+ MUSE Alert

In this Issue

Table of Contents

  1. Irish Theatre: Conditions of Criticism
  2. Karen Fricker, Brian Singleton
  3. pp. 561-571
  4. DOI: https://doi.org/10.1353/mdr.2004.0009
  5. restricted access
  1. Mirror up to Nurture: J. M. Synge and His Critics
  2. Ben Levitas
  3. pp. 572-584
  4. DOI: https://doi.org/10.1353/mdr.2004.0019
  5. restricted access
  1. Violence on the Abbey Theatre Stage: The National Project and the Critic; Two Case Studies
  2. Cathy Leeney
  3. pp. 585-593
  4. DOI: https://doi.org/10.1353/mdr.2004.0029
  5. restricted access
  1. The Critical "Gap of the North": Nationalism, National Theatre, and the North
  2. Mark Phelan
  3. pp. 594-606
  4. DOI: https://doi.org/10.1353/mdr.2004.0039
  5. restricted access
  1. Throwing Theory at Ireland?: The Field Day Theatre Company and Postcolonial Theatre Criticism
  2. Shaun Richards
  3. pp. 607-623
  4. DOI: https://doi.org/10.1353/mdr.2004.0048
  5. restricted access
  1. "Besides the Obvious": Postcolonial Criticism, Drama, and Civil Society
  2. Victor Merriman
  3. pp. 624-635
  4. DOI: https://doi.org/10.1353/mdr.2004.0057
  5. restricted access
  1. "The Laughter Will Come of Itself. The Tears Are Inevitable": Martin McDonagh, Globalization, and Irish Theatre Criticism
  2. Patrick Lonergan
  3. pp. 636-658
  4. DOI: https://doi.org/10.1353/mdr.2004.0005
  5. restricted access
  1. Irish Theatre Criticism: De-territorialisation and Integration
  2. Clare Wallace
  3. pp. 659-670
  4. DOI: https://doi.org/10.1353/mdr.2004.0015
  5. restricted access
  1. Irish Theatrical Celebrity and the Critical Subjugation of Difference in the Work of Frank McGuinness
  2. David Cregan
  3. pp. 671-685
  4. DOI: https://doi.org/10.1353/mdr.2004.0025
  5. restricted access
  1. Wordmadeflesh: Writing the Body in Irish Theatre
  2. Bernadette Sweeney
  3. pp. 686-700
  4. DOI: https://doi.org/10.1353/mdr.2004.0035
  5. restricted access
  1. Listening Differently: The Croon Collaboration
  2. Jools Gilson-Ellis
  3. pp. 701-720
  4. DOI: https://doi.org/10.1353/mdr.2004.0044
  5. restricted access
  1. Historicising Is Not Enough: Recent Developments and Trends in Irish Theatre History
  2. Lionel Pilkington
  3. pp. 721-731
  4. DOI: https://doi.org/10.1353/mdr.2004.0053
  5. restricted access
  1. Index to Volume 45, 2002
  3. pp. 735-738
  4. DOI: https://doi.org/10.1353/mdr.2004.0011
  5. restricted access
  1. Index to Volume 46, 2003
  3. pp. 739-742
  4. DOI: https://doi.org/10.1353/mdr.2004.0021
  5. restricted access
  1. Index to Volume 47, 2004
  3. pp. 743-745
  4. DOI: https://doi.org/10.1353/mdr.2004.0031
  5. restricted access
  1. Contributors
  3. pp. 732-734
  4. DOI: https://doi.org/10.1353/mdr.2004.0001
  5. restricted access