1. The Media Myth of America: Joseph Roth’s Hiob and Tarabas
  2. Kata Gellen
  3. pp. 1-28
  4. DOI: 10.1353/oas.2012.0013
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  1. Zwischen “Kriegsgott” und “Operettenfigur”: Inszenierungen militärischer Männlichkeit in der österreichischen Literatur zum Ersten Weltkrieg
  2. Monika Szczepaniak
  3. pp. 29-60
  4. DOI: 10.1353/oas.2012.0025
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  1. Reading Foreign Bodies in Musil’s Die Versuchung der stillen Veronika
  2. Brett Martz
  3. pp. 61-86
  4. DOI: 10.1353/oas.2012.0037
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  1. Historical Rupture and the Devastation of Memory in Adalbert Stifter’s Der Hagestolz
  2. Kevin A. Gordon
  3. pp. 87-112
  4. DOI: 10.1353/oas.2012.0049
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  1. Literary Awards and the Practice of Aesthetic Judgment: Lessons of the Ingeborg Bachmann Preis
  2. Kristin Rebien
  3. pp. 113-134
  4. DOI: 10.1353/oas.2012.0060
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  1. Das Streben nach Erkenntnis als Weg zur Selbsterlösung in Hermann Brochs “Tierkreis-Erzählungen” by Pia Banzhaf (review)
  2. Vincent Kling
  3. pp. 135-137
  4. DOI: 10.1353/oas.2012.0071
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  1. Hermann Broch und die Künste ed. by Alice Stašková and Paul Michael Lützeler (review)
  2. Jens Klenner
  3. pp. 138-140
  4. DOI: 10.1353/oas.2012.0009
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  1. Die verfolgende Unschuld: Zur Geschichte des autoritären Charakters in der Darstellung von Karl Kraus by Irina Djassemy (review)
  2. Ari Linden
  3. pp. 140-142
  4. DOI: 10.1353/oas.2012.0021
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  1. The Nameable and the Unnameable: Hofmannsthal’s “Der Schwierige” Revisited by Martin Liebscher (review)
  2. Steven R. Cerf
  3. pp. 142-145
  4. DOI: 10.1353/oas.2012.0033
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  1. Selbstkonstitution bei Robert Musil und in der Psychoanalyse. Identität und Wirklichkeit im “Mann ohne Eigenschaften” by Lilith Jappe (review)
  2. Maximilian Aue
  3. pp. 145-148
  4. DOI: 10.1353/oas.2012.0045
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  1. Zurechnungsfähigkeiten: Kriminologie in Robert Musils Mann ohne Eigenschaften by Mark Ludwig (review)
  2. Andrew Erwin
  3. pp. 148-150
  4. DOI: 10.1353/oas.2012.0056
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  1. Imperial Messages: Orientalism as Self-Critique in the Habsburg Fin de Sieçle by Robert Lemon (review)
  2. Pamela S. Saur
  3. pp. 150-153
  4. DOI: 10.1353/oas.2012.0067
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  1. Good Living Street: Portrait of a Patron Family, Vienna, 1900 by Tim Bonyhady (review)
  2. Robert Weldon Whalen
  3. pp. 153-155
  4. DOI: 10.1353/oas.2012.0004
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  1. Kafka for the Twenty-First Century ed. by Stanley Corngold and Ruth V. Gross (review)
  2. Dagmar C. G. Lorenz
  3. pp. 155-157
  4. DOI: 10.1353/oas.2012.0016
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  1. Kafka und die kleine Prosa der Moderne ed. by Manfred Engel and Ritchie Robertson (review)
  2. William Quirk
  3. pp. 157-160
  4. DOI: 10.1353/oas.2012.0028
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  1. Colour and Light, Illness and Death: A New Interpretation of Kafka’s Der Proceß by Barbara McKenzie (review)
  2. Roxane Riegler
  3. pp. 160-162
  4. DOI: 10.1353/oas.2012.0040
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  1. Mignon: Tagebücher und Briefe einer jüdischen Krankenschwester in Wien 1938–1949 ed. by Elisabeth Fraller and George Langnas (review)
  2. Helga Thorson
  3. pp. 162-165
  4. DOI: 10.1353/oas.2012.0051
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  1. Toponym als U-topie bei Paul Celan. Auschwitz-Berlin-Ukraine by Yoshihiko Hirano (review)
  2. Bianca Rosenthal
  3. pp. 165-167
  4. DOI: 10.1353/oas.2012.0062
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  1. The Meridian: Paul Celan by Pierre Joris (review)
  2. Dagmar C. G. Lorenz
  3. pp. 167-169
  4. DOI: 10.1353/oas.2012.0073
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  1. Harte Lyrik. Zur Psychologie und Rhetorik lakonischer Dichtung in Texten von Günter Eich, Erich Fried und Reiner Kunze by Laura Cheie (review)
  2. Frank Pilipp
  3. pp. 169-171
  4. DOI: 10.1353/oas.2012.0011
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  1. Von Wien her, auf Wien hin. Ilse Aichingers “Geographie der eigenen Existenz” by Simone Fässler (review)
  2. Eva Kuttenberg
  3. pp. 171-174
  4. DOI: 10.1353/oas.2012.0023
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  1. Erinnerungen eines Hollywoodstars aus Ungarn by Charles Korvin (review)
  2. Laura A. Detre
  3. pp. 174-175
  4. DOI: 10.1353/oas.2012.0035
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  1. Wiederkehr und Antithese. Zyklische Kompositionen in der Lyrik Ingeborg Bachmanns by Daniel Graf (review)
  2. Karl Ivan Solibakke
  3. pp. 176-178
  4. DOI: 10.1353/oas.2012.0047
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  1. Die Kunst, die Komik und das Erzählen im Werk Thomas Bernhards: Textinterpretationen und die Entwicklung des Gesamtwerks by Anne Thill (review)
  2. Francis Michael Sharp
  3. pp. 180-181
  4. DOI: 10.1353/oas.2012.0058
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  1. Lob der Oberfläche. Zum Werk von Elfriede Jelinek by Thomas Eder, Juliane Vogel (review)
  2. Britta Kallin
  3. pp. 181-183
  4. DOI: 10.1353/oas.2012.0069
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  1. “Vienna Is Different”: Jewish Writers in Austria from the Fin-de-Siècle to the Present by Hilary Hope Herzog (review)
  2. Cynthia A. Klima
  3. pp. 183-185
  4. DOI: 10.1353/oas.2012.0007
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  1. German and European Poetics after the Holocaust: Crisis and Creativity ed. by Gert Hofmann et al. (review)
  2. Traci S. O’Brien
  3. pp. 186-188
  4. DOI: 10.1353/oas.2012.0019
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  1. Emerging German-Language Novelists of the Twenty-First Century by Lyn Marven and Stuart Taberner (review)
  2. Anita McChesney
  3. pp. 188-190
  4. DOI: 10.1353/oas.2012.0031
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  1. Eine kurze Geschichte der Literatur in Österreich by Wynfrid Kriegleder (review)
  2. Joseph W. Moser
  3. pp. 191-192
  4. DOI: 10.1353/oas.2012.0043
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  1. Enigma: Selected Poems by Ingeborg Bachmann (review)
  2. Katya Krylova
  3. pp. 192-194
  4. DOI: 10.1353/oas.2012.0054
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  1. Maybe This Time by Alois Hotschnig (review)
  2. Pamela S. Saur
  3. pp. 194-196
  4. DOI: 10.1353/oas.2012.0065
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  1. Frozen Time by Anna Kim (review)
  2. Inge Arteel
  3. pp. 197-198
  4. DOI: 10.1353/oas.2012.0002
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  1. In the Lions’ Den and The Panther by Felix Mitterer (review)
  2. Todd C. Hanlin
  3. pp. 199-201
  4. DOI: 10.1353/oas.2012.0014
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  1. Splithead by Julya Rabinowich (review)
  2. Roxane Riegler
  3. pp. 201-203
  4. DOI: 10.1353/oas.2012.0026
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  1. Return to Vienna: A Journal by Hilde Spiel (review)
  2. Peter Höyng
  3. pp. 203-205
  4. DOI: 10.1353/oas.2012.0038
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  1. In Memoriam: Maximilian Aue
  2. Viola Westbrook
  3. pp. xi-xiii
  4. DOI: 10.1353/oas.2012.0064
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  1. Contributors
  3. pp. xv-xvi
  4. DOI: 10.1353/oas.2012.0001
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