1. Beginning, Middle, End of an Era: Has Technology Trumped Aristotle?
  2. Richard J. Allen
  3. pp. 9-22
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  1. Conquer or Connect: Power, Patterns, and the Gendered Narrative
  2. Mary M. Dalton
  3. pp. 23-29
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  1. Screenwriting Representation: Teaching Approaches to Writing Queer Characters
  2. Michael Green
  3. pp. 30-42
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  1. Writing The Simpsons: A Case Study of Comic Theory
  2. Edward J. Fink
  3. pp. 43-55
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  1. Turn Off the Lights as You Leave: Altman and His Short Cuts with Carver
  2. Christopher D. Allsop
  3. pp. 62-74
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  1. Novelist-Screenwriter versus Auteur Desire: The Player
  2. Jack Boozer
  3. pp. 75-86
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  1. Now Write! Screenwriting ed. by Sherry Ellis and Laurie Lamson (review)
  2. David Bennett Carren
  3. pp. 87-88
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  1. The Inner Game of Screenwriting: 20 Winning Story Forms by Sandy Frank (review)
  2. Paul Joseph Gulino
  3. pp. 88-90
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  1. Writing in Pictures: screenwriting Made (mostly) Painless by Joseph McBride (review)
  2. Shahin Izadi
  3. pp. 90-91
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  1. Writing for Visual Media, 3rd ed. by Anthony Friedmann (review)
  2. Laura R. Linder
  3. pp. 92-94
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  1. Something Startling Happens by Todd Klick (review)
  2. Jean Stawarz
  3. pp. 94-95
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  1. Riding the Alligator: Strategies for a Career in Screenplay Writing (and Not Getting Eaten) by Pen Densham (review)
  2. Philip J. Taylor
  3. pp. 96-98
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  1. Epics, Spectacles, and Blockbusters: a Hollywood History by Sheldon Hall and Steve Neale (review)
  2. Roslin Smith
  3. pp. 100-101
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  1. The Editing Room Handbook: How to Tame the Chaos of the Editing Room, 4th ed. by Norman Hollyn (review)
  2. Joseph Bierman
  3. pp. 102-103
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  1. Independent Film Producing: The Outsider's Guide to Producing a First Low Budget Feature Film by Paul Battista (review)
  2. Norman Hollyn
  3. pp. 103-105
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  1. Writing the Comedy Blockbuster: the Inappropriate Goal by Keith Giglio (review)
  2. Evan Smith
  3. pp. 106-107
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  1. The Hollywood Sign: Fantasy and Reality of an American Icon by Leo Braudy (review)
  2. Chris Yogerst
  3. pp. 108-109
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  1. Introduction to the Special Issue on Media Writing
  2. Emily D. Edwards
  3. pp. 5-8
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  1. Creating a Series Pilot—Newcomers Welcome
  2. Evan Smith
  3. pp. 56-61
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  1. Writing the Drama Series: How to Succeed as a Professional Writer in TV, 3rd ed. by Pamela Douglas (review)
  2. Diane Walsh
  3. pp. 98-100
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