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Table of Contents

  1. Why Read E. D. E. N. Southworth?
  2. Dale M. Bauer
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/arq.2013.0006
  5. restricted access
  1. The Wealthiest Man in the Empire: Ben-Hur as Model of Evangelical Political Engagement
  2. L. Ashley Squires
  3. pp. 23-46
  4. DOI: https://doi.org/10.1353/arq.2013.0000
  5. restricted access
  1. The Ghosts of Radicalisms Past: Allen Ginsberg's Old Left Nightmares
  2. J. Jesse Ramírez
  3. pp. 47-71
  4. DOI: https://doi.org/10.1353/arq.2013.0001
  5. restricted access
  1. The Tramp & the Culture Industry: Adorno, Chaplin, and the Possibility of Progressive Comedy
  2. George Potter
  3. pp. 73-90
  4. DOI: https://doi.org/10.1353/arq.2013.0002
  5. restricted access
  1. Parting at the Windmills: Malamud's The Fixer as Historical Metafiction
  2. Kevin C. Moore
  3. pp. 91-118
  4. DOI: https://doi.org/10.1353/arq.2013.0003
  5. restricted access
  1. O Sing the Marbles: Typos, Losing, and the Portable Cultural Histories of James Merrill
  2. David Ben-Merre
  3. pp. 119-149
  4. DOI: https://doi.org/10.1353/arq.2013.0004
  5. restricted access
  1. World Trade Centers and World-Wide-Webs: From Underworld to Over-Soul in Don DeLillo
  2. Richard Hardack
  3. pp. 151-183
  4. DOI: https://doi.org/10.1353/arq.2013.0005
  5. restricted access
  1. The Contributors
  3. p. 185
  4. DOI: https://doi.org/10.1353/arq.2013.0007
  5. restricted access