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Table of Contents

  1. Préface
  2. Frédérique Chevillot
  3. p. 8
  4. DOI: https://doi.org/10.1353/wfs.2003.0023
  5. restricted access
  1. En hommage à Adèle King
  2. Donna Kuizenga, Mary Rice-DeFosse, Samia Spencer, Colette Trout, Colette Winn, Frédérique Chevillot
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/wfs.2003.0028
  5. restricted access
  1. Plaisir du discours, discours sur le plaisir dans l'Heptaméron de Marguerite de Navarre
  2. Fabienne H. Baider
  3. pp. 11-24
  4. DOI: https://doi.org/10.1353/wfs.2003.0001
  5. restricted access
  1. Voix féminines dans l'œuvre d'Agrippa d'Aubigné
  2. Samuel Junod
  3. pp. 25-37
  4. DOI: https://doi.org/10.1353/wfs.2003.0006
  5. restricted access
  1. Golden Silence: Calelhon's Voice
  2. Catherine Parayre
  3. pp. 38-49
  4. DOI: https://doi.org/10.1353/wfs.2003.0011
  5. restricted access
  1. The Young Woman and the Sea: Lesbians Coming of Age in Coastal Communities in the Novels of Mireille Best
  2. Stephanie Schechner
  3. pp. 50-63
  4. DOI: https://doi.org/10.1353/wfs.2003.0016
  5. restricted access
  1. Un Air de famille : Tragi-comédie des sexes et androgynie
  2. Martine Guyot-Bender
  3. pp. 64-75
  4. DOI: https://doi.org/10.1353/wfs.2003.0021
  5. restricted access
  1. Crime originel / Crime original: Women and Wrongdoing in Hélène Cixous's Writing
  2. Alison Rice
  3. pp. 76-90
  4. DOI: https://doi.org/10.1353/wfs.2003.0026
  5. restricted access
  1. 'La véritable patrie de l'écrivain est la langue dans laquelle il écrit': Entretien avec Françoise Mallet-Joris
  2. Susan Petit
  3. pp. 91-100
  4. DOI: https://doi.org/10.1353/wfs.2003.0031
  5. restricted access
  1. 'La Femme moderne, c'est moi ; la femme traditionnelle, c'est aussi moi' : Entretien avec Ken Bugul
  2. Jeanne Garane
  3. pp. 101-112
  4. DOI: https://doi.org/10.1353/wfs.2003.0004
  5. restricted access
  1. Gender, Rhetoric and Print Culture in French Renaissance Writing by Floyd Gray (review)
  2. Carrie F. Klaus
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/wfs.2003.0009
  5. restricted access
  1. Jeanne d'Arc entre les nations by Ton Hoenselaars and Jellel Koopmans (review)
  2. Lorie Sauble-Otto
  3. pp. 114-116
  4. DOI: https://doi.org/10.1353/wfs.2003.0014
  5. restricted access
  1. The Parisian Worlds of Frédéric Chopin by William G. Atwood (review)
  2. Lucy M. Schwartz
  3. pp. 116-117
  4. DOI: https://doi.org/10.1353/wfs.2003.0019
  5. restricted access
  1. Women's Writing in Nineteenth-Century France by Alison Finch (review)
  2. Mary Anne Garnett
  3. pp. 117-118
  4. DOI: https://doi.org/10.1353/wfs.2003.0024
  5. restricted access
  1. Une Femme poète symboliste: Marie Krysinska, la Calliope du Chat Noir by Florence R.J. Goulesque (review)
  2. Adrianna M. Paliyenko
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/wfs.2003.0029
  5. restricted access
  1. Rythmes pittoresques by Marie Krysinska, ed. by Seth Whidden (review)
  2. Rosemary Lloyd
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/wfs.2003.0002
  5. restricted access
  1. Masculin/Féminin dans la poésie et les poétiques du XIXe siècle by Christine Planté (review)
  2. Adele Olmstead Sullivan
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/wfs.2003.0007
  5. restricted access
  1. The Virtuous Marketplace : Women and Men, Money and Politics in Paris 1830-1870 by Victoria E. Thompson (review)
  2. Maureen F. O'Meara
  3. pp. 123-125
  4. DOI: https://doi.org/10.1353/wfs.2003.0012
  5. restricted access
  1. Un Passé contraignant : 'double bind' et transculturation Michèle Bacholle (review)
  2. Margot Miller
  3. pp. 125-126
  4. DOI: https://doi.org/10.1353/wfs.2003.0017
  5. restricted access
  1. Du Café à l'éternité. Hélène Cixous à l'œuvre by Mireille Calle-Gruber (review)
  2. Jeannelle Laillou Savona
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/wfs.2003.0022
  5. restricted access
  1. Bestiaire du roman contemporain d'expression française by Lucile Desblache (review)
  2. Margot Miller
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/wfs.2003.0027
  5. restricted access
  1. Rachilde and French Women's Authorship: From Decadence to Modernism by Melanie Hawthorne (review)
  2. Stephanie Schechner
  3. pp. 129-130
  4. DOI: https://doi.org/10.1353/wfs.2003.0000
  5. restricted access
  1. Immigrant Narratives in Contemporary France by Susan Ireland and Patrice J. Proulx (review)
  2. Sara Steinert Borella
  3. pp. 131-132
  4. DOI: https://doi.org/10.1353/wfs.2003.0005
  5. restricted access
  1. Nathalie Sarraute, Fiction and Theory: Questions of Difference by Ann Jefferson (review)
  2. Lucy M. Schwartz
  3. pp. 132-133
  4. DOI: https://doi.org/10.1353/wfs.2003.0010
  5. restricted access
  1. « Ut Philosophia Poesis » : Etudes sur l'œuvre de Jeanne Hyvrard by Jean-François Kosta-Théfaine (review)
  2. Susan Petit
  3. pp. 134-135
  4. DOI: https://doi.org/10.1353/wfs.2003.0015
  5. restricted access
  1. Femmes de Pouvoir : Mythes et Fantasmes by Odile Krakovitch, Geneviève Sellier and Éliane Viennot (review)
  2. Mariana C. Ionescu
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/wfs.2003.0020
  5. restricted access
  1. Mademoiselle Giraud, My Wife by Adolphe Belot (review)
  2. Thérèse De Raedt
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/wfs.2003.0025
  5. restricted access
  1. Essential Encounters by Thérèse Kuoh-Moukoury (review)
  2. Tracy Adam
  3. pp. 138-140
  4. DOI: https://doi.org/10.1353/wfs.2003.0030
  5. restricted access
  1. L'Humour du sexe ou le rire des filles by Lucie Joubert (review)
  2. Cheryl A. Morgan
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/wfs.2003.0003
  5. restricted access
  1. Rereading Camara Laye by Adele King (review)
  2. Michèle Chossat
  3. pp. 141-143
  4. DOI: https://doi.org/10.1353/wfs.2003.0008
  5. restricted access
  1. Le Châtiment des hypocrites by Leïla Marouane (review)
  2. Rabia Redouane
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/wfs.2003.0013
  5. restricted access
  1. Notes on Contributors
  3. pp. 145-146
  4. DOI: https://doi.org/10.1353/wfs.2003.0018
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