In this Issue

Table of Contents

Articles

Introduction

Alan Thomas
pp. 1-6
DOI: https://doi.org/10.1353/mdr.1998.0045
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Twice Translated Texts: Beckett into English and Chaikin into Theater

Ruby Cohn
pp. 7-18
DOI: https://doi.org/10.1353/mdr.1998.0007
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Variations on a Theme: Respecting Dario Fo

Joseph Farrell
pp. 19-29
DOI: https://doi.org/10.1353/mdr.1998.0029
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Valle-Inclán: The Mirroring of the Esperpento

David Johnston
pp. 30-48
DOI: https://doi.org/10.1353/mdr.1998.0050
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Moscow Stations: From Novel to Play

Stephen Mulrine
pp. 49-59
DOI: https://doi.org/10.1353/mdr.1998.0025
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Molière in North America: Problems of Translation and Adaptation

David Edney
pp. 60-76
DOI: https://doi.org/10.1353/mdr.1998.0018
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Northern Ireland: Our Troy? Recent Versions of Greek Tragedies by Irish Writers

Colin Teevan
pp. 77-89
DOI: https://doi.org/10.1353/mdr.1998.0035
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Silesian into Scots: Gerhart Hauptmann's The Weavers

Bill Findlay
pp. 90-104
DOI: https://doi.org/10.1353/mdr.1998.0039
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"Greeks bearing gifts": Athol Fugard's Orestes Project and the Politics of Experience

Mervyn McMurtry
pp. 105-118
DOI: https://doi.org/10.1353/mdr.1998.0014
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Ebb and Flow: Ibsen's The Lady from the Sea and the Possibility of Feminine Discourse

James Leigh
pp. 119-133
DOI: https://doi.org/10.1353/mdr.1998.0003
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Elfriede Jelinek's Nora Project: Or What Happens When Nora Meets the Capitalists

Christine Kiebuzinska
pp. 134-145
DOI: https://doi.org/10.1353/mdr.1998.0061
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Sometimes More is Less: Fellini's Otto e mezzo to Kopit's Nine

Toby Zinman
pp. 146-156
DOI: https://doi.org/10.1353/mdr.1998.0056
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Book Reviews

Out of Inferno: Strindberg's Reawakening as an Artist by Harry G. Carlson (review)

Charles Leland
pp. 157-160
DOI: https://doi.org/10.1353/mdr.1998.0047
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Stages of Annihilation: Theatrical Representations of the Holocaust by Edward R. Isser (review)

Michael Taub
pp. 160-162
DOI: https://doi.org/10.1353/mdr.1998.0058
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Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism by Anne Fleche (review)

John S. Bak
pp. 162-166
DOI: https://doi.org/10.1353/mdr.1998.0000
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Scottish Theatre Since the Seventies ed. by Randall Stevenson & Gavin Wallace (review)

Maria Dicenzo
pp. 167-168
DOI: https://doi.org/10.1353/mdr.1998.0011
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American Drama: The Bastard Art by Susan Harris Smith (review)

William W. Demastes
pp. 169-170
DOI: https://doi.org/10.1353/mdr.1998.0022
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Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage ed. by Nicole Boireau (review)

J.M. Reid
pp. 170-172
DOI: https://doi.org/10.1353/mdr.1998.0033
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Howard Barker's Theatre of Seduction by Charles Lamb (review)

Alan Thomas
pp. 172-175
DOI: https://doi.org/10.1353/mdr.1998.0043
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Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 by David Krasner (review)

Stephen Johnson
pp. 175-177
DOI: https://doi.org/10.1353/mdr.1998.0054
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The Theatre of Robert Wilson by Arthur Holmberg (review)

Eileen Fischer
pp. 177-178
DOI: https://doi.org/10.1353/mdr.1998.0065
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Contributors

pp. 179-180
DOI: https://doi.org/10.1353/mdr.1998.0036
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