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Table of Contents

  1. Twice Translated Texts: Beckett into English and Chaikin into Theater
  2. Ruby Cohn
  3. pp. 7-18
  4. DOI: https://doi.org/10.1353/mdr.1998.0007
  5. restricted access
  1. Variations on a Theme: Respecting Dario Fo
  2. Joseph Farrell
  3. pp. 19-29
  4. DOI: https://doi.org/10.1353/mdr.1998.0029
  5. restricted access
  1. Valle-Inclán: The Mirroring of the Esperpento
  2. David Johnston
  3. pp. 30-48
  4. DOI: https://doi.org/10.1353/mdr.1998.0050
  5. restricted access
  1. Moscow Stations: From Novel to Play
  2. Stephen Mulrine
  3. pp. 49-59
  4. DOI: https://doi.org/10.1353/mdr.1998.0025
  5. restricted access
  1. Molière in North America: Problems of Translation and Adaptation
  2. David Edney
  3. pp. 60-76
  4. DOI: https://doi.org/10.1353/mdr.1998.0018
  5. restricted access
  1. Northern Ireland: Our Troy? Recent Versions of Greek Tragedies by Irish Writers
  2. Colin Teevan
  3. pp. 77-89
  4. DOI: https://doi.org/10.1353/mdr.1998.0035
  5. restricted access
  1. Silesian into Scots: Gerhart Hauptmann's The Weavers
  2. Bill Findlay
  3. pp. 90-104
  4. DOI: https://doi.org/10.1353/mdr.1998.0039
  5. restricted access
  1. "Greeks bearing gifts": Athol Fugard's Orestes Project and the Politics of Experience
  2. Mervyn McMurtry
  3. pp. 105-118
  4. DOI: https://doi.org/10.1353/mdr.1998.0014
  5. restricted access
  1. Ebb and Flow: Ibsen's The Lady from the Sea and the Possibility of Feminine Discourse
  2. James Leigh
  3. pp. 119-133
  4. DOI: https://doi.org/10.1353/mdr.1998.0003
  5. restricted access
  1. Elfriede Jelinek's Nora Project: Or What Happens When Nora Meets the Capitalists
  2. Christine Kiebuzinska
  3. pp. 134-145
  4. DOI: https://doi.org/10.1353/mdr.1998.0061
  5. restricted access
  1. Sometimes More is Less: Fellini's Otto e mezzo to Kopit's Nine
  2. Toby Zinman
  3. pp. 146-156
  4. DOI: https://doi.org/10.1353/mdr.1998.0056
  5. restricted access
  1. Out of Inferno: Strindberg's Reawakening as an Artist by Harry G. Carlson (review)
  2. Charles Leland
  3. pp. 157-160
  4. DOI: https://doi.org/10.1353/mdr.1998.0047
  5. restricted access
  1. Stages of Annihilation: Theatrical Representations of the Holocaust by Edward R. Isser (review)
  2. Michael Taub
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/mdr.1998.0058
  5. restricted access
  1. Mimetic Disillusion: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Realism by Anne Fleche (review)
  2. John S. Bak
  3. pp. 162-166
  4. DOI: https://doi.org/10.1353/mdr.1998.0000
  5. restricted access
  1. Scottish Theatre Since the Seventies ed. by Randall Stevenson & Gavin Wallace (review)
  2. Maria Dicenzo
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/mdr.1998.0011
  5. restricted access
  1. American Drama: The Bastard Art by Susan Harris Smith (review)
  2. William W. Demastes
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/mdr.1998.0022
  5. restricted access
  1. Drama on Drama: Dimensions of Theatricality on the Contemporary British Stage ed. by Nicole Boireau (review)
  2. J.M. Reid
  3. pp. 170-172
  4. DOI: https://doi.org/10.1353/mdr.1998.0033
  5. restricted access
  1. Howard Barker's Theatre of Seduction by Charles Lamb (review)
  2. Alan Thomas
  3. pp. 172-175
  4. DOI: https://doi.org/10.1353/mdr.1998.0043
  5. restricted access
  1. Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 by David Krasner (review)
  2. Stephen Johnson
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/mdr.1998.0054
  5. restricted access
  1. The Theatre of Robert Wilson by Arthur Holmberg (review)
  2. Eileen Fischer
  3. pp. 177-178
  4. DOI: https://doi.org/10.1353/mdr.1998.0065
  5. restricted access
  1. Introduction
  2. Alan Thomas
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/mdr.1998.0045
  5. restricted access
  1. Contributors
  3. pp. 179-180
  4. DOI: https://doi.org/10.1353/mdr.1998.0036
  5. restricted access