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In this Issue

Table of Contents

  1. Eugene O’Neill’s Exorcism: The Lost Prequel to Long Day’s Journey Into Night
  2. Robert M. Dowling
  3. pp. 1-12
  4. restricted access
  1. Kathleen O’Neill vs. Eugene G. O’Neill: Editor’s Note
  2. Robert M. Dowling
  3. pp. 13-27
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  1. Exorcism: The Context, the Critics, the Creation, and Rediscovery
  2. Jeff Kennedy
  3. pp. 28-38
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  1. Exorcism: A Play of Anti-Climax: Rebirth of a Play and a Playwright
  2. Jo Morello
  3. pp. 39-50
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  1. The Long Journey of Exorcism: A Note on Provenance
  2. William Davies King
  3. pp. 51-55
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  1. Dramaturging the Dead: A Dramaturg’s Experience Excavating Eugene O’Neill’s Exorcism
  2. Kati Donovan
  3. pp. 56-64
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  1. (Surprised): A Brief Account of a Production of O’Neill’s Exorcism
  2. Michael Fenlason
  3. pp. 65-71
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  1. Exorcism, or the Road Not Taken
  2. Thierry Dubost
  3. pp. 72-82
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  1. O’Neill after Exorcism
  2. Kurt Eisen
  3. pp. 83-86
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  1. A Touch of the Wrong Poet: Arthur Symons and the Ironizing of Tragedy in Beyond the Horizon
  2. Alexander Pettit
  3. pp. 87-105
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  1. Self and Space in the theater of Susan Glaspell by Noelia Hernando-Real (review)
  2. Drew Eisenhauer
  3. pp. 106-110
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  1. Miles to Babylon: A Play in Two Acts by Ann Harson (review)
  2. Jo Morello
  3. pp. 111-114
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  1. The Iceman Cometh by Robert Falls (review)
  2. Sara Gerend
  3. pp. 117-121
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  1. Long Day’s Journey Into Night by Anthony Page (review)
  2. Katie N. Johnson
  3. pp. 122-125
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  1. The Hairy Ape by Kate Budgen (review)
  2. Katie N. Johnson
  3. pp. 126-130
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  1. New Girl in Town by George Abbott (review)
  2. Michael C. O’Neill
  3. pp. 131-135
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  1. Begotten: O’Neill and the Harbor of Masks by Derek Goldman (review)
  2. Nelson Pressley
  3. pp. 136-139
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  1. Editor’s Foreword
  2. William Davies King
  3. pp. v-vi
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  1. Foreword
  2. J. Chris Westgate
  3. pp. 115-116
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  1. Notes on Contributors
  3. pp. 140-143
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