1. Documenting the Process of Film Preservation
  2. Karen F. Gracy
  3. pp. 1-41
  4. DOI: 10.1353/mov.2003.0005
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  1. Preserving African-American Cinema: The Case of The Emperor Jones (1933)
  2. Jennie Saxena, Ken Weissman, James Cozart
  3. pp. 42-58
  4. DOI: 10.1353/mov.2003.0012
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  1. Preserving Pickford: The Mary Pickford Collection and the Library of Congress
  2. Christel Schmidt
  3. pp. 59-81
  4. DOI: 10.1353/mov.2003.0013
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  1. More Than Morality: The Indian Cinematograph Committee Interviews (1927)
  2. Priya Jaikumar
  3. pp. 82-109
  4. DOI: 10.1353/mov.2003.0009
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  1. Fragmentation and Segmentation in the Lumière "Animated Views"
  2. Andre Gaudreault, Jean-Marc Lamotte, Tim Barnard
  3. pp. 110-131
  4. DOI: 10.1353/mov.2003.0004
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  1. Film Archiving as a Profession: An Interview with Eileen Bowser
  2. Eileen Bowser, Ronald S. Magliozzi
  3. pp. 132-146
  4. DOI: 10.1353/mov.2003.0010
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  1. Developing Preservation Appraisal Criteria for a Public Broadcasting Station
  2. Mary Ide, Leah Weisse
  3. pp. 146-157
  4. DOI: 10.1353/mov.2003.0008
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  1. Cinema 2, Il Cinema Ritrovato, Bologna, Italy, July 2002 (review)
  2. Elfi Reiter
  3. pp. 158-161
  4. DOI: 10.1353/mov.2003.0011
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  1. Magical History Film and Video Bus Tour, Florida Moving Image Archive, January 2002 (review)
  2. Patricia Rodden Zimmermann
  3. pp. 161-163
  4. DOI: 10.1353/mov.2003.0019
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  1. The Cedar Bar (2001) (review)
  2. Dan Streible
  3. pp. 164-167
  4. DOI: 10.1353/mov.2003.0016
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  1. Chris Marker's A Grin without a Cat (1993, France) (review)
  2. Michael Walsh
  3. pp. 167-170
  4. DOI: 10.1353/mov.2003.0018
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  1. Pepe le moko (review)
  2. Romi Stepovich
  3. pp. 171-173
  4. DOI: 10.1353/mov.2003.0015
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  1. The Endurance: Shackleton's Legendary Antarctic Expedition (2001), and: Shackleton's Voyage of Endurance (2002), and: 90 o South: With Scott to the Antarctic (1933), and: South: Ernest Shackleton and the Endurance Expedition (1919), and: Shackleton's Antarctic Adventure (2001) (review)
  2. Heddi Vaughan Siebel
  3. pp. 174-178
  4. DOI: 10.1353/mov.2003.0014
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  1. Exhibition, The Film Reader (review)
  2. Matthew Bernstein
  3. pp. 178-181
  4. DOI: 10.1353/mov.2003.0002
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  1. Moviegoing in America (review)
  2. Patricia Rodden Zimmermann
  3. pp. 181-185
  4. DOI: 10.1353/mov.2003.0020
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  1. Cinema 16: Documents toward a History of the Film Society (review)
  2. Jan-Christopher Horak
  3. pp. 185-188
  4. DOI: 10.1353/mov.2003.0007
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  1. The Death of Cinema: History, Cultural Memory, and the Digital Dark Age (review)
  2. Alison Trope
  3. pp. 188-190
  4. DOI: 10.1353/mov.2003.0017
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  1. Ken Burns's America (review)
  2. Richard J. Cox
  3. pp. 190-192
  4. DOI: 10.1353/mov.2003.0003
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  1. Editor's Foreword
  2. Jan-Christopher Horak
  3. pp. vi-ix
  4. DOI: 10.1353/mov.2003.0006
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  1. Contributors
  3. pp. 193-195
  4. DOI: 10.1353/mov.2003.0001
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