Project MUSE - Music and Letters-Volume 93, Number 4, November 2012

Instrumental Music and ‘Conversazione’ in Early Seicento Venice: Biagio Marini’s ‘Affetti Musicali’ (1617)

pp. 453-478

Rebecca Cypess

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The Picturesque Oratorio: Haydn’s Art in Nature’s Clothing

pp. 479-512

Stephen Groves

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‘About as Wild and Barbaric as Well could be Imagined ...’: The Critical Reception of Rimsky-Korsakov in Nineteenth-Century England

pp. 513-542

Stephen Muir

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Detective Agency?: Scoring the Amateur Female Investigator in 1940s Hollywood

pp. 543-573

Catherine Haworth

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New Approaches to Tonal Theory

pp. 574-593

Robert Hasegawa

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Il barbiere di Siviglia by Gioachino Rossini (review)

pp. 594-596

Martin Deasy

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Reflections on Musical Meaning and its Representations by Leo Treitler (review)

pp. 596-598

Arnold Whittall

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Historical Dictionary of English Music ca. 1400–1958 ed. by Charles Edward McGuire, Steven E. Plank (review)

pp. 598-600

John Caldwell

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Life after Death: The Viola da Gamba in Britain from Purcell to Dolmetsch by Peter Holman (review)

pp. 600-602

Ian Woodfield

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Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis by Deborah W. Rooke (review)

pp. 602-605

Ruth Smith

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The Music Trade in Georgian England ed. by Michael Kassler (review)

pp. 605-607

Susan Wollenberg

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Interpreting Music by Lawrence Kramer (review)

pp. 607-610

Michael Spitzer

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Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form by Benedict Taylor (review)

pp. 610-611

Laura Tunbridge

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The Collected Writings of Franz Liszt ed. by Janita R. Hall-Swadley (review)

pp. 611-614

Anna Harwell Celenza

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The Performing Style of Alexander Scriabin by Anatole Leikin (review)

pp. 614-615

David Fanning

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Charles Koechlin: Compositeur et humaniste ed. by Philippe Cathé, Sylvie Douche, and Michel Duchesneau (review)

pp. 615-617

Deborah Mawer

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Ravel by Roger Nichols (review)

pp. 617-622

Michael J. Puri

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Karel Husa: Skladatel mezi Evropou a Amerikou by Jiří Vysloužil (review)

pp. 622-623

John Tyrrell

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Building Blocks: Repetition and Continuity in the Music of Stravinsky by Gretchen Horlacher (review)

pp. 624-626

Katerina Levidou

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Klangperspektiven by Lucas Haselböck (review)

pp. 626-629

Björn Heile

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Elliott Carter by James Wierzbicki (review)

pp. 629-632

John Link

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John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review)

pp. 632-634

Arnold Whittall

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The Hollywood Film Music Reader ed. by Mervyn Cooke (review)

pp. 634-635

Julie Brown

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Extraordinary Measures: Disability in Music by Joseph Straus (review)

pp. 635-639

Alex Lubet

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Play It Again: Cover Songs in Popular Music ed. by George Plasketes (review)

pp. 639-641

Melissa Hok Cee Wong

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Books Received

pp. 647-648

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Reviews of Books: Index: (Reviewers’ names in parentheses)

pp. iii-v

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Authors of Articles in this Issue

p. 646

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Correction

p. 642

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The Westrup Prize

p. 643

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Recipients of ‘Music & Letters’ Awards

p. 643

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‘Music & Letters’ Awards

p. 646

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Volume 93, Number 4, November 2012

Table of Contents

Articles

Instrumental Music and ‘Conversazione’ in Early Seicento Venice: Biagio Marini’s ‘Affetti Musicali’ (1617)

The Picturesque Oratorio: Haydn’s Art in Nature’s Clothing

‘About as Wild and Barbaric as Well could be Imagined ...’: The Critical Reception of Rimsky-Korsakov in Nineteenth-Century England

Detective Agency?: Scoring the Amateur Female Investigator in 1940s Hollywood

Review-Article

New Approaches to Tonal Theory

Reviews

Il barbiere di Siviglia by Gioachino Rossini (review)

Reflections on Musical Meaning and its Representations by Leo Treitler (review)

Historical Dictionary of English Music ca. 1400–1958 ed. by Charles Edward McGuire, Steven E. Plank (review)

Life after Death: The Viola da Gamba in Britain from Purcell to Dolmetsch by Peter Holman (review)

Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis by Deborah W. Rooke (review)

The Music Trade in Georgian England ed. by Michael Kassler (review)

Interpreting Music by Lawrence Kramer (review)

Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form by Benedict Taylor (review)

The Collected Writings of Franz Liszt ed. by Janita R. Hall-Swadley (review)

The Performing Style of Alexander Scriabin by Anatole Leikin (review)

Charles Koechlin: Compositeur et humaniste ed. by Philippe Cathé, Sylvie Douche, and Michel Duchesneau (review)

Ravel by Roger Nichols (review)

Karel Husa: Skladatel mezi Evropou a Amerikou by Jiří Vysloužil (review)

Building Blocks: Repetition and Continuity in the Music of Stravinsky by Gretchen Horlacher (review)

Klangperspektiven by Lucas Haselböck (review)

Elliott Carter by James Wierzbicki (review)

John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review)

The Hollywood Film Music Reader ed. by Mervyn Cooke (review)

Extraordinary Measures: Disability in Music by Joseph Straus (review)

Play It Again: Cover Songs in Popular Music ed. by George Plasketes (review)

Books Received

Reviews of Books: Index: (Reviewers’ names in parentheses)

Authors of Articles in this Issue

Correction

The Westrup Prize

Recipients of ‘Music & Letters’ Awards

‘Music & Letters’ Awards

Research Areas

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