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Table of Contents

  1. Anti-theatricality and the Limits of Naturalism
  2. Kirk Williams
  3. pp. 284-299
  4. DOI: https://doi.org/10.1353/mdr.2001.0012
  5. restricted access
  1. Anti-theatricality in Twentieth-Century Opera
  2. Herbert Lindenberger
  3. pp. 300-317
  4. DOI: https://doi.org/10.1353/mdr.2001.0019
  5. restricted access
  1. Conrad's Adaptation: Theatricality and Cosmopolitanism
  2. Rebecca L. Walkowitz
  3. pp. 318-336
  4. DOI: https://doi.org/10.1353/mdr.2001.0026
  5. restricted access
  1. Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays
  2. Elinor Fuchs
  3. pp. 337-354
  4. DOI: https://doi.org/10.1353/mdr.2001.0033
  5. restricted access
  1. Modernism and Anti-theatricality: An Afterword
  2. Martin Puchner
  3. pp. 355-361
  4. DOI: https://doi.org/10.1353/mdr.2001.0040
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  1. Extreme Exposure: An Anthology of Solo Performance Texts from the Twentieth Century ed. by Jo Bonney, and: Performance Artists Talking in the Eighties ed. by Linda Montano (review)
  2. Judith Hamera
  3. pp. 362-368
  4. DOI: https://doi.org/10.1353/mdr.2001.0002
  5. restricted access
  1. Stanislavsky in Focus by Sharon M. Carnicke, and: Twentieth Century Actor Training ed. by Alison Hodge, and: Acting Emotions: Shaping Emotions on Stage by Elly A. Konijn, and: Method Acting Reconsidered: Theory, Practice, Future ed. by David Krasner, and: On Actors and Acting by Peter Thomson (review)
  2. Tracy C. Davis
  3. pp. 369-379
  4. DOI: https://doi.org/10.1353/mdr.2001.0009
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  1. Introduction: Modernism and Anti-theatricality
  2. Alan Ackerman
  3. pp. 275-283
  4. DOI: https://doi.org/10.1353/mdr.2001.0005
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  1. Contributors
  3. pp. 380-381
  4. DOI: https://doi.org/10.1353/mdr.2001.0016
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