Project MUSE - Modern Drama-Volume 41, Number 3, Fall 1998

In the Native State/Indian Ink: Footnoting the Footnotes on Empire

Laurie Kaplan

pp. 337-346

DOI: https://doi.org/10.1353/mdr.1998.0019

The (Un)Represented Fragmentation of the Body in Tennessee Williams's "Desire and the Black Masseur" and Suddenly Last Summer

Annette J. Saddik

pp. 347-354

DOI: https://doi.org/10.1353/mdr.1998.0026

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The Mise en Scène of the Non-Euclidean Character: Wellman, Jenkin and Strindberg

Jon Erickson

pp. 355-370

DOI: https://doi.org/10.1353/mdr.1998.0066

J.M. Synge's The Playboy of the Western World and the Culture of Western Ireland under Late Colonial Rule

Joseph Devlin

pp. 371-385

DOI: https://doi.org/10.1353/mdr.1998.0055

"Change the Joke[r] and Slip the Yoke": Boal's "Joker" System in Ntozake Shange's for colored girls ... and spell #7

P. Jane Splawn

pp. 386-398

DOI: https://doi.org/10.1353/mdr.1998.0062

Jean-Claude Grumberg's Holocaust Plays: Presenting the Jewish Experience

Brian Pocknell

pp. 399-410

DOI: https://doi.org/10.1353/mdr.1998.0051

From "Horse Opera" History to Hall of Mirrors: Luis Valdez's Bandido!

Richard Wattenberg

pp. 411-422

DOI: https://doi.org/10.1353/mdr.1998.0004

Epiphanic Transformations: Lou Andreas-Salomé's Reading of Nora, Rebecca and Ellida

Lorraine Markotic

pp. 423-441

DOI: https://doi.org/10.1353/mdr.1998.0040

Fin-de-siècle Reflections and Revisions: Wertenbaker Challenges British Chekhov Tradition in The Break of Day

Stuart Young

pp. 442-460

DOI: https://doi.org/10.1353/mdr.1998.0015

Will Godot Come by Bus or through a Trace?: Discussion of a Chinese Absurdist Play

Harry H. Kuoshu

pp. 461-473

DOI: https://doi.org/10.1353/mdr.1998.0030

Mattogrosso: The Postmodernist Stage in Brazil

David S. George

pp. 474-482

DOI: https://doi.org/10.1353/mdr.1998.0008

Contemporary African American Female Playwrights: An Annotated Bibliography by Dana A. Williams (review)

Kathy A. Perkins

pp. 483-484

DOI: https://doi.org/10.1353/mdr.1998.0063

Down the Nights and Down the Days: Eugene O'Neill's Catholic Sensibility by Edward L. Shaughnessy (review)

Maurice Breslow

pp. 484-486

DOI: https://doi.org/10.1353/mdr.1998.0005

Harold Pinter and the New British Theatre by Keith Peacock (review)

Colette Stoeber

pp. 486-488

DOI: https://doi.org/10.1353/mdr.1998.0016

The History of Southern Drama by Charles S. Watson (review)

Laurin Porter

pp. 488-490

DOI: https://doi.org/10.1353/mdr.1998.0027

Sam Shepard and the American Theatre by Leslie A. Wade, and: The Theatre of Sam Shepard: States of Crisis by Stephen J. Bottoms (review)

Steven D. Putzel

pp. 490-492

DOI: https://doi.org/10.1353/mdr.1998.0037

The Cambridge Companion to Tennessee Williams ed. by Matthew C. Roudané (review)

Brian Parker

pp. 493-496

DOI: https://doi.org/10.1353/mdr.1998.0048

Women and Victorian Theatre by Kerry Powell, and: Ibsen's Women by Joan Templeton (review)

Shelley Scott

pp. 496-499

DOI: https://doi.org/10.1353/mdr.1998.0059

Robert Lepage: Connecting Flights: Robert Lepage in Conversation with Rémy Charest by Rémy Charest (review)

Natalie Rewa

pp. 499-500

DOI: https://doi.org/10.1353/mdr.1998.0001

Oscar Wilde: Myths, Miracles, and Imitations by John Stokes (review)

Ted Bain

pp. 501-502

DOI: https://doi.org/10.1353/mdr.1998.0012

Gender and the Italian Stage: From the Renaissance to the Present Day by Maggie Günsberg (review)

Rosalind Kerr

pp. 502-504

DOI: https://doi.org/10.1353/mdr.1998.0023

The Cambridge Companion to Arthur Miller ed. by Christopher Bigsby (review)

Peter L. Hays

pp. 504-506

DOI: https://doi.org/10.1353/mdr.1998.0034

Contributors

pp. 507-508

DOI: https://doi.org/10.1353/mdr.1998.0044

ISSN	1712-5286
Print ISSN	0026-7694
Launched on MUSE	2013-07-03
Open Access	No

Modern Drama

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