Project MUSE - Modern Drama-Volume 46, Number 1, Spring 2003

Exilic Perspectives: Introduction

Silvija Jestrovic

pp. 1-4

DOI: https://doi.org/10.1353/mdr.2003.0061

The "Bogus Woman": Feminism and Asylum Theatre

Elaine Aston

pp. 5-21

DOI: https://doi.org/10.1353/mdr.2003.0038

Zones of Disturbance: Staging Exile and War for Young Audiences

Dragan Klaic

pp. 22-34

DOI: https://doi.org/10.1353/mdr.2003.0067

Re-Imagining the Emigrant / Exile in Contemporary Irish Drama

Mary Trotter

pp. 35-54

DOI: https://doi.org/10.1353/mdr.2003.0052

Ödön von Horváth's Back and Forth: Teetering between Exile and Return

Paul M. Malone

pp. 55-72

DOI: https://doi.org/10.1353/mdr.2003.0041

Performing the Future of Memory: Algerian Playwrights in France

Janice B. Gross

pp. 73-93

DOI: https://doi.org/10.1353/mdr.2003.0055

Sycorax Revisited: Exile and Absence in Performance

Chin Woon Ping

pp. 94-107

DOI: https://doi.org/10.1353/mdr.2003.0046

Introduction to Reza Baraheni's "Exilic Blindness: The Unwritten Autobiography of a Dramatist in Paris Posthumously Dictated to a Friend"

Joanne MacKay-Bennett

pp. 108-112

DOI: https://doi.org/10.1353/mdr.2003.0036

Exilic Blindness: The Unwritten Autobiography of a Dramatist in Paris Posthumously Dictated to A Friend

Reza Baraheni

pp. 113-118

DOI: https://doi.org/10.1353/mdr.2003.0043

In Memorium (A Short List of Iranian Writers Who Have Died in Exile)

p. 118

Afterword: Theatre and Exile

Veronika Ambros, Danielle Couture, Yana Meerzon

pp. 119-121

DOI: https://doi.org/10.1353/mdr.2003.0054

Theory/Theatre: An introduction by Mark Fortier (review)

Robin Nelson

pp. 122-124

DOI: https://doi.org/10.1353/mdr.2003.0060

Drama + Theory: Critical Approaches to Modern British Drama by Peter Buse (review)

Susan Bennett

pp. 124-126

DOI: https://doi.org/10.1353/mdr.2003.0066

Pinter at 70: A Casebook ed. by Lois Gordon, and: The Pinter Ethic: The Erotic Aesthetic by Penelope Prentice (review)

Kellie Bean

pp. 127-130

DOI: https://doi.org/10.1353/mdr.2003.0071

Stoppard's Theatre: Finding Order amid Chaos by John Fleming, and: The Cambridge Companion to Tom Stoppard ed. by Katherine E. Kelly (review)

Kirsten Shepherd-Barr

pp. 130-133

DOI: https://doi.org/10.1353/mdr.2003.0040

'Love Me or Kill Me:' Sarah Kane and the Theatre of Extremes by Graham Saunders (review)

Laurens De Vos

pp. 134-135

DOI: https://doi.org/10.1353/mdr.2003.0045

Site-Specific Art: Performance, Place and Documentation by Nick Kaye (review)

Andrew Houston

pp. 135-137

DOI: https://doi.org/10.1353/mdr.2003.0050

Performing Television: Contemporary Drama and the Media Culture by Elizabeth Klaver, and: Mediated Drama / Dramatized Media ed. by Eckhart Voigts-Virchow (review)

André Loiselle

pp. 138-141

DOI: https://doi.org/10.1353/mdr.2003.0057

Ibsen, Strindberg and the Intimate Theatre: Studies in TV Presentation by Egil Törnqvist (review)

John Osburn

pp. 142-144

DOI: https://doi.org/10.1353/mdr.2003.0063

Strindberg's "The Ghost Sonata." by Egil Törnqvist (review)

Robert F. Gross

pp. 144-146

DOI: https://doi.org/10.1353/mdr.2003.0069

Contributors

pp. 147-149

DOI: https://doi.org/10.1353/mdr.2003.0048

ISSN	1712-5286
Print ISSN	0026-7694
Launched on MUSE	2013-07-03
Open Access	No

Modern Drama

In this Issue

Volume 46, Number 1, Spring 2003

published by

viewing issue

Table of Contents