In this Issue

Table of Contents

Introduction

Jill Dolan
pp. 165-176
DOI: https://doi.org/10.1353/mdr.2004.0047
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Wonder in the Heart of Empire: Deborah Warner's Medea and The Angel Project

Maurya Wickstrom
pp. 177-199
DOI: https://doi.org/10.1353/mdr.2004.0030
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Blackout: Utopian Technologies in Adrienne Kennedy's Funnyhouse of a Negro

Erin Hurley
pp. 200-218
DOI: https://doi.org/10.1353/mdr.2004.0052
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This Is Home, This Isn't Home: Reza Abdoh's Tight Right White

Ehren Fordyce
pp. 219-236
DOI: https://doi.org/10.1353/mdr.2004.0014
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Death and Desire, Apocalypse and Utopia: Feminist Gestus and the Utopian Performative in the Plays of Naomi Wallace

Shannon Baley
pp. 237-249
DOI: https://doi.org/10.1353/mdr.2004.0018
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Urban Bush Women: Finding Shelter in the Utopian Ensemble

Anita Gonzalez
pp. 250-268
DOI: https://doi.org/10.1353/mdr.2004.0024
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Choreographies of Resistance: Latina/o Queer Dance and the Utopian Performative

Ramón H. Rivera-Servera
pp. 269-289
DOI: https://doi.org/10.1353/mdr.2004.0000
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Dancing Other-Wise: Ethics, Metaphysics, and Utopia in Hae Kyung Lee and Dancers

Judith Hamera
pp. 290-308
DOI: https://doi.org/10.1353/mdr.2004.0043
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"Something Better than This": Sweet Charity and the Feminist Utopia of Broadway Musicals

Stacy Wolf
pp. 309-332
DOI: https://doi.org/10.1353/mdr.2004.0040
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Reviews

Theatricality ed. by Tracy C. Davis and Thomas Postlewait (review)

Marvin Carlson
pp. 333-334
DOI: https://doi.org/10.1353/mdr.2004.0028
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Medea's Daughters: Forming and Performing the Woman Who Kills by Jennifer Jones (review)

Penny Farfan
pp. 334-337
DOI: https://doi.org/10.1353/mdr.2004.0056
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Mama Dada: Gertrude Stein's Avant-Garde Theater by Sarah Bay-Cheng (review)

Nicola Shaughnessy
pp. 337-339
DOI: https://doi.org/10.1353/mdr.2004.0010
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Voices Made Flesh: Performing Women's Autobiography ed. by Lynn C. Miller, Jacqueline Taylor, and Heather Carver (review)

Lesley Ferris
pp. 339-342
DOI: https://doi.org/10.1353/mdr.2004.0004
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Negotiating Cultures: Eugenio Barba and the Intercultural Debate ed. by Ian Watson (review)

Margaret Werry
pp. 342-344
DOI: https://doi.org/10.1353/mdr.2004.0020
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A Problem Like Maria: Gender and Sexuality in the American Musical by Stacy Wolf (review)

Robert F. Gross
pp. 344-346
DOI: https://doi.org/10.1353/mdr.2004.0034
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Contributors

pp. 347-348
DOI: https://doi.org/10.1353/mdr.2004.0038
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