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Table of Contents

  1. Mother Courage and Its Abject: Reading the Violence of Identification
  2. Kim Solga
  3. pp. 339-357
  4. DOI: https://doi.org/10.1353/mdr.2003.0008
  5. restricted access
  1. The Configurations of Gender in Tomson Highway's Dry Lips Oughta Move to Kapuskasing
  2. Susan Billingham
  3. pp. 358-380
  4. DOI: https://doi.org/10.1353/mdr.2003.0031
  5. restricted access
  1. Antigone's Bodies: Performing Torture
  2. Marla Carlson
  3. pp. 381-403
  4. DOI: https://doi.org/10.1353/mdr.2003.0001
  5. restricted access
  1. Been There, Done That: Paving the Way for The Vagina Monologues
  2. Shelly Scott
  3. pp. 404-423
  4. DOI: https://doi.org/10.1353/mdr.2003.0033
  5. restricted access
  1. Clay and Clara: Baraka's Dutchman, Kennedy's The Owl Answers, and the Black Arts Movement
  2. Lotta M. Löfgren
  3. pp. 424-449
  4. DOI: https://doi.org/10.1353/mdr.2003.0015
  5. restricted access
  1. "The Future of Old Trinidad": The Performance of National Cultural Identity in Two Plays by Derek Walcott
  2. Camilla Stevens
  3. pp. 450-469
  4. DOI: https://doi.org/10.1353/mdr.2003.0018
  5. restricted access
  1. Brian Friel and the Scene of Writing: Reading Give Me Your Answer, Do!
  2. Maria Germanou
  3. pp. 470-481
  4. DOI: https://doi.org/10.1353/mdr.2003.0029
  5. restricted access
  1. "What Is Carnal Embrace?": Learning to Converse in Stoppard's Arcadia
  2. Lisa Sternlieb, Nancy Selleck
  3. pp. 482-502
  4. DOI: https://doi.org/10.1353/mdr.2003.0013
  5. restricted access
  1. Performing Canada: The Nation Enacted in the Imagined Theatre by Alan Filewod (review)
  2. Michael McKinnie
  3. pp. 503-505
  4. DOI: https://doi.org/10.1353/mdr.2003.0021
  5. restricted access
  1. Twelve Opening Acts by Michel Tremblay (review)
  2. Erin Hurley
  3. pp. 505-507
  4. DOI: https://doi.org/10.1353/mdr.2003.0005
  5. restricted access
  1. Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium ed. by Marc Maufort and Franca Bellarsi (review)
  2. Janelle Reinelt
  3. pp. 508-513
  4. DOI: https://doi.org/10.1353/mdr.2003.0027
  5. restricted access
  1. Body Show/s: Australian Viewings of Live Performance ed. by Peta Tait (review)
  2. Helena Grehan
  3. pp. 513-516
  4. DOI: https://doi.org/10.1353/mdr.2003.0035
  5. restricted access
  1. Mapping Cultural Identity in Contemporary Australian Performance by Helen Grehan (review)
  2. Peta Tait
  3. pp. 516-518
  4. DOI: https://doi.org/10.1353/mdr.2003.0024
  5. restricted access
  1. Theatre and the State in Twentieth-Century Ireland: Cultivating the People by Lionel Pilkington (review)
  2. Piet Defraeye
  3. pp. 518-520
  4. DOI: https://doi.org/10.1353/mdr.2003.0007
  5. restricted access
  1. Theatre, Society and the Nation: Staging American Identities by S. E. Wilmer (review)
  2. Kurt Eisen
  3. pp. 520-522
  4. DOI: https://doi.org/10.1353/mdr.2003.0012
  5. restricted access
  1. McKee Rankin and the Heyday of the American Theater by David Beasley (review)
  2. Rosemarie K. Bank
  3. pp. 522-525
  4. DOI: https://doi.org/10.1353/mdr.2003.0025
  5. restricted access
  1. Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-48 by J. Ellen Gainor (review)
  2. Jennifer Jones
  3. pp. 525-527
  4. DOI: https://doi.org/10.1353/mdr.2003.0010
  5. restricted access
  1. O'Neill: Long Day's Journey into Night by Brenda Murphy (review)
  2. Kurt Eisen
  3. pp. 527-530
  4. DOI: https://doi.org/10.1353/mdr.2003.0017
  5. restricted access
  1. The Undiscovered Country: The Later Plays of Tennessee Williams ed. by Philip C. Kolin (review)
  2. D. Dean Shackelford
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/mdr.2003.0003
  5. restricted access
  1. Playwrights in Rehearsal: The Seduction of Company by Susan Letzler Cole (review)
  2. James Frieze
  3. pp. 533-534
  4. DOI: https://doi.org/10.1353/mdr.2003.0023
  5. restricted access
  1. Contributors
  3. pp. 535-536
  4. DOI: https://doi.org/10.1353/mdr.2003.0019
  5. restricted access