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Table of Contents

  1. How Old Is Dr. Rank?
  2. Terry Otten
  3. pp. 509-522
  4. DOI: https://doi.org/10.1353/mdr.1998.0002
  5. restricted access
  1. Imperceptible Mutabilities in the Third Kingdom: Suzan-Lori Parks and the Shared Struggle to Perceive
  2. James Frieze
  3. pp. 523-532
  4. DOI: https://doi.org/10.1353/mdr.1998.0006
  5. restricted access
  1. The Drama of Lynching in Two Blackwomen's Drama, or Relating Grimké's Rachel to Hansberry's A Raisin in the Sun
  2. Angeletta KM Gourdine
  3. pp. 533-545
  4. DOI: https://doi.org/10.1353/mdr.1998.0017
  5. restricted access
  1. "It Seems Queer": The Censorship of Her Wedding Night
  2. Christina Hauck
  3. pp. 546-556
  4. DOI: https://doi.org/10.1353/mdr.1998.0028
  5. restricted access
  1. "Plotting the Apple of Knowledge": Tom Stoppard's Arcadia as Iterated Theatrical Algorithm
  2. Lucy Melbourne
  3. pp. 557-572
  4. DOI: https://doi.org/10.1353/mdr.1998.0049
  5. restricted access
  1. "Swapping Stories About Apollo and Cuchulainn": Brian Friel and the De-Gaelicizing of Ireland
  2. Scott Boltwood
  3. pp. 573-583
  4. DOI: https://doi.org/10.1353/mdr.1998.0053
  5. restricted access
  1. Particular Myths, Universal Ethics: Wole Soyinka's The Swamp Dwellers in the New Nigeria
  2. Patrick Colm Hogan
  3. pp. 584-595
  4. DOI: https://doi.org/10.1353/mdr.1998.0038
  5. restricted access
  1. Angels in America as Medieval Mystery
  2. Benilde Montgomery
  3. pp. 596-606
  4. DOI: https://doi.org/10.1353/mdr.1998.0060
  5. restricted access
  1. Matter and Spirit in The Seagull
  2. John Reid
  3. pp. 607-622
  4. DOI: https://doi.org/10.1353/mdr.1998.0013
  5. restricted access
  1. Happy Days: Beckett's Rescript of Lady Chatterley' s Lover
  2. Jacqueline Thomas
  3. pp. 623-634
  4. DOI: https://doi.org/10.1353/mdr.1998.0024
  5. restricted access
  1. Maps of the World: "Neo-Jacobeanism" and Contemporary British Theatre
  2. Richard Boon, Amanda Price
  3. pp. 635-654
  4. DOI: https://doi.org/10.1353/mdr.1998.0064
  5. restricted access
  1. The Contemporary British History Play by Richard H. Palmer (review)
  2. Liorah Anne Golomb
  3. pp. 655-657
  4. DOI: https://doi.org/10.1353/mdr.1998.0057
  5. restricted access
  1. The Cambridge Companion to Eugene O'Neill ed. by Michael Manheim (review)
  2. Marc Maufort
  3. pp. 657-658
  4. DOI: https://doi.org/10.1353/mdr.1998.0068
  5. restricted access
  1. Drama and Ideology in Modern Israel by Glenda Abramson, and: Yiddish Proletarian Theatre: The Art and Politics of the Artef, 1925-1940 by Edna Nahshon (review)
  2. Nahma Sandrow
  3. pp. 659-660
  4. DOI: https://doi.org/10.1353/mdr.1998.0010
  5. restricted access
  1. Staging Resistance: Essays on Political Theatre ed. by Jeanne Colleran and Jenny S. Spencer (review)
  2. Natalie Harrower
  3. pp. 661-662
  4. DOI: https://doi.org/10.1353/mdr.1998.0021
  5. restricted access
  1. August Wilson: A Research and Production Sourcebook by Yvonne Shafer (review)
  2. Joseph McLaren
  3. pp. 662-664
  4. DOI: https://doi.org/10.1353/mdr.1998.0032
  5. restricted access
  1. Langston Hughes: Folk Dramatist in the Protest Tradition 1921-1943 by Joseph McLaren (review)
  2. Lisa M. Anderson
  3. pp. 664-665
  4. DOI: https://doi.org/10.1353/mdr.1998.0042
  5. restricted access
  1. Contributors
  3. pp. 666-667
  4. DOI: https://doi.org/10.1353/mdr.1998.0046
  5. restricted access
  1. Contents of Volume XLI
  3. pp. 668-673
  4. restricted access