1. Music Publishing by Subscription in 1820s France: A Preliminary Study
  2. Anita Breckbill
  3. pp. 453-471
  4. DOI: 10.1353/not.2013.0001
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  1. What Employers Want: Entry-Level Qualifications for Music Librarians
  2. Joe C. Clark
  3. pp. 472-493
  4. DOI: 10.1353/not.2013.0009
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  1. Music Discovery Requirements: A Guide to Optimizing Interfaces
  2. Nara L. Newcomer, Rebecca Belford, Deb Kulczak, Kimmy Szeto, Jennifer Matthews, Misti Shaw
  3. pp. 494-524
  4. DOI: 10.1353/not.2013.0017
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  1. Notes for Notes
  2. pp. 525-526
  3. DOI: 10.1353/not.2013.0025
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  1. Performing Pain: Music and Trauma in Eastern Europe by Maria Cizmic (review)
  2. Alice Miller Cotter
  3. pp. 527-529
  4. DOI: 10.1353/not.2013.0033
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  1. In Search of Song: The Life and Times of Lucy Broadwood by Dorothy de Val (review)
  2. Julian Onderdonk
  3. pp. 529-531
  4. DOI: 10.1353/not.2013.0040
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  1. Selbstlose Musik. Texte, Briefe, Gespräche by Karel Goeyvaerts (review)
  2. Martin Iddon
  3. pp. 531-535
  4. DOI: 10.1353/not.2013.0047
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  1. Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner by David Conway (review)
  2. Tina Frühauf
  3. pp. 535-537
  4. DOI: 10.1353/not.2013.0006
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  1. Music and the Language of Love: Seventeenth-Century French Airs by Catherine Gordon-Seifert (review)
  2. Francesca Giannetti
  3. pp. 537-539
  4. DOI: 10.1353/not.2013.0014
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  1. Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789–1794 by Mark Darlow (review)
  2. Damien Mahiet
  3. pp. 539-541
  4. DOI: 10.1353/not.2013.0022
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  1. Richard Strauss: A Musical Life by Raymond Holden (review)
  2. Scott Warfield
  3. pp. 541-544
  4. DOI: 10.1353/not.2013.0030
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  1. Brahms und Ungarn. Biographische, rezeptionsgeschichtliche, quellenkritische und analytische Studien by Adam Gellen (review)
  2. Balázs Mikusi
  3. pp. 544-546
  4. DOI: 10.1353/not.2013.0037
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  1. Bruce Springsteen, Cultural Studies, and the Runaway American Dream. ed. by Kenneth Womack et al. (review)
  2. Michael Ethen
  3. pp. 551-552
  4. DOI: 10.1353/not.2013.0003
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  1. Unheard Of: Memoirs of a Canadian Composer by John Beckwith (review)
  2. Benita Wolters-Fredlund
  3. pp. 553-555
  4. DOI: 10.1353/not.2013.0011
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  1. John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review)
  2. Robert Lintott
  3. pp. 555-557
  4. DOI: 10.1353/not.2013.0019
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  1. Norman Granz: The Man Who Used Jazz for Justice by Tad Hershorn (review)
  2. David Tenenholtz
  3. pp. 557-559
  4. DOI: 10.1353/not.2013.0027
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  1. The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges by Robert J. Flanagan (review)
  2. Michael Mauskapf
  3. pp. 559-562
  4. DOI: 10.1353/not.2013.0035
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  1. Music, Movies, Meanings and Markets: Cinemajazzamatazz by Morris B. Holbrook (review)
  2. Mark C. Gridley
  3. pp. 563-564
  4. DOI: 10.1353/not.2013.0042
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  1. Ravel by Roger Nichols (review)
  2. Mark DeVoto
  3. pp. 564-566
  4. DOI: 10.1353/not.2013.0000
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  1. Ravel the Decadent: Memory, Sublimation, and Desire by Michael J. Puri (review)
  2. Zarah Ersoff
  3. pp. 566-569
  4. DOI: 10.1353/not.2013.0008
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  1. Jean Sibelius by Tomi Mäkelä, and: Jean Sibelius and His World ed. by Daniel M. Grimley (review)
  2. Carl Rahkonen
  3. pp. 569-571
  4. DOI: 10.1353/not.2013.0016
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  1. The Correspondence of Jean Sibelius and Rosa Newmarch, 1906–1939 ed. by Philip Ross (review)
  2. Ryan Ross
  3. pp. 572-574
  4. DOI: 10.1353/not.2013.0024
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  1. The Oxford Handbook of the American Musicaled. by Raymond Knapp et al. (review)
  2. Lara E. Housez
  3. pp. 574-577
  4. DOI: 10.1353/not.2013.0032
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  1. Weill’s Musical Theater: Stages of Reform by Stephen Hinton (review)
  2. Sabine Feisst
  3. pp. 577-579
  4. DOI: 10.1353/not.2013.0039
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  1. Irving Berlin’s American Musical Theater by Jeffrey Magee (review)
  2. Trudi Wright
  3. pp. 579-581
  4. DOI: 10.1353/not.2013.0046
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  1. The Irving Berlin Reader ed. by Benjamin Sears (review)
  2. Ann van der Merwe
  3. pp. 581-582
  4. DOI: 10.1353/not.2013.0005
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  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 583-594
  4. DOI: 10.1353/not.2013.0013
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  1. New Periodicals
  2. Lindsay Hansen, Daniel Carroll
  3. pp. 595-598
  4. DOI: 10.1353/not.2013.0021
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  1. Academic Charts Online: International Popular Music (review)
  2. Susannah Cleveland
  3. pp. 599-602
  4. DOI: 10.1353/not.2013.0029
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  1. LibraryMusicSource.com (review)
  2. Scott Stone
  3. pp. 602-603
  4. DOI: 10.1353/not.2013.0036
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  1. Il Giasone by Francesco Cavalli (review)
  2. Kevin Salfen
  3. p. 604
  4. DOI: 10.1353/not.2013.0043
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  1. Orlando furioso by Antonio Vivaldi (review)
  2. John Holland
  3. p. 605
  4. DOI: 10.1353/not.2013.0002
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  1. Lohengrin by Richard Wagner, and: Parsifal by Richard Wagner (review)
  2. Kevin Salfen
  3. pp. 605-607
  4. DOI: 10.1353/not.2013.0010
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  1. Cendrillon by Jules Massenet (review)
  2. John Holland
  3. pp. 607-608
  4. DOI: 10.1353/not.2013.0018
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  1. Elektra by Richard Strauss (review)
  2. Alexander Carpenter
  3. pp. 608-609
  4. DOI: 10.1353/not.2013.0026
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  1. Luci mie traditrici by Salvatore Sciarrino (review)
  2. John Holland
  3. pp. 611-612
  4. DOI: 10.1353/not.2013.0041
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  1. Sacred Music, God's Composer by Tomás Luis de Victoria (review)
  2. Christina Linklater
  3. pp. 612-613
  4. DOI: 10.1353/not.2013.0048
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  1. Daniel Barenboim Plays Bach Goldberg Variations Directed by Christopher Nupen (review)
  2. James M. Doering
  3. p. 613
  4. DOI: 10.1353/not.2013.0007
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  1. Easter Suite by Oscar Peterson (review)
  2. Michael Ashenfelder
  3. pp. 616-617
  4. DOI: 10.1353/not.2013.0023
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  1. Chick Corea and Friedrich Gulda, The Meeting Directed by Janos Darvas (review)
  2. Travis D. Stimeling
  3. pp. 617-618
  4. DOI: 10.1353/not.2013.0031
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  1. Salt of the Earth Directed by Sophie Meyer, and: Mystic Fighters Directed by Sophie Meyer (review)
  2. Christopher L. Ballengee
  3. pp. 618-620
  4. DOI: 10.1353/not.2013.0038
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  1. Ives Fourth Symphony
  2. Drew Massey
  3. pp. 621-625
  4. DOI: 10.1353/not.2013.0004
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  1. Weill Popular Adaptations
  2. Howard Pollack
  3. pp. 625-628
  4. DOI: 10.1353/not.2013.0012
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  1. Handel’s Samson
  2. David Hunter
  3. pp. 628-632
  4. DOI: 10.1353/not.2013.0020
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  1. Music Received
  2. David Knapp
  3. pp. 633-642
  4. DOI: 10.1353/not.2013.0028
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