In this Issue

Table of Contents

Documenting the Process of Film Preservation

Karen F. Gracy
pp. 1-41
DOI: https://doi.org/10.1353/mov.2003.0005
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Preserving African-American Cinema: The Case of The Emperor Jones (1933)

Jennie Saxena, Ken Weissman, James Cozart
pp. 42-58
DOI: https://doi.org/10.1353/mov.2003.0012
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Preserving Pickford: The Mary Pickford Collection and the Library of Congress

Christel Schmidt
pp. 59-81
DOI: https://doi.org/10.1353/mov.2003.0013
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More Than Morality: The Indian Cinematograph Committee Interviews (1927)

Priya Jaikumar
pp. 82-109
DOI: https://doi.org/10.1353/mov.2003.0009
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Fragmentation and Segmentation in the Lumière "Animated Views"

Andre Gaudreault, Jean-Marc Lamotte, Tim Barnard
pp. 110-131
DOI: https://doi.org/10.1353/mov.2003.0004
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Film Archiving as a Profession: An Interview with Eileen Bowser

Eileen Bowser, Ronald S. Magliozzi
pp. 132-146
DOI: https://doi.org/10.1353/mov.2003.0010
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Developing Preservation Appraisal Criteria for a Public Broadcasting Station

Mary Ide, Leah Weisse
pp. 146-157
DOI: https://doi.org/10.1353/mov.2003.0008
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Cinema 2, Il Cinema Ritrovato, Bologna, Italy, July 2002 (review)

Elfi Reiter
pp. 158-161
DOI: https://doi.org/10.1353/mov.2003.0011
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Magical History Film and Video Bus Tour, Florida Moving Image Archive, January 2002 (review)

Patricia Rodden Zimmermann
pp. 161-163
DOI: https://doi.org/10.1353/mov.2003.0019
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The Cedar Bar (2001) (review)

Dan Streible
pp. 164-167
DOI: https://doi.org/10.1353/mov.2003.0016
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Chris Marker's A Grin without a Cat (1993, France) (review)

Michael Walsh
pp. 167-170
DOI: https://doi.org/10.1353/mov.2003.0018
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Pepe le moko (review)

Romi Stepovich
pp. 171-173
DOI: https://doi.org/10.1353/mov.2003.0015
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The Endurance: Shackleton's Legendary Antarctic Expedition (2001), and: Shackleton's Voyage of Endurance (2002), and: 90 o South: With Scott to the Antarctic (1933), and: South: Ernest Shackleton and the Endurance Expedition (1919), and: Shackleton's Antarctic Adventure (2001) (review)

Heddi Vaughan Siebel
pp. 174-178
DOI: https://doi.org/10.1353/mov.2003.0014
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Exhibition, The Film Reader (review)

Matthew Bernstein
pp. 178-181
DOI: https://doi.org/10.1353/mov.2003.0002
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Moviegoing in America (review)

Patricia Rodden Zimmermann
pp. 181-185
DOI: https://doi.org/10.1353/mov.2003.0020
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Cinema 16: Documents toward a History of the Film Society (review)

Jan-Christopher Horak
pp. 185-188
DOI: https://doi.org/10.1353/mov.2003.0007
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The Death of Cinema: History, Cultural Memory, and the Digital Dark Age (review)

Alison Trope
pp. 188-190
DOI: https://doi.org/10.1353/mov.2003.0017
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Ken Burns's America (review)

Richard J. Cox
pp. 190-192
DOI: https://doi.org/10.1353/mov.2003.0003
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Editor's Foreword

Jan-Christopher Horak
pp. vi-ix
DOI: https://doi.org/10.1353/mov.2003.0006
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Contributors

pp. 193-195
DOI: https://doi.org/10.1353/mov.2003.0001
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