In this Issue

Table of Contents

"Finding Our Feet in the Shoes of (One An) Other": Multiple Character Solo Performers and Utopian Performatives

Jill Dolan
pp. 495-518
DOI: https://doi.org/10.1353/mdr.2002.0035
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Removing the Veils: Censorship, Female Sexuality, and Oscar Wilde's Salome

Matthew Lewsadder
pp. 519-544
DOI: https://doi.org/10.1353/mdr.2002.0046
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Mixing Everything at the Beginning: Telling Stories about Empire in Yeats's On Baile's Strand

Rob Doggett
pp. 545-566
DOI: https://doi.org/10.1353/mdr.2002.0057
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"In the Gripe of the Ditch": Nationalism, Famine, and The Playboy of the Western World

George Cusack
pp. 567-592
DOI: https://doi.org/10.1353/mdr.2002.0068
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The Veil of Jinotaj: Nasková's Loviisa of Niskavuori and National Resistance at Prague's Provisional Theatre during the Protectorate

Hana Pecharová
pp. 593-610
DOI: https://doi.org/10.1353/mdr.2002.0009
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Life Goes On: Endgame as Anti-Pastoral Elegy

Geoff Hamilton
pp. 611-627
DOI: https://doi.org/10.1353/mdr.2002.0020
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The Aesthetics of Refusal: Pinter among the Radicals

Varun Begley
pp. 628-645
DOI: https://doi.org/10.1353/mdr.2002.0031
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Adaptation After Darwin: Timberlake Wertenbaker's Evolving Texts

Sara Freeman
pp. 646-662
DOI: https://doi.org/10.1353/mdr.2002.0042
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Review Essay

Samuel Beckett in the New Century

Peggy Phelan
pp. 663-672
DOI: https://doi.org/10.1353/mdr.2002.0053
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Contributors

pp. 673-674
DOI: https://doi.org/10.1353/mdr.2002.0064
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