. Saur
pp. 150-153
DOI: https://doi.org/10.1353/oas.2012.0067
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Good Living Street: Portrait of a Patron Family, Vienna, 1900 by Tim Bonyhady (review)

Robert Weldon Whalen
pp. 153-155
DOI: https://doi.org/10.1353/oas.2012.0004
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Kafka for the Twenty-First Century ed. by Stanley Corngold and Ruth V. Gross (review)

Dagmar C. G. Lorenz
pp. 155-157
DOI: https://doi.org/10.1353/oas.2012.0016
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Kafka und die kleine Prosa der Moderne ed. by Manfred Engel and Ritchie Robertson (review)

William Quirk
pp. 157-160
DOI: https://doi.org/10.1353/oas.2012.0028
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Colour and Light, Illness and Death: A New Interpretation of Kafka’s Der Proceß by Barbara McKenzie (review)

Roxane Riegler
pp. 160-162
DOI: https://doi.org/10.1353/oas.2012.0040
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Mignon: Tagebücher und Briefe einer jüdischen Krankenschwester in Wien 1938–1949 ed. by Elisabeth Fraller and George Langnas (review)

Helga Thorson
pp. 162-165
DOI: https://doi.org/10.1353/oas.2012.0051
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Toponym als U-topie bei Paul Celan. Auschwitz-Berlin-Ukraine by Yoshihiko Hirano (review)

Bianca Rosenthal
pp. 165-167
DOI: https://doi.org/10.1353/oas.2012.0062
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The Meridian: Paul Celan by Pierre Joris (review)

Dagmar C. G. Lorenz
pp. 167-169
DOI: https://doi.org/10.1353/oas.2012.0073
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Harte Lyrik. Zur Psychologie und Rhetorik lakonischer Dichtung in Texten von Günter Eich, Erich Fried und Reiner Kunze by Laura Cheie (review)

Frank Pilipp
pp. 169-171
DOI: https://doi.org/10.1353/oas.2012.0011
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Von Wien her, auf Wien hin. Ilse Aichingers “Geographie der eigenen Existenz” by Simone Fässler (review)

Eva Kuttenberg
pp. 171-174
DOI: https://doi.org/10.1353/oas.2012.0023
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Erinnerungen eines Hollywoodstars aus Ungarn by Charles Korvin (review)

Laura A. Detre
pp. 174-175
DOI: https://doi.org/10.1353/oas.2012.0035
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Wiederkehr und Antithese. Zyklische Kompositionen in der Lyrik Ingeborg Bachmanns by Daniel Graf (review)

Karl Ivan Solibakke
pp. 176-178
DOI: https://doi.org/10.1353/oas.2012.0047
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Die Kunst, die Komik und das Erzählen im Werk Thomas Bernhards: Textinterpretationen und die Entwicklung des Gesamtwerks by Anne Thill (review)

Francis Michael Sharp
pp. 180-181
DOI: https://doi.org/10.1353/oas.2012.0058
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Lob der Oberfläche. Zum Werk von Elfriede Jelinek by Thomas Eder, Juliane Vogel (review)

Britta Kallin
pp. 181-183
DOI: https://doi.org/10.1353/oas.2012.0069
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“Vienna Is Different”: Jewish Writers in Austria from the Fin-de-Siècle to the Present by Hilary Hope Herzog (review)

Cynthia A. Klima
pp. 183-185
DOI: https://doi.org/10.1353/oas.2012.0007
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German and European Poetics after the Holocaust: Crisis and Creativity ed. by Gert Hofmann et al. (review)

Traci S. O’Brien
pp. 186-188
DOI: https://doi.org/10.1353/oas.2012.0019
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Emerging German-Language Novelists of the Twenty-First Century by Lyn Marven and Stuart Taberner (review)

Anita McChesney
pp. 188-190
DOI: https://doi.org/10.1353/oas.2012.0031
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Eine kurze Geschichte der Literatur in Österreich by Wynfrid Kriegleder (review)

Joseph W. Moser
pp. 191-192
DOI: https://doi.org/10.1353/oas.2012.0043
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Enigma: Selected Poems by Ingeborg Bachmann (review)

Katya Krylova
pp. 192-194
DOI: https://doi.org/10.1353/oas.2012.0054
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Maybe This Time by Alois Hotschnig (review)

Pamela S. Saur
pp. 194-196
DOI: https://doi.org/10.1353/oas.2012.0065
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Frozen Time by Anna Kim (review)

Inge Arteel
pp. 197-198
DOI: https://doi.org/10.1353/oas.2012.0002
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In the Lions’ Den and The Panther by Felix Mitterer (review)

Todd C. Hanlin
pp. 199-201
DOI: https://doi.org/10.1353/oas.2012.0014
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Splithead by Julya Rabinowich (review)

Roxane Riegler
pp. 201-203
DOI: https://doi.org/10.1353/oas.2012.0026
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Return to Vienna: A Journal by Hilde Spiel (review)

Peter Höyng
pp. 203-205
DOI: https://doi.org/10.1353/oas.2012.0038
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In Memoriam: Maximilian Aue

Viola Westbrook
pp. xi-xiii
DOI: https://doi.org/10.1353/oas.2012.0064
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Contributors

pp. xv-xvi
DOI: https://doi.org/10.1353/oas.2012.0001
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