Project MUSE - Modern Drama-Volume 45, Number 3, Fall 2002

Introduction

Anthony Adah, Elizabeth Fitzpatrick

pp. 335-337

DOI: https://doi.org/10.1353/mdr.2002.0037

Soyinka and the Canon's Mouth

Stephen Slemon

pp. 338-348

DOI: https://doi.org/10.1353/mdr.2002.0048

Modernity and Its Mirages: Wole Soyinka and the African State

Tejumola Olaniyan

pp. 349-357

DOI: https://doi.org/10.1353/mdr.2002.0059

The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka

Titi Adepitan

pp. 358-377

DOI: https://doi.org/10.1353/mdr.2002.0001

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Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests

Harry Garuba

pp. 378-394

DOI: https://doi.org/10.1353/mdr.2002.0011

The Shifting Structures of Power in The Beatification of Area Boy

Kolawole Olaiya

pp. 395-408

DOI: https://doi.org/10.1353/mdr.2002.0022

Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice

A. Thomas Cavano

pp. 409-429

DOI: https://doi.org/10.1353/mdr.2002.0033

Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era

Modupe Olaogun

pp. 430-448

DOI: https://doi.org/10.1353/mdr.2002.0044

Whose Theatre, Whose Africa?: Wole Soyinka's The Road on the Road

Biodun Jeyifo

pp. 449-450

DOI: https://doi.org/10.1353/mdr.2002.0055

Postcolonial Plays: An Anthology ed. by Helen Gilbert (review)

Una Chaudhuri

pp. 466-470

DOI: https://doi.org/10.1353/mdr.2002.0066

Women's Intercultural Performance by Julie Holledge and Joanne Tompkins (review)

Priya Srinivasan

pp. 470-472

DOI: https://doi.org/10.1353/mdr.2002.0007

Performing Democracy: International Perspectives on Urban Community-Based Performance ed. by Susan C. Haedicke and Tobin Nellhaus (review)

Brian Smith

pp. 473-476

DOI: https://doi.org/10.1353/mdr.2002.0017

Community Theatre: Global Perspectives by Eugene van Erven (review)

Edward Little

pp. 476-479

DOI: https://doi.org/10.1353/mdr.2002.0028

Hamlet and the Baker's Son: My Life in Theatre and Politics by Augusto Boal (review)

Brian Smith

pp. 479-481

DOI: https://doi.org/10.1353/mdr.2002.0039

Points of Contact: Disability, Art, and Culture ed. by Susan Crutchfield and Marcy Epstein (review)

Ann M. Fox

pp. 481-484

DOI: https://doi.org/10.1353/mdr.2002.0050

Sideshow U.S.A.: Freaks and the American Cultural Imagination by Rachel Adams (review)

Michael M. Chemers

pp. 484-486

DOI: https://doi.org/10.1353/mdr.2002.0061

Geographies of Learning: Theory and Practice, Activism and Performance by Jill Dolan (review)

Rosalind Kerr

pp. 487-489

DOI: https://doi.org/10.1353/mdr.2002.0003

The Dubious Spectacle: Extremities of Theater, 1976-2000 by Herbert Blau (review)

Robert F. Gross

pp. 489-491

DOI: https://doi.org/10.1353/mdr.2002.0013

Contributors

pp. 492-493

DOI: https://doi.org/10.1353/mdr.2002.0024

ISSN	1712-5286
Print ISSN	0026-7694
Launched on MUSE	2013-07-03
Open Access	No

Modern Drama

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Volume 45, Number 3, Fall 2002

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