In this Issue

Table of Contents

Performance and Madness: Modes of Correction and the Theatrical Ruse

Chris Fleming
pp. 383-397
DOI: https://doi.org/10.1353/mdr.2001.0059
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"They are well together. Women are not": Productive Ambivalence and Female Hom(m)osociality in Fefu and Her Friends

Piper Murray
pp. 398-415
DOI: https://doi.org/10.1353/mdr.2001.0047
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The (Un)Settled Space of Richard Maxwell's House

Markus Wessendorf
pp. 398-415
DOI: https://doi.org/10.1353/mdr.2001.0050
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Exiled from Alienation: Brechtian Aesthetics, the Death of the Director, and Peter Brook's The Mahabharata

James Martin Harding
pp. 416-436
DOI: https://doi.org/10.1353/mdr.2001.0062
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Howard Barker: Polemic Theory and Dramatic Practice. Nietzsche, Metatheatre, and the Play The Europeans

David Barnett
pp. 458-475
DOI: https://doi.org/10.1353/mdr.2001.0051
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Irreconcilable Differences: Divorce and Women's Drama before 1945

Rebecca S. Cameron
pp. 476-490
DOI: https://doi.org/10.1353/mdr.2001.0053
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Reviews

The Cambridge History of American Theatre, Vol. III: Post-World War II to the 1990s ed. by Don B. Wilmeth and Christopher Bigsby (review)

David Krasner
pp. 491-493
DOI: https://doi.org/10.1353/mdr.2001.0055
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Eugene O'Neill: Beyond Mourning and Tragedy by Stephen A. Black (review)

Gary Jay Williams
pp. 493-496
DOI: https://doi.org/10.1353/mdr.2001.0058
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Contours of the Theatrical Avant-Garde: Performance and Textuality ed. by James M. Harding (review)

Stephen J. Bottoms
pp. 496-498
DOI: https://doi.org/10.1353/mdr.2001.0061
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Testifyin': Contemporary African Canadian Drama: Volume 1 ed. by Djanet Sears (review)

Diana Brydon
pp. 498-500
DOI: https://doi.org/10.1353/mdr.2001.0046
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The Leper in Blue: Coercive Performance and the Contemporary Latin American Theater by Amalia Gladhart (review)

Jean Graham-Jones
pp. 501-503
DOI: https://doi.org/10.1353/mdr.2001.0049
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The Cambridge Companion to Modern British Women Playwrights ed. by Elaine Aston and Janelle Reinelt (review)

Jen Harvie
pp. 503-507
DOI: https://doi.org/10.1353/mdr.2001.0052
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The Importance of Being Paradoxical: Maternal Presence in the Works of Oscar Wilde by Patrick M. Horan (review)

Russell Jackson
pp. 507-508
DOI: https://doi.org/10.1353/mdr.2001.0054
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Look Back in Pleasure: Noël Coward Revisited ed. by Joel Kaplan and Sheila Stowell (review)

Brian Parker
pp. 508-511
DOI: https://doi.org/10.1353/mdr.2001.0057
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Understanding Alan Bennett by Peter Wolfe (review)

Dominic Shellard
pp. 511-512
DOI: https://doi.org/10.1353/mdr.2001.0060
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East of West: Cross-Cultural Performance and the Staging of Difference ed. by Claire Sponsler and Xiaomei Chen (review)

Benzi Zhang
pp. 512-516
DOI: https://doi.org/10.1353/mdr.2001.0045
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Contributors

pp. 517-518
DOI: https://doi.org/10.1353/mdr.2001.0056
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Index to Volume 44, 2001

pp. 519-522
DOI: https://doi.org/10.1353/mdr.2001.0048
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