In this Issue

Table of Contents

Editorial Comment

Ric Knowles
pp. 1-3
DOI: https://doi.org/10.1353/tj.2013.0010
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Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890–1930

Len Platt, Tobias Becker
pp. 1-18
DOI: https://doi.org/10.1353/tj.2013.0026
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Transatlantic Translations and Transactions: Lars Schmidt and the Implementation of Postwar American Theatre in Europe

Dirk Gindt
pp. 19-37
DOI: https://doi.org/10.1353/tj.2013.0015
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East German Theatre Censorship: The Role of the Audience

Laura Bradley
pp. 39-56
DOI: https://doi.org/10.1353/tj.2013.0032
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The Life of the Constructivist Theatrical Object

Roann Barris
pp. 57-76
DOI: https://doi.org/10.1353/tj.2013.0000
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The Body of Trauma: Empathy, Mourning, and Media in Troika Ranch’s loopdiver

Roger Bechtel
pp. 77-93
DOI: https://doi.org/10.1353/tj.2013.0020
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Dancing All Over Johannesburg, South Africa—Twenty-Fourth Annual Dance Umbrella (review)

Loren Kruger
pp. 95-99
DOI: https://doi.org/10.1353/tj.2013.0027
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Einstein on the Beach by Robert Wilson and Philip Glass (review)

Stephen Bottoms
pp. 99-101
DOI: https://doi.org/10.1353/tj.2013.0022
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On the Beach by Jonah Bokaer and Davide Balliano (review)

Anna Sycamore DeMers
pp. 101-102
DOI: https://doi.org/10.1353/tj.2013.0017
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And God Created Great Whales by Rinde Eckert (review)

Jonathan Chambers
pp. 103-105
DOI: https://doi.org/10.1353/tj.2013.0012
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The Agony and Ecstasy of Steve Jobs by Mike Daisey (review)

Sharon L. Green
pp. 105-106
DOI: https://doi.org/10.1353/tj.2013.0007
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The Physicists by Friedrich Dürrenmatt (review)

Katie N. Johnson
pp. 107-109
DOI: https://doi.org/10.1353/tj.2013.0002
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La Trilogie de la Villégiature by Carlo Goldoni (review)

David G. Muller
pp. 109-111
DOI: https://doi.org/10.1353/tj.2013.0029
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The Beloved by Amir Nizar Zuabi (review)

Robert Hubbard
pp. 111-113
DOI: https://doi.org/10.1353/tj.2013.0024
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The Amen Corner by James Baldwin, and: Are You Now or Have You Ever Been . . . by Carlyle Brown (review)

Carra Martinez
pp. 113-117
DOI: https://doi.org/10.1353/tj.2013.0019
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Poetic Portraits of a Revolution by Will McInerney and Kane Smego (review)

Jeanmarie Higgins
pp. 117-119
DOI: https://doi.org/10.1353/tj.2013.0014
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Urban Death by Zombie Joe (review)

Kevin J. Wetmore Jr.
pp. 119-120
DOI: https://doi.org/10.1353/tj.2013.0009
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Devising the Performance, Comedy Festival by Neos Kosmos Theatre (review)

Vicky Manteli
pp. 120-123
DOI: https://doi.org/10.1353/tj.2013.0004
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The Merchant of Venice by William Shakespeare (review)

Su Mei Kok
pp. 123-125
DOI: https://doi.org/10.1353/tj.2013.0031
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Indonesian Theatre: New North American Scholarship on Modern and Traditional Performance Practices

Matthew Isaac Cohen
pp. 127-135
DOI: https://doi.org/10.1353/tj.2013.0005
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The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs by Beth Osnes (review)

Lisa Morse
pp. 137-138
DOI: https://doi.org/10.1353/tj.2013.0021
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Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation ed. by Anthony Jackson and Jenny Kidd, and: Performing Remains: Art and War in Times of Theatrical Reenactment by Rebecca Schneider (review)

Scott Magelssen
pp. 138-141
DOI: https://doi.org/10.1353/tj.2013.0016
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Theater of the People: Spectators and Society in Ancient Athens by David Kawalko Roselli (review)

George Kovacs
pp. 141-142
DOI: https://doi.org/10.1353/tj.2013.0011
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Sacred Folly: A New History of the Feast of Fools by Max Harris (review)

Jenna Soleo-Shanks
pp. 142-144
DOI: https://doi.org/10.1353/tj.2013.0006
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The Oxford Handbook of Thomas Middleton ed. by Gary Taylor and Trish Thomas Henley (review)

Patrick J. Murray
pp. 144-145
DOI: https://doi.org/10.1353/tj.2013.0001
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Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda by Patrick J. Cook (review)

Milan Pribisic
pp. 145-146
DOI: https://doi.org/10.1353/tj.2013.0028
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Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century by Matthew Solomon (review)

David Coley
pp. 146-148
DOI: https://doi.org/10.1353/tj.2013.0023
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Artaud and His Doubles by Kimberly Jannarone (review)

Matthew Yde
pp. 148-149
DOI: https://doi.org/10.1353/tj.2013.0018
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Russian Culture and Theatrical Performance in America, 1891–1933 by Valleri J. Hohman (review)

Pamela Decker
pp. 149-150
DOI: https://doi.org/10.1353/tj.2013.0013
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Jews on Broadway: An Historical Survey of Performers, Playwrights, Composers, Lyricists and Producers by Stewart F. Lane, and: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht (review)

David Gorshein
pp. 150-152
DOI: https://doi.org/10.1353/tj.2013.0008
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The Spaces of Irish Drama: Stage and Place in Contemporary Plays by Helen Heusner Lojek (review)

Eleanor Owicki
pp. 152-153
DOI: https://doi.org/10.1353/tj.2013.0003
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Books Received

pp. 154-162
DOI: https://doi.org/10.1353/tj.2013.0030
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