1. Editorial Comment
  2. Ric Knowles
  3. pp. 1-3
  4. DOI: 10.1353/tj.2013.0010
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  1. Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890–1930
  2. Len Platt, Tobias Becker
  3. pp. 1-18
  4. DOI: 10.1353/tj.2013.0026
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  1. Transatlantic Translations and Transactions: Lars Schmidt and the Implementation of Postwar American Theatre in Europe
  2. Dirk Gindt
  3. pp. 19-37
  4. DOI: 10.1353/tj.2013.0015
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  1. East German Theatre Censorship: The Role of the Audience
  2. Laura Bradley
  3. pp. 39-56
  4. DOI: 10.1353/tj.2013.0032
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  1. The Life of the Constructivist Theatrical Object
  2. Roann Barris
  3. pp. 57-76
  4. DOI: 10.1353/tj.2013.0000
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  1. The Body of Trauma: Empathy, Mourning, and Media in Troika Ranch’s loopdiver
  2. Roger Bechtel
  3. pp. 77-93
  4. DOI: 10.1353/tj.2013.0020
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  1. Dancing All Over Johannesburg, South Africa—Twenty-Fourth Annual Dance Umbrella (review)
  2. Loren Kruger
  3. pp. 95-99
  4. DOI: 10.1353/tj.2013.0027
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  1. Einstein on the Beach by Robert Wilson and Philip Glass (review)
  2. Stephen Bottoms
  3. pp. 99-101
  4. DOI: 10.1353/tj.2013.0022
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  1. On the Beach by Jonah Bokaer and Davide Balliano (review)
  2. Anna Sycamore DeMers
  3. pp. 101-102
  4. DOI: 10.1353/tj.2013.0017
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  1. And God Created Great Whales by Rinde Eckert (review)
  2. Jonathan Chambers
  3. pp. 103-105
  4. DOI: 10.1353/tj.2013.0012
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  1. The Agony and Ecstasy of Steve Jobs by Mike Daisey (review)
  2. Sharon L. Green
  3. pp. 105-106
  4. DOI: 10.1353/tj.2013.0007
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  1. The Physicists by Friedrich Dürrenmatt (review)
  2. Katie N. Johnson
  3. pp. 107-109
  4. DOI: 10.1353/tj.2013.0002
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  1. La Trilogie de la Villégiature by Carlo Goldoni (review)
  2. David G. Muller
  3. pp. 109-111
  4. DOI: 10.1353/tj.2013.0029
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  1. The Beloved by Amir Nizar Zuabi (review)
  2. Robert Hubbard
  3. pp. 111-113
  4. DOI: 10.1353/tj.2013.0024
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  1. The Amen Corner by James Baldwin, and: Are You Now or Have You Ever Been . . . by Carlyle Brown (review)
  2. Carra Martinez
  3. pp. 113-117
  4. DOI: 10.1353/tj.2013.0019
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  1. Poetic Portraits of a Revolution by Will McInerney and Kane Smego (review)
  2. Jeanmarie Higgins
  3. pp. 117-119
  4. DOI: 10.1353/tj.2013.0014
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  1. Urban Death by Zombie Joe (review)
  2. Kevin J. Wetmore Jr.
  3. pp. 119-120
  4. DOI: 10.1353/tj.2013.0009
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  1. Devising the Performance, Comedy Festival by Neos Kosmos Theatre (review)
  2. Vicky Manteli
  3. pp. 120-123
  4. DOI: 10.1353/tj.2013.0004
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  1. The Merchant of Venice by William Shakespeare (review)
  2. Su Mei Kok
  3. pp. 123-125
  4. DOI: 10.1353/tj.2013.0031
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  1. Indonesian Theatre: New North American Scholarship on Modern and Traditional Performance Practices
  2. Matthew Isaac Cohen
  3. pp. 127-135
  4. DOI: 10.1353/tj.2013.0005
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  1. The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs by Beth Osnes (review)
  2. Lisa Morse
  3. pp. 137-138
  4. DOI: 10.1353/tj.2013.0021
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  1. Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation ed. by Anthony Jackson and Jenny Kidd, and: Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)
  2. Scott Magelssen
  3. pp. 138-141
  4. DOI: 10.1353/tj.2013.0016
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  1. Theater of the People: Spectators and Society in Ancient Athens by David Kawalko Roselli (review)
  2. George Kovacs
  3. pp. 141-142
  4. DOI: 10.1353/tj.2013.0011
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  1. Sacred Folly: A New History of the Feast of Fools by Max Harris (review)
  2. Jenna Soleo-Shanks
  3. pp. 142-144
  4. DOI: 10.1353/tj.2013.0006
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  1. The Oxford Handbook of Thomas Middleton ed. by Gary Taylor and Trish Thomas Henley (review)
  2. Patrick J. Murray
  3. pp. 144-145
  4. DOI: 10.1353/tj.2013.0001
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  1. Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda by Patrick J. Cook (review)
  2. Milan Pribisic
  3. pp. 145-146
  4. DOI: 10.1353/tj.2013.0028
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  1. Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century by Matthew Solomon (review)
  2. David Coley
  3. pp. 146-148
  4. DOI: 10.1353/tj.2013.0023
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  1. Artaud and His Doubles by Kimberly Jannarone (review)
  2. Matthew Yde
  3. pp. 148-149
  4. DOI: 10.1353/tj.2013.0018
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  1. Russian Culture and Theatrical Performance in America, 1891–1933 by Valleri J. Hohman (review)
  2. Pamela Decker
  3. pp. 149-150
  4. DOI: 10.1353/tj.2013.0013
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  1. Jews on Broadway: An Historical Survey of Performers, Playwrights, Composers, Lyricists and Producers by Stewart F. Lane, and: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht (review)
  2. David Gorshein
  3. pp. 150-152
  4. DOI: 10.1353/tj.2013.0008
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  1. The Spaces of Irish Drama: Stage and Place in Contemporary Plays by Helen Heusner Lojek (review)
  2. Eleanor Owicki
  3. pp. 152-153
  4. DOI: 10.1353/tj.2013.0003
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  1. Books Received
  3. pp. 154-162
  4. DOI: 10.1353/tj.2013.0030
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