In this Issue

Table of Contents

Between Performative and Performance: Translation and Theatre in the Canadian/Quebec Context

Barbara Godard
pp. 327-358
DOI: https://doi.org/10.1353/mdr.2000.0039
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Constructing a Cultural Icon: Nomos and Shaw's Saint Joan in Paris

Craig Hamilton
pp. 359-375
DOI: https://doi.org/10.1353/mdr.2000.0051
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Beckett's Dying Remains: The Process of Playwriting in the Ohio Impromptu Manuscripts

Adam Seelig
pp. 376-392
DOI: https://doi.org/10.1353/mdr.2000.0032
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Space, Time, and the Self in Beckett's Late Theatre

David Pattie
pp. 393-403
DOI: https://doi.org/10.1353/mdr.2000.0070
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Stewart Parker's Heavenly Bodies: Dion Boucicault, Show Business, and Ireland

Marilynn Richtarik
pp. 404-420
DOI: https://doi.org/10.1353/mdr.2000.0011
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Oleanna and The Children's Hour: Misreading Sexuality on the Post/Modern Realistic Stage

David Kennedy Sauer
pp. 421-441
DOI: https://doi.org/10.1353/mdr.2000.0021
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Restaging the Nation: The Work of Suzan-Lori Parks

S.E. Wilmer
pp. 442-452
DOI: https://doi.org/10.1353/mdr.2000.0042
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Twister: Ken Kesey's Multimedia Theatre

Bennett Tracy Huffman
pp. 453-460
DOI: https://doi.org/10.1353/mdr.2000.0015
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Theatrical Deconstructionists: The Social "Gests" of Peter Sellars's Ajax and Robert Wilson's Einstein on the Beach

Kurt Lancaster
pp. 461-468
DOI: https://doi.org/10.1353/mdr.2000.0059
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Alfred Dampier as Performer of Late Colonial Australian Masculinities

Veronica Kelly
pp. 469-495
DOI: https://doi.org/10.1353/mdr.2000.0036
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Reviews

The Cambridge History of American Theatre, Vol. II: 1870-1945 ed. by Don B. Wilmeth and Christopher Bigsby (review)

Barry B. Witham
pp. 496-498
DOI: https://doi.org/10.1353/mdr.2000.0054
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A Sourcebook of African-American Performance: Plays, People, Movements ed. by Annemarie Bean (review)

David Krasner
pp. 498-501
DOI: https://doi.org/10.1353/mdr.2000.0047
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Understanding Lillian Hellman by Alice Griffin and Geraldine Thorsten (review)

Judith E. Barlow
pp. 501-503
DOI: https://doi.org/10.1353/mdr.2000.0055
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Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television by Brenda Murphy (review)

Jonathan Chambers
pp. 503-505
DOI: https://doi.org/10.1353/mdr.2000.0007
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Liveness: Performance in a Mediatized Culture by Philip Auslander (review)

Dorothy Chansky
pp. 505-508
DOI: https://doi.org/10.1353/mdr.2000.0017
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Women and Playwriting in Nineteenth-Century Britain ed. by Tracy C. Davis and Ellen Donkin (review)

Jennifer Jones
pp. 508-510
DOI: https://doi.org/10.1353/mdr.2000.0025
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British Theatre in the 1950s ed. by Dominic Shellard, and: British Theatre Since the War by Dominic Shellard, and: The Royal Court Theatre and the Modern Stage by Philip Roberts (review)

Susan Bennett
pp. 510-514
DOI: https://doi.org/10.1353/mdr.2000.0066
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On Directing: Interviews with Directors ed. by Gabriella Giannachi and Mary Luckhurst (review)

Jennifer Harvie
pp. 514-517
DOI: https://doi.org/10.1353/mdr.2000.0063
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Certain Fragments: Contemporary Performance and Forced Entertainment by Tim Etchells (review)

Andrew Houston
pp. 517-520
DOI: https://doi.org/10.1353/mdr.2000.0003
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Feminist Theater Practice: A Handbook by Elaine Aston (review)

Ann M. Fox
pp. 520-522
DOI: https://doi.org/10.1353/mdr.2000.0028
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Contributors

pp. 523-524
DOI: https://doi.org/10.1353/mdr.2000.0043
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